{"id":19087,"date":"2013-03-11T13:00:00","date_gmt":"2013-03-11T12:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/one-of-these-days-pink-floyd-two-basses-then-masons-slowed-threat\/"},"modified":"2026-09-26T23:59:37","modified_gmt":"2026-09-26T21:59:37","slug":"one-of-these-days-pink-floyd-two-basses-then-masons-slowed-threat","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/one-of-these-days-pink-floyd-two-basses-then-masons-slowed-threat\/","title":{"rendered":"One of These Days – Pink Floyd : deux basses, puis la menace ralentie de Mason"},"content":{"rendered":"

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La seule phrase de Mason, pour un animateur de la BBC<\/h3>\n

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One of These Days<\/em> ouvre Meddle<\/em>. Pink Floyd sort l’album chez Harvest en Grande-Bretagne le 5 novembre 1971. Le morceau est enregistr\u00e9 entre janvier et ao\u00fbt de cette ann\u00e9e, dans les trous des tourn\u00e9es, aux studios EMI d’Abbey Road, \u00e0 AIR sur Oxford Street, et aux studios Morgan \u00e0 Willesden. Le groupe produit. John Leckie est parmi les ing\u00e9nieurs.<\/p>\n

David Gilmour essayait des id\u00e9es sur un Binson Echorec, la delay italienne, la m\u00eame bo\u00eete qui nourrit Echoes<\/em>. Roger Waters reprend le truc \u00e0 la basse. Deux basses sont sur le disque, Gilmour et Waters, doubl\u00e9es, la delay r\u00e9gl\u00e9e pour qu’une noire droite renvoie un motif en triolets. Pour le milieu, Gilmour passe une basse dans un ampli H&H dont le vibrato est cal\u00e9 pr\u00e8s du tempo de la delay, puis le groupe colle ce bout de bande et cache la coupe sous une cymbale.<\/p>\n

La seule voix est celle de Nick Mason. Il dit une phrase, \u00ab\u00a0One of these days I’m going to cut you into little pieces\u00a0\u00bb, d’une voix haute \u00e0 travers un ring modulator. La bande est ensuite ralentie. La r\u00e9plique vise Jimmy Young, l’animateur de la BBC que le groupe n’aimait pas parce qu’il parlait trop. Lors de certains concerts du d\u00e9but des ann\u00e9es 1970, ils passaient un collage de ses \u00e9missions d\u00e9coup\u00e9 jusqu’\u00e0 l’absurde, la m\u00eame blague en public.<\/p>\n

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\n

Ce qu’il y a peut-\u00eatre de plus int\u00e9ressant dans One of These Days, c’est que j’y tiens le r\u00f4le du chanteur, pour la premi\u00e8re fois sur un de nos disques vraiment sortis. C’est une prestation assez saisissante, avec une voix haute et une bande ralentie.<\/p>\n<\/blockquote>\n

(Nick Mason \u00e0 Charlie Kendall, 1984)<\/em><\/p>\n

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Les quatre l’ont \u00e9crit : Gilmour, Waters, Richard Wright et Mason. Wright joue de l’orgue Hammond et du piano. Gilmour ajoute guitare \u00e9lectrique et slide. En octobre 1971, un mois avant que Meddle<\/em> arrive dans les bacs, Adrian Maben filme le groupe jouant le morceau dans l’amphith\u00e9\u00e2tre vide de Pomp\u00e9i, sans public, avec un c\u00e2ble tir\u00e9 jusqu’en ville pour le courant. Une partie de la pellicule de Gilmour et Waters pendant ce passage a \u00e9t\u00e9 perdue, ce qui explique que le montage restant montre surtout Mason \u00e0 la batterie.<\/p>\n

La chanson reste au programme des concerts pendant des ann\u00e9es. C’est le moment de Meddle<\/em> o\u00f9 le groupe arr\u00eate de flotter et se contente d’avancer : deux basses, une delay, une menace ralentie, puis les guitares. Mason dira \u00e0 un interviewer en 1984 que c’est sa premi\u00e8re voix \u00e0 atteindre le public. C’est une phrase, et c’est encore tout l’int\u00e9r\u00eat de l’intro. Meddle atteint la 3e place en Grande-Bretagne. Gilmour racontera plus tard \u00e0 Guitar World que Waters avait repris les id\u00e9es de Binson \u00e0 la basse et trouv\u00e9 le riff que tout le monde a ensuite travaill\u00e9. La bande de 1971 est celle qui compte : Abbey Road, AIR et Morgan, pas un remaster plus tardif. Pomp\u00e9i, tourn\u00e9 en octobre et sorti au cin\u00e9ma en 1972, montrait simplement le m\u00eame morceau avec les lumi\u00e8res et personne dans les gradins.<\/p>\n

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One of These Days ouvre Meddle avec deux basses en delay et la seule phrase ralentie de Nick Mason, enregistr\u00e9e \u00e0 Londres entre janvier et ao\u00fbt 1971.<\/p>\n","protected":false},"author":1,"featured_media":19080,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[287,293],"tags":[482,514],"class_list":["post-19087","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-classic-rock-fr","tag-pink-floyd-fr"],"yoast_head":"\nOne of These Days - Pink Floyd : deux basses, puis la menace ralentie de Mason - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/one-of-these-days-pink-floyd-two-basses-then-masons-slowed-threat\/\" \/>\n<meta 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