{"id":18922,"date":"2008-06-01T13:00:00","date_gmt":"2008-06-01T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/columbia-oasis-named-for-a-hotel-started-as-a-jam\/"},"modified":"2026-09-27T01:16:07","modified_gmt":"2026-09-26T23:16:07","slug":"columbia-oasis-named-for-a-hotel-started-as-a-jam","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/columbia-oasis-named-for-a-hotel-started-as-a-jam\/","title":{"rendered":"Columbia – Oasis : le nom d’un h\u00f4tel, n\u00e9e d’une jam"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Une jam acid house qui a pris le nom d’un h\u00f4tel londonien<\/h3>\n

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Columbia<\/em> est la piste cinq de Definitely Maybe<\/em>, six minutes et dix-sept secondes sur l’album que Creation sort le 29 ao\u00fbt 1994. Noel Gallagher lui donne le nom du Columbia Hotel \u00e0 Londres, l’endroit o\u00f9 les groupes descendaient \u00e0 Bayswater, pas celui du pays et pas celui d’un label. Il conna\u00eet l’h\u00f4tel de ses ann\u00e9es roadie avec Mark Coyle, pour les Inspiral Carpets. Dans les notes de 2014, il appelle \u00e7a le th\u00e9\u00e2tre de beaucoup de nuits de n’importe quoi, et dit que le mot sonnait comme un bon titre. La question de savoir pourquoi la chanson s’appelle ainsi a une r\u00e9ponse courte. L’h\u00f4tel. Le reste du morceau est plus vieux que l’explication du titre.<\/p>\n

La musique commence vers la fin 1991, en instrumental. Noel \u00e9crit que, quand le groupe avait peu de chansons, ils jammaient les tubes acid house du moment et faisaient n’importe quoi, et que Columbia<\/em> est sortie d’une de ces nuits. Ils la jouent le premier soir o\u00f9 il fait un concert avec Oasis. Les paroles sont ajout\u00e9es plus tard, pendant le travail au studio des Real People. Il dit qu’on se dispute encore pour savoir qui a \u00e9crit les mots, qu’ils \u00e9taient sous acide, et qu’il en a \u00e9crit 90 pour cent. Le cr\u00e9dit sur le disque est le sien seul. Liam chante. La grille est assez simple pour que Bonehead l’ait appel\u00e9e sa chanson d’Oasis pr\u00e9f\u00e9r\u00e9e \u00e0 jouer, parce qu’elle peut durer.<\/p>\n

Creation sort un promo white label en 1993. Il passe sur BBC Radio 1. Ce n’est pas un single classable. Une d\u00e9mo d\u00e9pouill\u00e9e, environ 5:24, se retrouve ensuite en face B de Supersonic<\/em>, le premier single, sorti le 11 avril 1994. La version album est enregistr\u00e9e \u00e0 Sawmills, en Cornouailles, avec Mark Coyle, Owen Morris et le groupe \u00e0 la production. Un delay bande double la batterie. La coda est longue. Sur le premier album fini, elle est entre Up in the Sky<\/em> et Supersonic<\/em>, Liam sur un grind \u00e0 deux accords, Guigsy \u00e0 la basse, McCarroll \u00e0 la batterie, Noel \u00e0 la lead. Le white label est l’objet rare. La chanson que les gens connaissent est la prise de Sawmills.<\/p>\n

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\n

Columbia est sortie d’une de ces nuits. C’\u00e9tait un instrumental et on l’a jou\u00e9 le premier soir o\u00f9 j’ai fait un concert avec Oasis. Elle porte le nom de l’h\u00f4tel. Parce que quand j’\u00e9tais roadie avec Mark Coyle pour les Inspiral Carpets, on adorait cet h\u00f4tel, c’\u00e9tait le th\u00e9\u00e2tre de beaucoup de nuits de n’importe quoi. Et \u00e7a sonnait comme un bon titre.<\/p>\n<\/blockquote>\n

(Noel Gallagher, notes de pochette de Definitely Maybe, 2014)<\/em><\/p>\n

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En concert, le grind \u00e0 deux accords en fait une ouverture utile. Oasis ouvre les deux soirs de Knebworth en ao\u00fbt 1996 avec elle, devant des foules qui ont d\u00e9j\u00e0 appris la version album. La prise live de 1996 est plus courte que les 6:17 de Definitely Maybe<\/em>. Le r\u00f4le de la chanson sur sc\u00e8ne est le m\u00eame qu’en r\u00e9p\u00e9tition : tenir la figure, laisser Liam s’asseoir dessus. La pr\u00e9f\u00e9rence de Bonehead se comprend dans cette lumi\u00e8re. Une grille simple, jou\u00e9e fort, ne s’\u00e9croule pas quand le set est long.<\/p>\n

Le white label de 1993 est le pressage rare, celui que les collectionneurs font monter. Le disque qui a fix\u00e9 la chanson, c’est le master de Sawmills sur le premier album, toujours titr\u00e9 d’apr\u00e8s un bar d’h\u00f4tel que Noel connaissait comme roadie, toujours construit comme une jam qui a appris quelques lignes. Supersonic<\/em> devient le premier vrai single. Columbia<\/em> devient la piste cinq, et le morceau avec lequel ils peuvent commencer un concert.<\/p>\n

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Columbia tient son nom du Columbia Hotel \u00e0 Londres. 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