{"id":14663,"date":"2021-12-07T11:00:00","date_gmt":"2021-12-07T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/ac-dc-the-schoolboy-riff-that-would-not-sit-down\/"},"modified":"2026-09-26T23:10:17","modified_gmt":"2026-09-26T21:10:17","slug":"ac-dc-the-schoolboy-riff-that-would-not-sit-down","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/ac-dc-the-schoolboy-riff-that-would-not-sit-down\/","title":{"rendered":"AC\/DC – Le riff d’\u00e9colier qui ne s’assoit pas"},"content":{"rendered":"

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Sydney, novembre 1973 : deux fr\u00e8res, un uniforme d’\u00e9colier, et un riff gard\u00e9 simple<\/h3>\n

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En novembre 1973, \u00e0 Sydney, Malcolm Young et son fr\u00e8re cadet Angus fondent AC\/DC. Angus monte sur sc\u00e8ne en uniforme d’\u00e9colier, short et casquette, et n’a pour ainsi dire jamais quitt\u00e9 le costume. Le premier chanteur, Dave Evans, ne dure pas. Bon Scott arrive en 1974, une voix qui a d\u00e9j\u00e0 l’air d’avoir ferm\u00e9 quelques bars, et la forme du groupe se verrouille : la main droite de Malcolm \u00e0 la guitare rythmique, Angus devant \u00e0 la lead, Scott qui raconte l’histoire avec aussi peu de mots que le riff le permet.<\/p>\n

Les premiers albums sortent chez Albert Productions, en Australie. High Voltage et T.N.T. en 1975 nourrissent le High Voltage international, publi\u00e9 par Atlantic en 1976, puis Dirty Deeds Done Dirt Cheap. Let There Be Rock suit en 1977, Powerage en 1978. Phil Rudd joue de la batterie. Mark Evans est le premier bassiste ; Cliff Williams prend le relais en 1977 et reste. Les chansons sont courtes expr\u00e8s. \u00ab\u00a0It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll)\u00a0\u00bb pose des cornemuses sur un riff et filme le groupe sur un camion \u00e0 plateau \u00e0 Melbourne. \u00ab\u00a0Let There Be Rock\u00a0\u00bb et \u00ab\u00a0Whole Lotta Rosie\u00a0\u00bb font le m\u00eame travail sans le camion : une figure, r\u00e9p\u00e9t\u00e9e jusqu’\u00e0 ce que la salle c\u00e8de.<\/p>\n

\u00c0 la fin des ann\u00e9es 1970, le groupe a d\u00e9plac\u00e9 sa base vers Londres et tourne comme si les disques n’\u00e9taient que la publicit\u00e9 du concert suivant. L’uniforme, le duckwalk et le riff unique sont d\u00e9j\u00e0 tout le sc\u00e9nario de sc\u00e8ne.<\/p>\n

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Highway to Hell, sorti en juillet 1979 et produit par Mutt Lange, est le premier album d’AC\/DC qui les installe vraiment en Am\u00e9rique. Le titre est Scott au plus direct, Angus toujours en uniforme, Malcolm qui refuse toujours d’orner le rythme. C’est aussi le dernier album que Scott termine. Le 19 f\u00e9vrier 1980, il meurt \u00e0 Londres, \u00e0 33 ans. Le groupe s’arr\u00eate, puis d\u00e9cide que les chansons que Malcolm et Angus ont d\u00e9j\u00e0 ne finiront pas dans un tiroir. Brian Johnson, du groupe de Newcastle Geordie, auditionne \u00e0 Londres en chantant \u00ab\u00a0Whole Lotta Rosie\u00a0\u00bb et repart avec le poste. Lange revient. La commande ne change pas parce que le chanteur a chang\u00e9. Aucune ballade n’est ajout\u00e9e pour marquer la mort. Le morceau-titre dit \u00ab\u00a0forget the hearse\u00a0\u00bb et encha\u00eene sur le riff. Back in Black sort le 25 juillet 1980, dans une pochette noire, avec \u00ab\u00a0Hells Bells\u00a0\u00bb en ouverture et \u00ab\u00a0You Shook Me All Night Long\u00a0\u00bb comme tube qui n’a pas besoin d’explication. Il devient l’un des albums les plus vendus jamais faits, et il le fait sans ballade et sans discours.<\/p>\n

