{"id":18710,"date":"2009-08-06T16:00:00","date_gmt":"2009-08-06T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/acquiesce-oasis-b-side-written-on-a-stopped-train\/"},"modified":"2026-09-27T00:43:09","modified_gmt":"2026-09-26T22:43:09","slug":"acquiesce-oasis-b-side-written-on-a-stopped-train","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/acquiesce-oasis-b-side-written-on-a-stopped-train\/","title":{"rendered":"Acquiesce – Oasis : une face B \u00e9crite dans un train \u00e0 l’arr\u00eat"},"content":{"rendered":"

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Liam chante les couplets, Noel prend le refrain aigu<\/h3>\n

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Acquiesce<\/em> n’\u00e9tait pas sur (What’s the Story) Morning Glory?<\/em> \u00e0 l’origine. Elle sort le 24 avril 1995 en face B de Some Might Say<\/em>, le single qui donne \u00e0 Oasis son premier num\u00e9ro un britannique. Noel Gallagher l’\u00e9crit en route vers la session. Le train pour le pays de Galles s’arr\u00eate environ quatre heures. Il a une guitare avec lui, comme souvent. Quelqu’un dit le mot acquiesce au t\u00e9l\u00e9phone, il le note, et la chanson prend le mot comme titre. Il a dit que Liam ne sait toujours pas ce que \u00e7a veut dire.<\/p>\n

Ils l’enregistrent aux Loco Studios, dans le sud du pays de Galles, en f\u00e9vrier 1995, dans la m\u00eame s\u00e9rie courte que Some Might Say<\/em>, Talk Tonight<\/em> et Headshrinker<\/em>. Owen Morris coproduit avec Noel. Tony McCarroll joue la batterie, la derni\u00e8re fois que la formation d’origine coupe un lot de masters. Liam chante les couplets. Noel chante le refrain. La raison, dans le r\u00e9cit de Noel, est pratique. Liam ne prenait pas les notes aigu\u00ebs. Noel pensait que son fr\u00e8re \u00e9tait bourr\u00e9. Alors Noel prend le refrain : \u00ab Because we need each other, we believe in one another. \u00bb Sur le papier, \u00e7a ressemble \u00e0 une lettre d’un Gallagher \u00e0 l’autre. Noel dit que non.<\/p>\n

Alan McGee voulait cette chanson, pas Some Might Say<\/em>, en face A. Noel refuse. Il est s\u00fbr que l’autre titre est le num\u00e9ro un, et le classement lui donne raison. Les fans ne sont pas tous d’accord sur l’\u00e9criture. D\u00e8s la semaine de sortie, des gens autour du groupe disent \u00e0 Noel qu’il aurait d\u00fb garder Acquiesce<\/em> pour l’album. L’album suivant est \u00e0 environ deux ans. Il est content de la laisser en face B. La voix partag\u00e9e fait le reste du mythe. Liam au couplet, Noel au refrain, les fr\u00e8res qui auraient l’air de se r\u00e9concilier sur la bande.<\/p>\n

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Liam n’arrivait pas \u00e0 chanter le refrain, je ne sais pas pourquoi. Je crois qu’il \u00e9tait bourr\u00e9, ou un truc comme \u00e7a, il ne prenait pas les notes aigu\u00ebs. Alors je l’ai chant\u00e9. Quand le disque est sorti, tout le monde disait que c’\u00e9tait une chanson sur Liam, et que je disais qu’on avait besoin l’un de l’autre, qu’on croyait l’un en l’autre, ce qui \u00e9tait du putain de n’importe quoi.<\/p>\n<\/blockquote>\n

(Noel Gallagher, \u00e0 propos de The Masterplan)<\/em><\/p>\n

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En concert, le morceau devient un habituel, celui o\u00f9 la voix coup\u00e9e s’entend depuis la r\u00e9gie. Quand Oasis assemble The Masterplan<\/em> en 1998, une compilation de faces B choisies en partie par les fans, Acquiesce<\/em> ouvre le disque. Paul Du Noyer, dans les notes de pochette, r\u00e9p\u00e8te la correction que Noel voulait : la chanson parle d’amiti\u00e9 au sens large, pas des fr\u00e8res. Un single promo suit en octobre. Rien de tout \u00e7a ne change l’objet de 1995. L’original est une face B Creation, coup\u00e9e \u00e0 Loco avec McCarroll encore dans le groupe, rang\u00e9e derri\u00e8re un num\u00e9ro un que Noel ne voulait pas l\u00e2cher.<\/p>\n

La phrase sur le n’importe quoi est la partie int\u00e9ressante, parce qu’Oasis a ensuite pass\u00e9 des ann\u00e9es \u00e0 jouer le jeu. Le refrain sonne encore comme une tr\u00eave quand ils le chantent ensemble. Noel a dit qu’ils ont laiss\u00e9 cette lecture tenir longtemps, parce que c’\u00e9tait plus simple que d’expliquer une voix bourr\u00e9e et un mot copi\u00e9 d’un appel t\u00e9l\u00e9phonique. Le disque est plus fort que le feuilleton. Deux voix, dont l’une n’est l\u00e0 que parce que l’autre a rat\u00e9 les notes, sur une face B qui a surv\u00e9cu \u00e0 la dispute sur la face A.<\/p>\n

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Acquiesce n’\u00e9tait pas sur (What’s the Story) Morning Glory? 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