{"id":15854,"date":"2008-10-21T19:00:00","date_gmt":"2008-10-21T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/the-stranglers-punk-muscle-with-a-keyboard-bite\/"},"modified":"2026-09-27T01:16:12","modified_gmt":"2026-09-26T23:16:12","slug":"the-stranglers-punk-muscle-with-a-keyboard-bite","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-stranglers-punk-muscle-with-a-keyboard-bite\/","title":{"rendered":"The Stranglers – Muscle punk avec une morsure de clavier"},"content":{"rendered":"

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De Guildford aux charts : Cornwell, Burnel, Greenfield, Black, et un groupe punk qui a gard\u00e9 les claviers<\/h3>\n

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The Stranglers arrivent dans le moment punk britannique de 1976 d\u00e9j\u00e0 plus \u00e2g\u00e9s que la plupart de leurs contemporains, plus exp\u00e9riment\u00e9s musicalement et consid\u00e9rablement plus difficiles \u00e0 situer. Hugh Cornwell \u00e0 la guitare et au chant, Jean-Jacques Burnel \u00e0 la basse et au chant, Dave Greenfield aux claviers et Jet Black \u00e0 la batterie jouaient ensemble dans diverses configurations depuis le milieu des ann\u00e9es 70 dans et autour de Guildford, Surrey. La distance de Londres a peut-\u00eatre aid\u00e9 \u00e0 maintenir les instincts pub-rock qui rendent leurs premiers disques diff\u00e9rents de tout ce qui op\u00e9rait sous le drapeau punk.<\/p>\n

Cornwell avait \u00e9tudi\u00e9 la biochimie \u00e0 l’Universit\u00e9 de Bristol, ce qui donne aux paroles du groupe une pr\u00e9cision clinique occasionnelle inhabituelle dans le rock. Greenfield \u00e9tait classiquement form\u00e9, son approche de l’orgue Vox Continental puisant dans le jazz et le cabaret europ\u00e9en autant que dans le rock. Burnel avait pratiqu\u00e9 les arts martiaux \u2014 ceinture noire de karat\u00e9 \u2014 et apportait un style de basse construit sur la pr\u00e9cision et l’agressivit\u00e9, mix\u00e9 en bas et pro\u00e9minent. Jet Black, le membre le plus \u00e2g\u00e9 de loin et ancien propri\u00e9taire d’un magasin de spiritueux \u00e0 Guildford, jouait avec un groove lourd et sans pr\u00e9cipitation qui s’accordait \u00e9trangement avec la vitesse attendue du punk. Aucun d’entre eux ne correspondait au mod\u00e8le, ce qui \u00e9tait le but.<\/p>\n

Rattus Norvegicus (United Artists, 1977) introduit la formule : l’orgue distordu de Greenfield sur le mix orient\u00e9 basse de Burnel, la guitare et l’interpr\u00e9tation sardonique de Cornwell, et des chansons qui oscillent entre m\u00e9pris, humour noir et m\u00e9lodie \u00e9trange. \u00ab\u00a0Peaches\u00a0\u00bb, \u00ab\u00a0London Lady\u00a0\u00bb, \u00ab\u00a0Ugly\u00a0\u00bb et \u00ab\u00a0Hanging Around\u00a0\u00bb montrent un groupe qui a absorb\u00e9 la menace de clavier des Doors et l’agressivit\u00e9 de la sc\u00e8ne pub-rock sans reproduire aucun des deux. No More Heroes suit plus tard la m\u00eame ann\u00e9e avec le titre \u00e9ponyme, \u00ab\u00a0Dagenham Dave\u00a0\u00bb et \u00ab\u00a0English Towns\u00a0\u00bb \u2014 le mod\u00e8le se resserre, l’humour noir s’aff\u00fbte.<\/p>\n

Black and White (1978) apporte des rythmes reggae aux c\u00f4t\u00e9s du muscle punk. The Raven (1979) et The Gospel According to the Meninblack (1981) s’aventurent dans un territoire exp\u00e9rimental plus \u00e9trange, ce dernier \u00e9tant un concept-album sur une invasion extraterrestre qui divise les critiques de fa\u00e7on d\u00e9cisive. La Folie (1981) contient \u00ab\u00a0Golden Brown\u00a0\u00bb \u2014 une valse men\u00e9e par un clavecin en 13\/8 sur le safran ou l’h\u00e9ro\u00efne selon la lecture pr\u00e9f\u00e9r\u00e9e \u2014 qui atteint le num\u00e9ro deux au Royaume-Uni et devient l’un des singles les plus genuinement \u00e9tranges de l’\u00e8re. La chanson ne ressemble \u00e0 rien d’autre dans leur catalogue ni dans le palmar\u00e8s \u00e0 cette \u00e9poque.<\/p>\n

