{"id":18911,"date":"2008-06-13T16:00:00","date_gmt":"2008-06-13T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/live-forever-oasis-morris-cut-the-solo-then-a-number-10\/"},"modified":"2026-09-27T01:16:07","modified_gmt":"2026-09-26T23:16:07","slug":"live-forever-oasis-morris-cut-the-solo-then-a-number-10","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/live-forever-oasis-morris-cut-the-solo-then-a-number-10\/","title":{"rendered":"Live Forever – Oasis : Morris a coup\u00e9 le solo, puis un num\u00e9ro 10"},"content":{"rendered":"

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Une m\u00e9lodie de r\u00e9serve, puis le premier top 10 chez Creation<\/h3>\n

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Noel Gallagher commence Live Forever<\/em> en 1991 \u00e0 Manchester, apr\u00e8s qu’un tuyau lui a \u00e9cras\u00e9 le pied sur un chantier et que l’entreprise l’a mis \u00e0 la r\u00e9serve. Le poste plus l\u00e9ger lui laisse le temps d’\u00e9crire. Un soir, il joue ses propres accords contre Exile on Main St.<\/em> des Rolling Stones. La ligne qu’il prend vient de Shine a Light<\/em> : \u00ab\u00a0May the good Lord shine a light on you.\u00a0\u00bb Il la change en \u00ab\u00a0Maybe I don’t really want to know.\u00a0\u00bb Pendant un moment, c’est toute la chanson. Il apporte une version finie aux r\u00e9p\u00e9titions d\u00e9but 1993. Le batteur Tony McCarroll dira que le groupe en est ouvertement saisi. Alan McGee, qui les signe chez Creation, appelle le moment o\u00f9 il l’entend l’un des plus grands qu’il ait eus avec eux.<\/p>\n

Le single sort chez Creation le 8 ao\u00fbt 1994, trois semaines avant Definitely Maybe<\/em>. C’est le troisi\u00e8me, apr\u00e8s Supersonic<\/em> et Shakermaker<\/em>. Il entre dans le classement britannique dat\u00e9 du 20 ao\u00fbt et plafonne \u00e0 la dixi\u00e8me place. C’est le premier top 10 britannique d’Oasis. Supersonic<\/em> et Shakermaker<\/em> ne l’avaient pas fait. La pochette est une photo du 251 Menlove Avenue, la maison d’enfance de John Lennon \u00e0 Woolton, Liverpool, prise par Michael Spencer Jones. Le CD britannique porte une Up in the Sky<\/em> acoustique, Cloudburst<\/em>, et un Supersonic<\/em> live d’avril 1994. La version album dure 4:36. Un radio edit dure 3:43.<\/p>\n

En studio, Owen Morris retire une intro de guitare acoustique de la d\u00e9mo et la remplace par la batterie de McCarroll seule, pendant quelques mesures. Il coupe aussi un passage du solo de Noel. Il dit que le morceau retir\u00e9 lui faisait penser \u00e0 Slash en pantalon de cuir, avec une machine \u00e0 vent, sur le Grand Canyon. Noel, via le manager Marcus Russell, lui demande de ne pas recouper le solo en deux au mix final. Ce qui sort a toujours le solo, seulement plus court. Liam chante. Bonehead joue la guitare rythmique et le piano. Guigsy joue la basse. Le morceau est travaill\u00e9 aux studios Clear \u00e0 Manchester, avec Mark Coyle et le groupe aussi au cr\u00e9dit de production, et Morris \u00e0 la production additionnelle et au mix. La tonalit\u00e9 est en sol, pouss\u00e9e de moins d’un demi-ton au mixage.<\/p>\n

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\n

Le passage que j’ai coup\u00e9 me faisait penser \u00e0 Slash en pantalon de cuir, avec une machine \u00e0 vent sur le Grand Canyon.<\/p>\n<\/blockquote>\n

(Owen Morris, sur le mix de Live Forever)<\/em><\/p>\n

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Le clip britannique est tourn\u00e9 le 24 juillet 1994, r\u00e9alis\u00e9 par Carlos Grasso. Liam est assis sur une chaise fix\u00e9e \u00e0 un mur. Le groupe enterre McCarroll. Une partie du clip est film\u00e9e au m\u00e9morial Strawberry Fields de Central Park, le carr\u00e9 de pelouse gard\u00e9 pour Lennon. Un second clip, pour l’Am\u00e9rique, est r\u00e9alis\u00e9 par Nick Egan : le groupe dans un bureau, avec des photos de musiciens morts et du footballeur Bobby Moore au mur. Les deux clips sont sur le DVD Definitely Maybe<\/em> de 2004. Le single qui se classe chez lui, c’est la sortie britannique, num\u00e9ro 10, pochette tourn\u00e9e vers Menlove Avenue.<\/p>\n

Music Week avait d\u00e9j\u00e0 appel\u00e9 le morceau mati\u00e8re \u00e0 top 10 avant le classement. Il fait le num\u00e9ro et s’arr\u00eate l\u00e0 en 1994. Le montage de Morris est celui du disque : la batterie \u00e0 la place de l’ouverture acoustique, un solo sans le passage du Grand Canyon, Liam sur la m\u00e9lodie que Noel avait commenc\u00e9e dans une r\u00e9serve. L’album suit le 29 ao\u00fbt, avec la m\u00eame prise en piste trois. Le single avait d\u00e9j\u00e0 fait les pr\u00e9sentations.<\/p>\n

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Noel commence Live Forever dans une r\u00e9serve de Manchester en 1991. 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