{"id":15954,"date":"2012-08-20T09:00:00","date_gmt":"2012-08-20T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/the-cure-delay-makeup-and-songs-that-filled-arenas\/"},"modified":"2026-09-26T23:59:30","modified_gmt":"2026-09-26T21:59:30","slug":"the-cure-delay-makeup-and-songs-that-filled-arenas","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/","title":{"rendered":"The Cure – Delay, maquillage et chansons qui remplissent les ar\u00e8nes"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

De Crawley \u00e0 Disintegration : morosit\u00e9 post-punk, puis m\u00e9lancolie \u00e0 l’\u00e9chelle des ar\u00e8nes<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

The Cure se sont form\u00e9s \u00e0 Crawley, une ville-dortoir au sud de Londres, autour de Robert Smith, Laurence Tolhurst et Michael Dempsey. Smith avait jou\u00e9 dans un groupe scolaire avant que le groupe ne se consolide sous le nom Easy Cure puis simplement The Cure, signant chez Fiction Records en 1979. Three Imaginary Boys (1979) est arriv\u00e9 avec une pochette que Smith a plus tard reni\u00e9e et un son fa\u00e7onn\u00e9 par Wire et le circuit post-punk : chansons courtes, production s\u00e8che, section rythmique en avant. L’instinct pop \u00e9tait d\u00e9j\u00e0 l\u00e0 sous l’aust\u00e9rit\u00e9.<\/p>\n

Le d\u00e9but des ann\u00e9es 1980 a \u00e9t\u00e9 la p\u00e9riode sombre, d\u00e9lib\u00e9r\u00e9ment. Seventeen Seconds (1980) a introduit un son charg\u00e9 en r\u00e9verb construit sur des lignes de guitare superpos\u00e9es et la basse de Simon Gallup en dessous de la voix \u00e0 mi-chemin entre le parl\u00e9 et le chant\u00e9 de Smith. Faith (1981) et Pornography (1982) ont compl\u00e9t\u00e9 un arc de compression : plages plus longues, tempos plus lents, textes vers l’abstraction. Pornography en particulier a \u00e9t\u00e9 enregistr\u00e9 dans un \u00e9tat de dissolution chimique ; le groupe a failli se s\u00e9parer avant la fin des sessions. Il s’ouvre sur un murmure parl\u00e9 et accumule l’obscurit\u00e9 sans offrir le moindre moment de rel\u00e2chement. Vendu modestement alors, il a acquis sa r\u00e9putation ensuite, et une grande partie de ce qui serait class\u00e9 shoegaze et darkwave y remonte.<\/p>\n

Apr\u00e8s la trilogie sombre, Smith a chang\u00e9 de direction d\u00e9lib\u00e9r\u00e9ment. \u00ab\u00a0Let’s Go to Bed\u00a0\u00bb (1982) et \u00ab\u00a0The Walk\u00a0\u00bb (1983) \u00e9taient des singles pop intentionnels, presque des blagues aux d\u00e9pens de l’intensit\u00e9 pr\u00e9c\u00e9dente. Ils ont fonctionn\u00e9 commercialement et d\u00e9sorient\u00e9 le public existant \u00e0 parts \u00e9gales. The Head on the Door (1985) a plac\u00e9 les registres les plus sombres et les plus lumineux du groupe dans la m\u00eame s\u00e9quence : \u00ab\u00a0In Between Days\u00a0\u00bb avait une clart\u00e9 folk ; \u00ab\u00a0Close to Me\u00a0\u00bb rendait la claustrophobie d’une petite pi\u00e8ce comme un hit enjou\u00e9 ; \u00ab\u00a0Sinking\u00a0\u00bb revenait au tempo fun\u00e8bre. Le disque a \u00e9t\u00e9 chart\u00e9 au Royaume-Uni et a ouvert le circuit radio college am\u00e9ricain.<\/p>\n

