{"id":15979,"date":"2013-07-07T09:00:00","date_gmt":"2013-07-07T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/t-rex-glam-glitter-cut-to-a-boogie-riff\/"},"modified":"2026-09-27T01:17:13","modified_gmt":"2026-09-26T23:17:13","slug":"t-rex-glam-glitter-cut-to-a-boogie-riff","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/t-rex-glam-glitter-cut-to-a-boogie-riff\/","title":{"rendered":"T. Rex &#8211; Le glam paillet\u00e9 taill\u00e9 sur un riff boogie"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">De Tyrannosaurus Rex \u00e0 Electric Warrior<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Marc Bolan passe la fin des ann\u00e9es 1960 comme mystique folk sous le nom \u00e9tendu Tyrannosaurus Rex, enregistrant des albums acoustiques avec Steve Peregrin Took aux percussions et construisant une base underground d\u00e9vou\u00e9e en Grande-Bretagne. My People Were Fair and Had Sky in Their Hair (1968), Prophets, Seers and Sages (1968) et Unicorn (1969) puisent dans la folk anglaise, la mythologie hippie et une tradition litt\u00e9raire fantastique que Bolan avait absorb\u00e9e dans la lecture de Tolkien et de la po\u00e9sie anglaise ancienne. La voix est haute et plaintive, les arrangements sobres, et le public petit mais fid\u00e8le.<\/p>\n<p style=\"text-align: justify;\">Le virage se fait en plusieurs \u00e9tapes. Took quitte le groupe et est remplac\u00e9 par Mickey Finn, un collaborateur plus accommodant pour ce que Bolan commence \u00e0 envisager. A Beard of Stars (1970) introduit la guitare \u00e9lectrique pour la premi\u00e8re fois ; T. Rex (1970) raccourcit le nom et aff\u00fbte le son. Quand Electric Warrior arrive en 1971, produit par Tony Visconti, la transformation est compl\u00e8te : plus de folk, plus de mysticisme, plus de patience acoustique. \u00c0 la place : basse grasse, batterie s\u00e8che, riffs de guitare d\u00e9coup\u00e9s, et une voix qui taquine plut\u00f4t qu&rsquo;elle ne supplie.<\/p>\n<p style=\"text-align: justify;\">La production de Visconti sur Electric Warrior est d\u00e9cisive. L&rsquo;album sonne sec et en avant dans le mix, avec la guitare de Bolan haute dans la balance et la section rythmique qui ancre tout sans se r\u00e9pandre. Flo et Eddie ajoutent des ch\u0153urs qui donnent au disque un vernis de pop am\u00e9ricaine sans adoucir l&rsquo;essentiel de la duret\u00e9 des arrangements. \u00ab\u00a0Get It On\u00a0\u00bb, retitr\u00e9 \u00ab\u00a0Bang a Gong\u00a0\u00bb aux \u00c9tats-Unis, atteint le num\u00e9ro un au Royaume-Uni et perce dans le top ten am\u00e9ricain. \u00ab\u00a0Jeepster\u00a0\u00bb suit. La s\u00e9rie de hits qui va d\u00e9finir la r\u00e9putation de T. Rex est lanc\u00e9e.<\/p>\n<p style=\"text-align: justify;\">Bolan \u00e9crit court et avec une intention totale. Les refrains arrivent t\u00f4t, les ponts sont minimaux, et les paroles oscillent entre le non-sens et le geste cosmique d&rsquo;une mani\u00e8re qui fonctionne parce que le groove se charge du vrai travail d&rsquo;explication. La guitare est un slogan, la basse une d\u00e9marche, et le refrain une d\u00e9claration que les adolescents peuvent crier en retour de la sc\u00e8ne. Pas de programme politique, pas de concepts compliqu\u00e9s : paillettes, sexe, boogie, et la certitude que la personne sur sc\u00e8ne sait exactement ce qu&rsquo;elle fait avec tout cela.<\/p>\n<p style=\"text-align: justify;\">The Slider (1972) maintient l&rsquo;\u00e9lan avec \u00ab\u00a0Telegram Sam\u00a0\u00bb et \u00ab\u00a0Metal Guru\u00a0\u00bb, tous deux num\u00e9ro un au Royaume-Uni. Les congas de Mickey Finn ajoutent de la texture sans d\u00e9tourner l&rsquo;attention. Visuellement, Bolan fait du mascara et du satin des v\u00eatements de travail : T. Rex n&rsquo;est pas un groupe construit sur une pr\u00e9sentation d\u00e9mocratique mais un th\u00e9\u00e2tre de frontman avec une section rythmique serr\u00e9e derri\u00e8re lui. Le public, connu sous le nom de T. Rextasy dans la presse britannique, est parmi les plus passionn\u00e9s de l&rsquo;\u00e8re glam.