{"id":14758,"date":"2015-04-22T11:00:00","date_gmt":"2015-04-22T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/christine-and-the-queens-dance-that-told-the-truth\/"},"modified":"2026-11-09T07:08:39","modified_gmt":"2026-11-09T06:08:39","slug":"christine-and-the-queens-dance-that-told-the-truth","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/artistes\/christine-and-the-queens-dance-that-told-the-truth\/","title":{"rendered":"Christine and the Queens – La danse qui disait la v\u00e9rit\u00e9"},"content":{"rendered":"

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De Nantes \u00e0 Paris : H\u00e9lo\u00efse Letissier construit Christine autour de la danse<\/h3>\n

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H\u00e9lo\u00efse Letissier est n\u00e9e en 1988 \u00e0 Nantes et a \u00e9tudi\u00e9 le th\u00e9\u00e2tre physique \u00e0 l’\u00c9cole Nationale Sup\u00e9rieure des Arts et Techniques du Th\u00e9\u00e2tre \u00e0 Lyon avant de s’installer \u00e0 Paris. En 2010, pendant une p\u00e9riode difficile \u00e0 Londres o\u00f9 elle s’est retrouv\u00e9e sans logement stable, elle a assist\u00e9 \u00e0 un show de drag queens au Madame Jojo’s de Soho. Les queens pr\u00e9sentes l’ont encourag\u00e9e, accueillie et lui ont donn\u00e9 un nom. Elle est rentr\u00e9e en France, a commenc\u00e9 \u00e0 \u00e9crire des chansons sous le nom de Christine and the Queens et a sorti un premier EP en 2012. Le nom porte l’origine : une identit\u00e9 reconstruite au sein d’une communaut\u00e9 emprunt\u00e9e.<\/p>\n

Chaleur Humaine est sortie en France en 2014 et a touch\u00e9 un public plus large \u00e0 travers une \u00e9dition anglophone en 2016. Titres fran\u00e7ais et anglais partageaient le disque. \u00ab\u00a0Saint Claude\u00a0\u00bb transformait un nom de rue parisien en chanson indirecte sur le d\u00e9sir et le manque. \u00ab\u00a0Tilted,\u00a0\u00bb un r\u00e9enregistrement de \u00ab\u00a0Paradis Perdus,\u00a0\u00bb b\u00e2tissait son refrain autour d’un mot pouvant d\u00e9signer un cadre de travers ou un corps en dehors des attentes conventionnelles. L’album s’est vendu lentement au d\u00e9but, puis a pris de l’ampleur quand des vid\u00e9os de concert ont circul\u00e9. La chor\u00e9graphie de Letissier \u00e9tait aussi d\u00e9lib\u00e9r\u00e9e que ses paroles.<\/p>\n

Cette chor\u00e9graphie compte. Letissier a int\u00e9gr\u00e9 sa formation en th\u00e9\u00e2tre directement dans la performance musicale : chaque geste de ses concerts est compos\u00e9 avec le m\u00eame soin qu’une m\u00e9lodie. Ses prestations sc\u00e9niques ont suscit\u00e9 des comparaisons avec Michael Jackson, non par imitation mais par le soin du mouvement. La danse porte une partie de ce que dit la chanson. Sa performance de \u00ab\u00a0Tilted\u00a0\u00bb en 2016 dans Later… with Jools Holland a montr\u00e9 la m\u00e9thode clairement : ma\u00eetris\u00e9e, sans pr\u00e9cipitation, le corps portant un sens que l’audio seul ne peut transmettre.<\/p>\n

Chris (2018) a chang\u00e9 de registre. Le nom lui-m\u00eame signalait une \u00e9volution dans la fa\u00e7on dont Letissier pr\u00e9sentait son genre : cheveux courts, costumes, cadrage plus masculin dans la presse et les vid\u00e9os. Musicalement, le disque s’est orient\u00e9 vers le funk et le R&B avec une basse plus pr\u00e9sente et une grille rythmique plus dure. \u00ab\u00a0Girlfriend\u00a0\u00bb et \u00ab\u00a05 dollars\u00a0\u00bb rendaient les r\u00e9f\u00e9rences \u00e0 Prince et James Brown plus explicites que Chaleur Humaine ne l’avait permis. Les textes sont rest\u00e9s indirects, mais la production est pass\u00e9e de l’intimit\u00e9 \u00e0 quelque chose de plus physiquement affirm\u00e9.<\/p>\n

