{"id":19109,"date":"2008-11-25T13:00:00","date_gmt":"2008-11-25T12:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/green-is-the-colour-pink-floyd-a-tin-whistle-then-the-axe\/"},"modified":"2026-09-27T01:16:13","modified_gmt":"2026-09-26T23:16:13","slug":"green-is-the-colour-pink-floyd-a-tin-whistle-then-the-axe","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/green-is-the-colour-pink-floyd-a-tin-whistle-then-the-axe\/","title":{"rendered":"Green Is The Colour – Pink Floyd : un tin whistle, puis la hache"},"content":{"rendered":"

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En 1970, Waters dit au public que \u00e7a parle d’Ibiza<\/h3>\n

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Green Is The Colour est la chanson calme de More<\/em>, la bande originale que Pink Floyd \u00e9crit pour le film de Barbet Schroeder. Ils enregistrent l’album aux Pye Studios, \u00e0 Londres, d\u00e9but 1969, avec l’ing\u00e9nieur Brian Humphries, et EMI Columbia le sort en Grande-Bretagne le 13 juin 1969. C’est le premier disque que le groupe produit sans Norman Smith \u00e0 la console, et le premier album complet apr\u00e8s le d\u00e9part de Syd Barrett. Roger Waters \u00e9crit ce morceau. David Gilmour le chante et joue de la guitare acoustique.<\/p>\n

L’arrangement est petit. Richard Wright joue du piano et de l’orgue Farfisa. Waters joue de la basse. Par-dessus, un tin whistle, jou\u00e9 par Lindy Mason, alors femme de Nick Mason. Le morceau dure un peu moins de trois minutes. Dans une introduction de concert en 1970, Waters dit au public que \u00e7a parle d’\u00eatre \u00e0 Ibiza, l\u00e0 o\u00f9 Schroeder situe le film. Sur le disque, la chanson reste pastorale. Elle ne cherche pas \u00e0 faire le reste de la bande originale, qui contient aussi le riff dur de The Nile Song<\/em> et de longs instrumentaux.<\/p>\n

Sur sc\u00e8ne, ils ne la gardent pas aussi petite. De 1969 \u00e0 1970, c’est un morceau \u00e9lectrique plus lent, l’orgue de Wright en dessous, et il tombe presque toujours directement dans Careful with That Axe, Eugene<\/em>. Gilmour scat sur la guitare en sortant. Dans le spectacle de 1969 qu’ils appellent The Man and The Journey, Green Is The Colour<\/em> est rebaptis\u00e9 The Beginning, et le morceau \u00e0 la hache qui suit s’appelle Beset by Creatures of the Deep.<\/p>\n

Schroeder veut la musique dans les sc\u00e8nes, sortie d’une radio, d’une f\u00eate ou d’une cassette, pas une partition coll\u00e9e apr\u00e8s le montage. Pink Floyd a d\u00e9j\u00e0 eu des pi\u00e8ces pos\u00e9es \u00e0 c\u00f4t\u00e9 d’images, dont The Committee<\/em> et des bouts de Zabriskie Point<\/em>. More<\/em> est la premi\u00e8re fois qu’ils \u00e9crivent une bande originale compl\u00e8te sur commande, et ils le font en environ une semaine chez Pye. Hipgnosis s’occupe de la pochette. La voix de Gilmour sur ce morceau est s\u00e8che et proche. Le tin whistle est le seul musicien venu de dehors. La version album est celle du 33 tours EMI Columbia. Le medley live avec la hache est un autre travail, plus lent, et \u00e9lectrique.<\/p>\n

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\n

Cette chanson parle d’\u00eatre \u00e0 Ibiza.<\/p>\n<\/blockquote>\n

(Roger Waters, introduction sur sc\u00e8ne, 29 avril 1970)<\/em><\/p>\n

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Ils la jouent moins souvent en 1971. La derni\u00e8re fois que les quatre la font sur une tourn\u00e9e de Pink Floyd, c’est la courte s\u00e9rie au Japon et en Australie en ao\u00fbt 1971. \u00c0 ce moment-l\u00e0, Meddle<\/em> est le disque qu’ils finissent, et cette ballade d’Ibiza est d\u00e9j\u00e0 une chanson plus ancienne, issue d’un travail de film fait en une courte session \u00e0 Londres.<\/p>\n

More<\/em> est une bande originale, pas un manifeste. Green Is The Colour<\/em> est la partie qui reste douce sur la bande : guitare acoustique, orgue, un tin whistle, et un encha\u00eenement vers la hache qui n’appara\u00eet qu’une fois le morceau emmen\u00e9 sur sc\u00e8ne. Nick Mason’s Saucerful of Secrets a repris la chanson des ann\u00e9es plus tard. L’enregistrement de 1969 est celui qui compte.<\/p>\n

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