Cornwell quitte en 1990, invoquant un \u00e9puisement cr\u00e9atif et le d\u00e9sir de poursuivre une carri\u00e8re solo. John Ellis reprend la guitare et Paul Roberts rejoint ensuite comme chanteur, maintenant le groupe actif \u00e0 travers les ann\u00e9es 90 et 2000 avec le noyau Burnel-Black intact. Greenfield meurt en 2012 ; le groupe absorbe la perte et continue, une d\u00e9monstration remarquable de momentum institutionnel. Le catalogue de la premi\u00e8re p\u00e9riode reste le document essentiel, mais la survie du groupe \u00e0 travers plus de quatre d\u00e9cennies de changements de lineup est elle-m\u00eame une forme d’argument.<\/p>\n

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Le son des premiers disques des Stranglers est construit de bas en haut. L’orgue de Greenfield remplit le registre sup\u00e9rieur o\u00f9 une guitare rythmique serait normalement, tandis que la basse de Burnel occupe un m\u00e9dium grave inhabituel dans le rock. La guitare de Cornwell op\u00e8re dans les espaces laiss\u00e9s, ce qui donne aux arrangements une pression l\u00e9g\u00e8rement claustrophobique qui convient aux paroles. Le mix est dense mais organis\u00e9, chaque instrument audible parce que chacun tient un registre distinct. L’interpr\u00e9tation vocale de Cornwell est d\u00e9tach\u00e9e, presque acad\u00e9mique \u2014 ce qui amplifie plut\u00f4t qu’att\u00e9nue la menace quand le mat\u00e9riel l’exige.<\/p>\n

La distance entre les Stranglers et leurs contemporains punk m\u00e9rite d’\u00eatre not\u00e9e. The Clash croyait en quelque chose de politique et agissait en cons\u00e9quence. Les Sex Pistols \u00e9taient une provocation d\u00e9lib\u00e9r\u00e9ment construite. Les Damned \u00e9taient amusants et rapides. Les Stranglers \u00e9taient plus \u00e2g\u00e9s, musicalement plus sophistiqu\u00e9s, et anim\u00e9s par une combinaison plus difficile \u00e0 d\u00e9finir de misanthropie, d’intelligence et de don m\u00e9lodique authentique. Ils n’appartenaient pas vraiment au moment punk, c’est pourquoi ils lui ont surv\u00e9cu.<\/p>\n

Pour les auditeurs qui connaissent les Doors ou la face plus orient\u00e9e claviers du rock britannique, la transition vers le territoire Stranglers est imm\u00e9diate. \u00ab\u00a0Hanging Around\u00a0\u00bb et \u00ab\u00a0Peaches\u00a0\u00bb sont les points de d\u00e9part naturels. \u00ab\u00a0Golden Brown\u00a0\u00bb est l’incontournable hors-norme. La compilation The Collection 1977-1982 couvre la p\u00e9riode essentielle sans n\u00e9cessiter de choisir par quel album studio commencer. Ajoutez \u00ab\u00a0No More Heroes\u00a0\u00bb, \u00ab\u00a0Always the Sun\u00a0\u00bb, \u00ab\u00a0Something Better Change\u00a0\u00bb et \u00ab\u00a0Golden Brown\u00a0\u00bb et l’argument principal est couvert.<\/p>\n

Ce qui rend le catalogue int\u00e9ressant \u00e0 revisiter, c’est la combinaison de virtuosit\u00e9 musicale authentique et d’\u00e9tranget\u00e9 authentique \u2014 deux qualit\u00e9s qui s’annulent souvent dans le rock, et que les Stranglers ont r\u00e9ussi \u00e0 maintenir en tension pendant la meilleure partie de cinq ans. Les premiers disques ne sont pas confortables, et c’est pr\u00e9cis\u00e9ment l\u00e0 tout l’int\u00e9r\u00eat.<\/p>\n

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Hugh Cornwell, Jean-Jacques Burnel, Dave Greenfield et Jet Black ont form\\u00e9 The Stranglers au milieu des ann\\u00e9es 70 et apport\\u00e9 orgue, grondement de basse et muscle pub-rock dans le moment punk britannique.<\/p>\n","protected":false},"author":1,"featured_media":7384,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[287,289],"tags":[311,688],"class_list":["post-15854","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques","category-groupes","tag-alternative-indie-punk-fr","tag-the-stranglers-fr"],"yoast_head":"\nThe Stranglers - Muscle punk avec une morsure de clavier - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-stranglers-punk-muscle-with-a-keyboard-bite\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Stranglers - 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