<\/p>\n<p>[\/vc_column_text][vc_single_image image=\u00a0\u00bb15969&Prime; img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790428901{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">\u00ab\u00a020th Century Boy\u00a0\u00bb, \u00ab\u00a0Children of the Revolution\u00a0\u00bb et \u00ab\u00a0Hot Love\u00a0\u00bb prolongent la s\u00e9rie de singles jusqu&rsquo;en 1973. Tanx (1973) et Zinc Alloy and the Hidden Riders of Tomorrow (1974) montrent Bolan \u00e9crivant vite et pas toujours avec la m\u00eame conviction, alors que le boom glam commence \u00e0 refroidir. Au milieu des ann\u00e9es 1970, le punk arrive et \u00e9carte la g\u00e9n\u00e9ration pr\u00e9c\u00e9dente. Bolan tente de pivoter \u00e0 nouveau : une ar\u00eate plus dure, une ouverture vers le nouveau, et une \u00e9mission de t\u00e9l\u00e9vision, Marc, qui le met en contact direct avec les actes plus jeunes.<\/p>\n<p style=\"text-align: justify;\">L&rsquo;accident de voiture qui le tue le 16 septembre 1977, deux semaines avant son trenti\u00e8me anniversaire, fige la l\u00e9gende T. Rex au sommet de sa valeur symbolique. Bolan enregistrait avec une \u00e9nergie renouvel\u00e9e, avec des sessions qui laissaient entrevoir une autre transformation en cours. La mort transforme le catalogue en monument sans n\u00e9cessiter la mythologisation habituelle qui accompagne un long d\u00e9clin. Il n&rsquo;y a pas de p\u00e9riode tardive pour relativiser le travail ant\u00e9rieur.<\/p>\n<p style=\"text-align: justify;\">La position de T. Rex dans l&rsquo;histoire du pop britannique est sp\u00e9cifique : ils ont pr\u00e9c\u00e9d\u00e9 l&rsquo;\u00e9panouissement commercial complet du glam rock plut\u00f4t que d&rsquo;y participer simplement, et ils ont d\u00e9fini une grande partie de ce que le genre allait devenir. Bowie partageait la m\u00eame d\u00e9cennie et le m\u00eame sens de la th\u00e9\u00e2tralit\u00e9 \u00e9tudi\u00e9e, mais son ambition pointait vers le concept et le personnage. Celle de Bolan pointait vers le single, le riff, les deux minutes cinquante qui feraient bouger une salle. Sweet et Mud utilisaient la m\u00eame formule avec moins de pression interne ; Slade apportait l&rsquo;\u00e9nergie du chant de stade. T. Rex a construit le mod\u00e8le lui-m\u00eame.<\/p>\n<p style=\"text-align: justify;\">Commencer par Electric Warrior pour le sommet : \u00ab\u00a0Get It On\u00a0\u00bb, \u00ab\u00a0Jeepster\u00a0\u00bb et \u00ab\u00a0Life&rsquo;s a Gas\u00a0\u00bb en s\u00e9quence rendent le projet enti\u00e8rement clair. The Slider ajoute \u00ab\u00a0Telegram Sam\u00a0\u00bb et \u00ab\u00a0Metal Guru\u00a0\u00bb. Pour une approche par les singles, \u00ab\u00a020th Century Boy\u00a0\u00bb reste l&rsquo;un des grands disques rock britanniques, point final, et \u00ab\u00a0Children of the Revolution\u00a0\u00bb n&rsquo;est pas loin derri\u00e8re. Bolan a \u00e9crit le mod\u00e8le que les groupes glam ont emprunt\u00e9 et que les groupes punk ont ensuite pr\u00e9tendu ne pas reconna\u00eetre.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Marc Bolan a pass\\u00e9 la fin des ann\\u00e9es 1960 comme mystique folk avec Tyrannosaurus Rex, puis a branch\\u00e9 sa guitare, raccourci le nom en T. Rex, et construit la s\\u00e9rie de singles la plus concentr\\u00e9e du glam rock avec Tony Visconti \\u00e0 la console et un riff de guitare comme seul argument.<\/p>\n","protected":false},"author":1,"featured_media":10548,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[287,289],"tags":[482,1011],"class_list":["post-15979","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques","category-groupes","tag-classic-rock-fr","tag-t-rex-2-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>T. 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