Kiss Me Kiss Me Kiss Me (1987) a \u00e9tir\u00e9 la gamme sur un double album : \u00ab\u00a0Why Can’t I Be You?\u00a0\u00bb \u00e9tait la chose la plus d\u00e9lib\u00e9r\u00e9ment pop qu’ils avaient sortie, tandis que \u00ab\u00a0The Snakepit\u00a0\u00bb renvoyait \u00e0 la p\u00e9riode sombre. Le public am\u00e9ricain les a trouv\u00e9s via MTV. Disintegration (1989) est le disque que la plupart des auditeurs citent comme le texte essentiel : neuf plages, la plupart au-dessus des cinq minutes, construites sur des nappes de synth\u00e9 enfl\u00e9es, la basse de Gallup dans les graves, les claviers de Roger O’Donnell et la voix de Smith interpr\u00e9tant le deuil \u00e0 un tempo qui refuse d’acc\u00e9l\u00e9rer. \u00ab\u00a0Lovesong\u00a0\u00bb a atteint le num\u00e9ro un aux \u00c9tats-Unis, un fait qui a surpris le groupe et d\u00e9concert\u00e9 une partie de son public de longue date.<\/p>\n

Les ann\u00e9es 1990 ont apport\u00e9 Wish (1992), qui contenait \u00ab\u00a0Friday I’m in Love\u00a0\u00bb – la chanson la plus directement radiophonique que Smith ait \u00e9crite – aux c\u00f4t\u00e9s d’un mat\u00e9riel plus sombre qui \u00e9quilibrait la visibilit\u00e9 commerciale. Wild Mood Swings (1996) \u00e9tait moins coh\u00e9rent. Bloodflowers (2000) est revenu \u00e0 une approche plus lente et plus aust\u00e8re qui rappelait la trilogie sombre. Le disque \u00e9ponyme de 2004 et 4:13 Dream (2008) ont confirm\u00e9 que Smith restait engag\u00e9 dans le projet sans revisiter m\u00e9caniquement les sons pass\u00e9s. Songs of a Lost World (2024), le premier album en seize ans, est arriv\u00e9 avec une production sc\u00e9nique devenue un \u00e9v\u00e9nement th\u00e9\u00e2tral d’ar\u00e8ne.<\/p>\n

[\/vc_column_text][vc_single_image image=\u00a0\u00bb15941″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_175887900012954{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][vc_column_text]<\/p>\n

Les influences sont int\u00e9gr\u00e9es dans les arrangements. Siouxsie and the Banshees \u00e9taient de proches voisins sur le circuit post-punk, et Smith a bri\u00e8vement jou\u00e9 en tourn\u00e9e avec eux ; leur th\u00e9\u00e2tralit\u00e9 gothique a laiss\u00e9 des marques claires. La p\u00e9riode berlinoise de David Bowie – Lodger, Scary Monsters – a fa\u00e7onn\u00e9 la sensibilit\u00e9 de production : charg\u00e9 en r\u00e9verb, froid en texture mais pas en \u00e9motion. La compression rythmique de Joy Division, l’approche guitare de Jimi Hendrix dans le jeu pr\u00e9coce de Smith, et un int\u00e9r\u00eat constant pour le cin\u00e9ma et la litt\u00e9rature fran\u00e7ais apparaissent aussi dans les r\u00e9f\u00e9rences du groupe.<\/p>\n

Soniquement, le groupe est identifiable d\u00e8s les premi\u00e8res secondes de presque n’importe quel titre. La guitare est tr\u00e8s trait\u00e9e : delay, chorus et r\u00e9verb empil\u00e9s pour cr\u00e9er un scintillement entre l’attaque du m\u00e9diator et le halo ambiant. La basse de Gallup fournit la fondation m\u00e9lodique, se d\u00e9pla\u00e7ant souvent dans les changements d’accord pendant que Smith joue des lignes de guitare qui colorent plut\u00f4t qu’elles n’\u00e9noncent. La voix de Smith se situe dans le m\u00e9dium et n’a jamais adopt\u00e9 de livraison rock conventionnelle \u00e0 aucun moment du catalogue.<\/p>\n

Les portes d’entr\u00e9e d\u00e9pendent du point d’arriv\u00e9e souhait\u00e9. Disintegration pour l’\u00e9chelle compl\u00e8te gothique-pop, o\u00f9 le sombre et le beau arrivent ensemble. The Head on the Door pour le disque le plus \u00e9quilibr\u00e9 entre ces deux p\u00f4les. Boys Don’t Cry, la compilation des premiers singles, pour la premi\u00e8re p\u00e9riode en concentr\u00e9. Kiss Me Kiss Me Kiss Me si on veut la plus grande amplitude en une seule \u00e9coute. Par rapport \u00e0 Joy Division, The Cure ont toujours \u00e9t\u00e9 plus attach\u00e9s \u00e0 la m\u00e9lodie : Smith \u00e9crivait des refrains qui fonctionnaient sans tol\u00e9rance particuli\u00e8re pour l’abstraction. Par rapport \u00e0 Bauhaus, The Cure \u00e9taient moins th\u00e9\u00e2traux et plus directs \u00e9motionnellement.<\/p>\n

