{"id":19043,"date":"2007-12-19T16:00:00","date_gmt":"2007-12-19T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/go-let-it-out-oasis-a-borrowed-drum-loop-then-number-one\/"},"modified":"2026-09-27T01:16:03","modified_gmt":"2026-09-26T23:16:03","slug":"go-let-it-out-oasis-a-borrowed-drum-loop-then-number-one","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/go-let-it-out-oasis-a-borrowed-drum-loop-then-number-one\/","title":{"rendered":"Go Let It Out – Oasis : une boucle de batterie emprunt\u00e9e, puis le num\u00e9ro 1"},"content":{"rendered":"

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Liam dans un bus du Surrey, Noel \u00e0 la basse<\/h3>\n

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En novembre 1999, Nick Egan filme Oasis dans un champ du Surrey. Liam Gallagher chante le d\u00e9but de Go Let It Out<\/em> depuis l’imp\u00e9riale d’un bus, puis descend et entre dans le cadre. Noel est \u00e0 la basse, Gem Archer \u00e0 la guitare solo, Alan White \u00e0 la batterie. Le single qu’ils d\u00e9fendent est d\u00e9j\u00e0 termin\u00e9 depuis l’\u00e9t\u00e9.<\/p>\n

Noel l’a \u00e9crit. Il le produit avec Mark \u00ab\u00a0Spike\u00a0\u00bb Stent. Les s\u00e9ances de Standing on the Shoulder of Giants<\/em> courent d’avril \u00e0 ao\u00fbt 1999 \u00e0 Wheeler End, aux studios Olympic, dans le studio de la maison de Noel \u00e0 Supernova Heights, et au ch\u00e2teau de La Colle Noire, pr\u00e8s de Nice, l’ancienne maison de Christian Dior que le groupe a lou\u00e9e pour avoir la paix. Paul \u00ab\u00a0Bonehead\u00a0\u00bb Arthurs et Paul \u00ab\u00a0Guigsy\u00a0\u00bb McGuigan sont d\u00e9j\u00e0 partis. Sur ce morceau, le groupe se r\u00e9duit \u00e0 Liam au chant, Noel aux guitares, \u00e0 la basse et aux claviers, et Alan White \u00e0 la batterie.<\/p>\n

La batterie n’est pas seulement celle de White. Le disque emprunte un sample de Johnny Jenkins jouant I Walk on Gilded Splinters<\/em> de Dr. John. Juste avant l’entr\u00e9e de la basse, on entend Noel dire de la prendre. Il classera plus tard la chanson parmi les meilleures choses \u00e9crites dans cette p\u00e9riode, avec une comparaison pr\u00e9cise en t\u00eate.<\/p>\n

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\n

Ce \u00e0 quoi on est arriv\u00e9 de plus pr\u00e8s d’un son de Beatles d’aujourd’hui.<\/p>\n<\/blockquote>\n

(Noel Gallagher, entretien Lock the Box, DVD Stop the Clocks, 2006)<\/em><\/p>\n

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Big Brother, le label qu’Oasis a mont\u00e9 apr\u00e8s Creation, sort le single en Grande-Bretagne le 7 f\u00e9vrier 2000, en 45 tours, CD et cassette. Les faces B sont Let’s All Make Believe<\/em> et (As Long as They’ve Got) Cigarettes in Hell<\/em>. Un maxi 30 cm suit le 14 f\u00e9vrier. Go Let It Out<\/em> entre directement num\u00e9ro 1 des singles britanniques. C’est le cinqui\u00e8me num\u00e9ro 1 du groupe, apr\u00e8s Some Might Say<\/em>, Don’t Look Back in Anger<\/em>, D’You Know What I Mean?<\/em> et All Around the World<\/em>. Il n’y reste qu’une semaine. All Saints le remplace avec Pure Shores<\/em>. Standing on the Shoulder of Giants<\/em> sort le 28 f\u00e9vrier.<\/p>\n

Le clip montre une formation que la bande n’a pas tout \u00e0 fait. Gem est dans le champ \u00e0 la guitare solo pendant que Noel joue la basse. L’enregistrement reste le groupe r\u00e9duit : les deux Gallagher, White, et un batteur de La Nouvelle-Orl\u00e9ans sampl\u00e9 en dessous. L’Irlande, l’Italie et l’Espagne envoient aussi le single au num\u00e9ro 1. Le r\u00f4le du morceau est simple. Il met cette version plus mince d’Oasis \u00e0 la radio avant l’album, sur un label qui leur appartient enfin. Epic avait d\u00e9j\u00e0 envoy\u00e9 le morceau aux radios rock am\u00e9ricaines le 18 janvier 2000. Le titre de l’album lui-m\u00eame est la version de Noel de la phrase grav\u00e9e sur la nouvelle pi\u00e8ce de 2 livres, shoulder au lieu de shoulders. Rien de tout \u00e7a ne change le single. C’\u00e9tait un num\u00e9ro 1 avec un batteur sampl\u00e9 et un bassiste qui \u00e9tait aussi l’auteur.<\/p>\n

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En novembre 1999, Nick Egan filme Oasis dans un champ du Surrey, Liam chantant Go Let It Out depuis un bus et Noel \u00e0 la basse.<\/p>\n","protected":false},"author":1,"featured_media":19036,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[287,293],"tags":[482,463],"class_list":["post-19043","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-classic-rock-fr","tag-oasis-fr"],"yoast_head":"\nGo Let It Out - Oasis : une boucle de batterie emprunt\u00e9e, puis le num\u00e9ro 1 - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/go-let-it-out-oasis-a-borrowed-drum-loop-then-number-one\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta 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