For Those About to Rock We Salute You suit en 1981 et donne au groupe son premier num\u00e9ro 1 Billboard, canons compris. Le reste de la d\u00e9cennie garde les m\u00eames r\u00e8gles et change les d\u00e9tails. Flick of the Switch, Fly on the Wall, Blow Up Your Video. Who Made Who en 1986, li\u00e9 au film Maximum Overdrive de Stephen King, sert de carte de visite bruyante. The Razors Edge en 1990 apporte \u00ab\u00a0Thunderstruck\u00a0\u00bb, un riff construit pour s’entendre depuis le parking. \u00c0 travers les secousses de line-up, y compris des p\u00e9riodes sans Phil Rudd, la setlist bouge \u00e0 peine. Les gens viennent pour les vieilles chansons jou\u00e9es de la m\u00eame fa\u00e7on.<\/p>\n

\u00c0 c\u00f4t\u00e9 de Kiss ou Aerosmith, AC\/DC refusait les changements de costume et les d\u00e9tours ballade. \u00c0 c\u00f4t\u00e9 du hard rock plus tardif, ils ont gard\u00e9 la set list honn\u00eate : les m\u00eames riffs, le m\u00eame volume, la m\u00eame tenue d’\u00e9colier. Pour une premi\u00e8re \u00e9coute, Back in Black est la porte \u00e9vidente, Highway to Hell pour la voix de Bon Scott, Powerage si vous voulez le groupe avant la perc\u00e9e am\u00e9ricaine. \u00ab\u00a0Thunderstruck\u00a0\u00bb et \u00ab\u00a0You Shook Me All Night Long\u00a0\u00bb sont le raccourci radio ; \u00ab\u00a0Riff Raff\u00a0\u00bb et \u00ab\u00a0Let There Be Rock\u00a0\u00bb la preuve en salle.<\/p>\n

Black Ice en 2008, produit par Brendan O’Brien, les remet en haut de classements qu’ils avaient d\u00e9j\u00e0 conquis. L’ou\u00efe et la sant\u00e9 de Malcolm le sortent ensuite de la route. Son neveu Stevie Young, qui avait d\u00e9j\u00e0 d\u00e9pann\u00e9, prend la guitare rythmique. Malcolm Young meurt le 18 novembre 2016. Power Up, sorti en novembre 2020, est b\u00e2ti sur des riffs qu’il avait laiss\u00e9s, avec Johnson, Angus, Williams et Rudd sur le disque. La m\u00e9thode n’a pas \u00e9t\u00e9 mise \u00e0 jour pour coller \u00e0 la d\u00e9cennie. Angus sort toujours en uniforme d’\u00e9colier. Les chansons sont toujours une id\u00e9e, jou\u00e9e fort, la voix dessus et rien devant. C’est tout le catalogue : un riff qui a refus\u00e9 de s’asseoir, et un groupe qui a trait\u00e9 la simplicit\u00e9 comme le travail.<\/p>\n

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En novembre 1973, \\u00e0 Sydney, Malcolm Young et son fr\\u00e8re cadet Angus fondent AC\/DC.<\/p>\n","protected":false},"author":1,"featured_media":14656,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[287,289],"tags":[400,452],"class_list":["post-14663","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques","category-groupes","tag-ac-dc-fr","tag-hardrock-metal-fr"],"yoast_head":"\nAC\/DC - Le riff d'\u00e9colier qui ne s'assoit pas - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/ac-dc-the-schoolboy-riff-that-would-not-sit-down\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"AC\/DC - 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