Ce que le catalogue a maintenu sur cinq d\u00e9cennies, c’est l’\u00e9quilibre entre ses deux p\u00f4les sans jamais r\u00e9soudre la tension. L’obscurit\u00e9 est audible dans les arrangements de guitare et dans l’approche vocale, mais le m\u00e9tier pop est l\u00e0 en dessous, et aucun des deux ne neutralise l’autre. Les auditeurs arriv\u00e9s par \u00ab\u00a0Friday I’m in Love\u00a0\u00bb ont trouv\u00e9 Disintegration sur la m\u00eame \u00e9tag\u00e8re. C’est cet \u00e9cart – plut\u00f4t qu’une identit\u00e9 fixe – qui fait de The Cure plus qu’un document de genre.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

The Cure se sont form\\u00e9s \\u00e0 Crawley autour de Robert Smith et ont grandi d’une obscurit\\u00e9 post-punk vers un catalogue capable de remplir des ar\\u00e8nes sans abandonner le crayon gris.<\/p>\n","protected":false},"author":1,"featured_media":15936,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[287,289],"tags":[457,497],"class_list":["post-15954","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques","category-groupes","tag-newwave-electro-triphop-fr","tag-the-cure-fr"],"yoast_head":"\nThe Cure - Delay, maquillage et chansons qui remplissent les ar\u00e8nes - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Cure - Delay, maquillage et chansons qui remplissent les ar\u00e8nes - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"The Cure se sont formu00e9s u00e0 Crawley autour de Robert Smith et ont grandi d'une obscuritu00e9 post-punk vers un catalogue capable de remplir des aru00e8nes sans abandonner le crayon gris.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2012-08-20T07:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-26T21:59:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/TheCure.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/the-cure-delay-makeup-and-songs-that-filled-arenas\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/the-cure-delay-makeup-and-songs-that-filled-arenas\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"The Cure – Delay, maquillage et chansons qui remplissent les ar\u00e8nes\",\"datePublished\":\"2012-08-20T07:00:00+00:00\",\"dateModified\":\"2026-09-26T21:59:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/the-cure-delay-makeup-and-songs-that-filled-arenas\\\/\"},\"wordCount\":1119,\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/the-cure-delay-makeup-and-songs-that-filled-arenas\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/TheCure.jpg\",\"keywords\":[\"New wave \\\/ Electro \\\/ Trip Hop\",\"The Cure\"],\"articleSection\":[\"Chroniques\",\"Groupes\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/the-cure-delay-makeup-and-songs-that-filled-arenas\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/the-cure-delay-makeup-and-songs-that-filled-arenas\\\/\",\"name\":\"The Cure - Delay, maquillage et chansons qui remplissent les ar\u00e8nes - RIFFS AND BEATS\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/the-cure-delay-makeup-and-songs-that-filled-arenas\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/the-cure-delay-makeup-and-songs-that-filled-arenas\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/TheCure.jpg\",\"datePublished\":\"2012-08-20T07:00:00+00:00\",\"dateModified\":\"2026-09-26T21:59:30+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/the-cure-delay-makeup-and-songs-that-filled-arenas\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/the-cure-delay-makeup-and-songs-that-filled-arenas\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/the-cure-delay-makeup-and-songs-that-filled-arenas\\\/#primaryimage\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/TheCure.jpg\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/TheCure.jpg\",\"width\":1200,\"height\":700},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/the-cure-delay-makeup-and-songs-that-filled-arenas\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Cure – Delay, maquillage et chansons qui remplissent les ar\u00e8nes\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#website\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/\",\"name\":\"RIFFS AND BEATS\",\"description\":\"Soundtrack Of Our Lives\",\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#organization\",\"name\":\"RIFFS AND BEATS\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"width\":500,\"height\":500,\"caption\":\"RIFFS AND BEATS\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/profile.php?id=61576819018054\",\"https:\\\/\\\/x.com\\\/riffsandbeats99\",\"https:\\\/\\\/www.instagram.com\\\/riffsandbeatsofficial\",\"https:\\\/\\\/www.youtube.com\\\/@RiffsandBeats\",\"https:\\\/\\\/www.tiktok.com\\\/@riffsandbeats\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\",\"name\":\"pgorce\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"caption\":\"pgorce\"},\"sameAs\":[\"https:\\\/\\\/riffsandbeats.com\"],\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/author\\\/pgorce\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The