{"id":18699,"date":"2012-03-17T13:00:00","date_gmt":"2012-03-17T12:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/champagne-supernova-oasis-wellers-sg-on-the-seven-minute-closer\/"},"modified":"2026-09-26T23:59:23","modified_gmt":"2026-09-26T21:59:23","slug":"champagne-supernova-oasis-wellers-sg-on-the-seven-minute-closer","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/champagne-supernova-oasis-wellers-sg-on-the-seven-minute-closer\/","title":{"rendered":"Champagne Supernova – Oasis : la SG de Weller sur un final de sept minutes"},"content":{"rendered":"

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Bonehead a pleur\u00e9 dans le bus avant qu’une note soit enregistr\u00e9e<\/h3>\n

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Avant qu’Oasis n’enregistre une note de Champagne Supernova<\/em>, Noel Gallagher joue toute la chanson \u00e0 la guitare acoustique \u00e0 l’arri\u00e8re du bus de tourn\u00e9e, et Bonehead pleure. Bonehead a racont\u00e9 \u00e0 Radio X que c’\u00e9tait vers huit heures du soir, la premi\u00e8re d’un paquet de chansons nouvelles, et qu’il a fini par terre. Noel se souvient de l’avoir regard\u00e9 en se demandant si la chanson \u00e9tait bonne ou si Bonehead \u00e9tait devenu tendre. La bande qui ferme (What’s the Story) Morning Glory?<\/em> en octobre 1995 dure un peu plus de sept minutes. La version du bus, c’\u00e9tait une guitare et un texte que Noel acceptait encore d’appeler sans signification.<\/p>\n

Le master est coup\u00e9 \u00e0 Rockfield en mai 1995, avec Owen Morris, dans la m\u00eame quinzaine que Wonderwall<\/em> et Don’t Look Back in Anger<\/em>. Liam la chante. Alan White joue la batterie. Les sessions manquent de faire exploser le groupe. Le photographe Michael Spencer Jones, pr\u00e9sent au studio, a plus tard appel\u00e9 la bagarre sur la pelouse une bagarre \u00e0 l’ancienne, et dit qu’Oasis s’\u00e9tait en pratique s\u00e9par\u00e9 au milieu d’un de ses plus gros disques. La majeure partie du groupe part. Ils reviennent, paient les d\u00e9g\u00e2ts, et finissent l’album. Il manque encore une guitare \u00e0 Champagne Supernova<\/em>.<\/p>\n

Cette partie n’est pas coup\u00e9e \u00e0 Rockfield. Paul Weller vient aux studios Orinoco, dans le sud de Londres, avec une Gibson SG blanche et un vieux Vox AC30, sans p\u00e9dales. Il fait quatre passes. Noel en choisit une. Weller chante aussi les choeurs. Sur le morceau fini, son lead s’ins\u00e8re dans les guitares de Noel au lieu de les remplacer : la longue section solo se passe la phrase d’un joueur \u00e0 l’autre. L’acoustique de Bonehead ouvre toujours la chanson. Liam porte la voix, y compris la ligne qui agacera plus tard un critique, \u00ab slowly walking down the hall, faster than a cannonball \u00bb.<\/p>\n

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\n

Je ne sais pas. Mais vous \u00eates en train de me dire que, quand 60 000 personnes la chantent, elles ne savent pas ce que \u00e7a veut dire ? \u00c7a veut dire quelque chose de diff\u00e9rent pour chacune d’elles.<\/p>\n<\/blockquote>\n

(Noel Gallagher au Sunday Times, 2009)<\/em><\/p>\n

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Noel avait d\u00e9j\u00e0 dit au NME, en septembre 1995, qu’une partie des mots avait \u00e9t\u00e9 \u00e9crite quand il \u00e9tait \u00e0 c\u00f4t\u00e9 de ses pompes, et qu’une image comme \u00eatre pris sous un glissement de terrain ressemblait \u00e0 une suffocation les mauvais jours, et \u00e0 rien de pr\u00e9cis les bons. Il n’a jamais fourni d’histoire fixe pour le titre. Creation ne sort pas la chanson en single au Royaume-Uni. En Am\u00e9rique, c’est un single en mai 1996, avec un clip de Nigel Dick, et elle entre dans le top 20 US. Sur sc\u00e8ne, elle devient le morceau de fin, le long, celui qu’on peut \u00e9tirer, y compris aux concerts de Knebworth en ao\u00fbt 1996.<\/p>\n

La question du Sunday Times sur la ligne du cannonball, c’est la dispute en miniature. Un journaliste dit \u00e0 Noel que le texte est ce qui emp\u00eache la chanson d’\u00eatre un classique. Noel n’explique pas l’image. Il montre la foule qui la chante. C’est la fa\u00e7on utile d’entendre le disque : sept minutes, un mur de guitares, la SG de Weller au milieu, Liam sans se presser, et un refrain qui n’a pas besoin d’un glossaire.<\/p>\n

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Avant qu’Oasis n’enregistre une note de Champagne Supernova, Noel Gallagher joue toute la chanson \u00e0 la guitare acoustique \u00e0 l’arri\u00e8re du bus, et Bonehead pleure.<\/p>\n","protected":false},"author":1,"featured_media":18692,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[287,293],"tags":[482,463],"class_list":["post-18699","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-classic-rock-fr","tag-oasis-fr"],"yoast_head":"\nChampagne Supernova - Oasis : la SG de Weller sur un final de sept minutes - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/champagne-supernova-oasis-wellers-sg-on-the-seven-minute-closer\/\" \/>\n<meta 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