Les influences sont lisibles sans ressembler \u00e0 un d\u00e9guisement. L’habitude de Michael Jackson de traiter la vid\u00e9o comme une \u0153uvre compl\u00e8te se retrouve tout au long du travail. La discipline de studio solo de Prince et sa flexibilit\u00e9 de genre sont un mod\u00e8le clair. L’aisance de la chanson fran\u00e7aise avec l’abstraction personnelle (Philippe Katerine est une r\u00e9f\u00e9rence utile) court sous les influences anglophones. La formation th\u00e9\u00e2trale se manifeste d’une fa\u00e7on pr\u00e9cise : il y a toujours un personnage qui est aussi la performeuse, deux cadres actifs en m\u00eame temps, sans que l’un annule l’autre.<\/p>\n

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Parano\u00efa, Angels, True Love (2023) s’est aventur\u00e9 en territoire \u00e9motionnel plus ouvert. La m\u00e8re de Letissier est morte en 2021 et le deuil est pr\u00e9sent dans le disque sans \u00eatre annonc\u00e9. Les collaborateurs comprenaient Caroline Polachek. L’album va de la synth-pop \u00e0 la pop de chambre en passant par des passages proches du cabaret. Il est plus long et moins sur la d\u00e9fensive que Chris et r\u00e9compense une \u00e9coute attentive davantage que ses pr\u00e9d\u00e9cesseurs.<\/p>\n

Soniquement, la voix est l’ancre : un mezzo-soprano clair d\u00e9ploy\u00e9 avec contr\u00f4le plut\u00f4t que force. Chaleur Humaine garde les arrangements \u00e9pars. Chris pousse d\u00e9lib\u00e9r\u00e9ment la basse en avant. Parano\u00efa \u00e9largit les textures. La programmation de batterie est pr\u00e9cise et s\u00e8che sur les trois albums. Il vaut la peine d’\u00e9couter les versions fran\u00e7aise et anglaise des titres qui existent dans les deux langues. La langue modifie le registre \u00e9motionnel de mani\u00e8re subtile mais r\u00e9elle.<\/p>\n

Les portes d’entr\u00e9e sont claires. Chaleur Humaine pour le cadre pop initial et intime. Chris pour la version funk. \u00ab\u00a0Saint Claude,\u00a0\u00bb \u00ab\u00a0Tilted,\u00a0\u00bb \u00ab\u00a05 dollars\u00a0\u00bb et \u00ab\u00a0People, I’ve been sad\u00a0\u00bb offrent quatre angles distincts sur le m\u00eame projet. Pour l’argument physique, les vid\u00e9os de concert de 2016-2017 (Later… with Jools Holland, The Late Show with Stephen Colbert, Pitchfork Paris) sont probablement plus instructives qu’un seul titre studio.<\/p>\n

Parmi les exports pop francophones, Stromae et Ang\u00e8le restent plus \u00e0 l’aise \u00e0 distance. Christine and the Queens reste engag\u00e9e physiquement et \u00e9trange dans les textes. C\u00f4t\u00e9 disques anglophones proches, FKA twigs est une r\u00e9f\u00e9rence. Letissier reste plus pr\u00e8s de la m\u00e9lodie et garde une structure pop. Ce m\u00e9lange d’une forme pop claire et d’un sujet plus dur a tenu dix ans, de Chaleur Humaine \u00e0 Chris, sur plus d’une chanson.<\/p>\n

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H\u00e9lo\u00efse Letissier a quitt\u00e9 Nantes pour Paris avec des carnets, une habitude du clavier et le projet de mettre un propos queer dans des chansons pop sans perdre le rythme de danse.<\/p>\n","protected":false},"author":1,"featured_media":14751,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[292,287],"tags":[595,457],"class_list":["post-14758","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artistes","category-chroniques","tag-christine-and-the-queens-fr","tag-newwave-electro-triphop-fr"],"yoast_head":"\nChristine and the Queens - La danse qui disait la v\u00e9rit\u00e9 - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"H\u00e9lo\u00efse Letissier a quitt\u00e9 Nantes pour Paris avec des carnets, une habitude du clavier et le projet de mettre un propos queer dans des chansons pop sans perdre le rythme de danse.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/artistes\/christine-and-the-queens-dance-that-told-the-truth\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Christine and the Queens - 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