{"id":18933,"date":"2008-05-20T11:00:00","date_gmt":"2008-05-20T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/supersonic-oasis-written-in-a-back-room-mixed-the-same-night\/"},"modified":"2026-09-27T01:16:07","modified_gmt":"2026-09-26T23:16:07","slug":"supersonic-oasis-written-in-a-back-room-mixed-the-same-night","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/supersonic-oasis-written-in-a-back-room-mixed-the-same-night\/","title":{"rendered":"Supersonic – Oasis : \u00e9crite dans l’arri\u00e8re-salle, mix\u00e9e le soir m\u00eame"},"content":{"rendered":"

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Pink Museum, un repas chinois, et un single en onze heures<\/h3>\n

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En d\u00e9cembre 1993, Oasis est au Pink Museum, \u00e0 Liverpool, Hesketh Street, et essaie de repartir avec un premier single. Alan McGee, chez Creation, voulait Bring It On Down<\/em>. Dans la pi\u00e8ce, l’ing\u00e9nieur Dave Scott se souvient de la prise qui ne tenait pas : I Will Believe<\/em>. L’\u00e9nergie tombe. Mark Coyle produit avec Noel Gallagher. Tony Griffiths, des Real People, qui tourne autour du groupe, les pousse vers autre chose. Ils ont une jam de balance, une figure rock lente que Tony McCarroll peut tenir. Noel passe dans l’arri\u00e8re-salle.<\/p>\n

Il raconte l’histoire de la m\u00eame fa\u00e7on depuis le documentaire Supersonic<\/em>. Quelqu’un a envoy\u00e9 chercher un repas chinois. Le temps que les autres le mangent, il a \u00e9crit la chanson. Le r\u00e9cit de Scott, le m\u00eame soir, est plus m\u00e9canique et tout aussi court. Noel veut un verre avant les paroles. Le whisky lui tape sur la t\u00eate, la bi\u00e8re est trop lourde, alors Scott propose un gin tonic, celui qu’il a bu dans l’avion parce qu’il n’y avait pas de vodka. C’est de l\u00e0 que vient la ligne sur se sentir supersonic et vouloir un gin tonic. Liam Gallagher chante le lead en une prise, avec un drop-in pour une erreur au milieu. Tony Griffiths empile les \u00ab aah \u00bb de choeur. Scott mixe sur la Neve de 1969 du studio, sans automation, vers une DAT, et croit sortir un mix de retour. Il dira plus tard que l’ensemble a pris onze heures et que, \u00e0 sa connaissance, ce n’a jamais \u00e9t\u00e9 remix\u00e9. Ce mix est celui du single et de Definitely Maybe<\/em>.<\/p>\n

Elsa, dans le texte, n’est pas une fille. C’est la Rottweiler de Scott. Pendant que Noel \u00e9crit, la chienne p\u00e8te et saute du canap\u00e9. Bonehead dit que le chien a \u00e9t\u00e9 jusqu’au bout. Noel met le nom dans la chanson. Le reste des mots fonctionne pareil : un yellow submarine, un train, des lignes qui ne s’arr\u00eatent pas pour s’expliquer. Creation sort Supersonic<\/em> le 11 avril 1994 comme premier single, avec Take Me Away<\/em>, un I Will Believe<\/em> live, et une d\u00e9mo de Columbia<\/em> selon les formats. Le single atteint la 31e place au Royaume-Uni. Pas un carton. Le premier disque avec leur nom sur l’\u00e9tiquette.<\/p>\n

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Je suis all\u00e9 dans la pi\u00e8ce du fond et, aussi bizarre que \u00e7a paraisse, j’ai \u00e9crit Supersonic en \u00e0 peu pr\u00e8s le temps qu’il faut \u00e0 six autres types pour manger un repas chinois.<\/p>\n<\/blockquote>\n

(Noel Gallagher, Oasis : Supersonic, 2016)<\/em><\/p>\n

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Sur Definitely Maybe<\/em>, sorti le 29 ao\u00fbt 1994, Supersonic<\/em> est la piste six, entre Columbia<\/em> et Bring It On Down<\/em>. Elle n’a pas \u00e9t\u00e9 refaite \u00e0 Sawmills. Owen Morris produit l’essentiel de l’album. Cette chanson reste le mix de retour du Pink Museum : guitares panoramiqu\u00e9es fort, Liam devant, le fondu qui cache une fin dont Noel dira plus tard qu’elle continuait avec de la guitare en plus et des interf\u00e9rences radio. Scott pense que ce souvenir appartient \u00e0 Slide Away<\/em>. Le disque qui arrive dans les bacs, c’est le mix des onze heures. La Gibson SG de Bonehead, la basse de Guigsy, la batterie de McCarroll, le lead de Noel doubl\u00e9 et l\u00e9g\u00e8rement d\u00e9saccord\u00e9 sur l’id\u00e9e de Scott, pour que les deux prises tiennent ensemble. Pas de second passage.<\/p>\n

Noel a dit qu’avant ce single, les gens venaient aux concerts parce qu’ils avaient lu des papiers sur le groupe, et que personne ne connaissait les chansons. Le jour de la sortie de Supersonic<\/em>, il entend une salle chanter les mots en retour, des mots \u00e9crits au milieu de la nuit et pas construits pour vouloir dire grand-chose. Bring It On Down<\/em> n’est jamais devenu le premier single. Celle-ci, si. Le d\u00e9but que les gens prennent encore, c’est celui \u00e9crit pendant que le repas \u00e9tait sur la table, mix\u00e9 par un ing\u00e9nieur qui croyait seulement sortir une maquette.<\/p>\n

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En d\u00e9cembre 1993, au Pink Museum de Liverpool, Noel Gallagher \u00e9crit Supersonic pendant que le reste de la pi\u00e8ce mange, et le groupe l’enregistre avant la fin de la nuit.<\/p>\n","protected":false},"author":1,"featured_media":18926,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[287,293],"tags":[482,463],"class_list":["post-18933","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-classic-rock-fr","tag-oasis-fr"],"yoast_head":"\nSupersonic - Oasis : \u00e9crite dans l'arri\u00e8re-salle, mix\u00e9e le soir m\u00eame - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/supersonic-oasis-written-in-a-back-room-mixed-the-same-night\/\" 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