Cure - Delay, maquillage et chansons qui remplissent les ar\u00e8nes - RIFFS AND BEATS","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/","og_locale":"fr_FR","og_type":"article","og_title":"The Cure - Delay, maquillage et chansons qui remplissent les ar\u00e8nes - RIFFS AND BEATS","og_description":"The Cure se sont formu00e9s u00e0 Crawley autour de Robert Smith et ont grandi d'une obscuritu00e9 post-punk vers un catalogue capable de remplir des aru00e8nes sans abandonner le crayon gris.","og_url":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/","og_site_name":"RIFFS AND BEATS","article_publisher":"https:\/\/www.facebook.com\/profile.php?id=61576819018054","article_published_time":"2012-08-20T07:00:00+00:00","article_modified_time":"2026-09-26T21:59:30+00:00","og_image":[{"width":1200,"height":700,"url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/TheCure.jpg","type":"image\/jpeg"}],"author":"pgorce","twitter_card":"summary_large_image","twitter_creator":"@riffsandbeats99","twitter_site":"@riffsandbeats99","twitter_misc":{"\u00c9crit par":"pgorce","Dur\u00e9e de lecture estim\u00e9e":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/#article","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/"},"author":{"name":"pgorce","@id":"https:\/\/riffsandbeats.com\/fr\/#\/schema\/person\/1f742458457cfc69e236f2bfdaad9599"},"headline":"The Cure – Delay, maquillage et chansons qui remplissent les ar\u00e8nes","datePublished":"2012-08-20T07:00:00+00:00","dateModified":"2026-09-26T21:59:30+00:00","mainEntityOfPage":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/"},"wordCount":1119,"publisher":{"@id":"https:\/\/riffsandbeats.com\/fr\/#organization"},"image":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/TheCure.jpg","keywords":["New wave \/ Electro \/ Trip Hop","The Cure"],"articleSection":["Chroniques","Groupes"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/","url":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/","name":"The Cure - Delay, maquillage et chansons qui remplissent les ar\u00e8nes - RIFFS AND BEATS","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/#primaryimage"},"image":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/TheCure.jpg","datePublished":"2012-08-20T07:00:00+00:00","dateModified":"2026-09-26T21:59:30+00:00","breadcrumb":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/#primaryimage","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/TheCure.jpg","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/TheCure.jpg","width":1200,"height":700},{"@type":"BreadcrumbList","@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-cure-delay-makeup-and-songs-that-filled-arenas\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/riffsandbeats.com\/fr\/"},{"@type":"ListItem","position":2,"name":"The Cure – Delay, maquillage et chansons qui remplissent les ar\u00e8nes"}]},{"@type":"WebSite","@id":"https:\/\/riffsandbeats.com\/fr\/#website","url":"https:\/\/riffsandbeats.com\/fr\/","name":"RIFFS AND BEATS","description":"Soundtrack Of Our Lives","publisher":{"@id":"https:\/\/riffsandbeats.com\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/riffsandbeats.com\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/riffsandbeats.com\/fr\/#organization","name":"RIFFS AND BEATS","url":"https:\/\/riffsandbeats.com\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/riffsandbeats.com\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","width":500,"height":500,"caption":"RIFFS AND BEATS"},"image":{"@id":"https:\/\/riffsandbeats.com\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/profile.php?id=61576819018054","https:\/\/x.com\/riffsandbeats99","https:\/\/www.instagram.com\/riffsandbeatsofficial","https:\/\/www.youtube.com\/@RiffsandBeats","https:\/\/www.tiktok.com\/@riffsandbeats"]},{"@type":"Person","@id":"https:\/\/riffsandbeats.com\/fr\/#\/schema\/person\/1f742458457cfc69e236f2bfdaad9599","name":"pgorce","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","caption":"pgorce"},"sameAs":["https:\/\/riffsandbeats.com"],"url":"https:\/\/riffsandbeats.com\/fr\/author\/pgorce\/"}]}},"_links":{"self":[{"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/posts\/15954","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/comments?post=15954"}],"version-history":[{"count":4,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/posts\/15954\/revisions"}],"predecessor-version":[{"id":21180,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/posts\/15954\/revisions\/21180"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/media\/15936"}],"wp:attachment":[{"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/media?parent=15954"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/categories?post=15954"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/tags?post=15954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}