{"id":19131,"date":"2007-11-14T09:00:00","date_gmt":"2007-11-14T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/breathe-in-the-air-pink-floyd-pedal-steel-after-the-heartbeat\/"},"modified":"2026-09-27T01:16:02","modified_gmt":"2026-09-26T23:16:02","slug":"breathe-in-the-air-pink-floyd-pedal-steel-after-the-heartbeat","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/breathe-in-the-air-pink-floyd-pedal-steel-after-the-heartbeat\/","title":{"rendered":"Breathe (In The Air) – Pink Floyd : pedal steel apr\u00e8s le battement"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Le steel de Gilmour entre l\u00e0 o\u00f9 Speak to Me s’arr\u00eate<\/h3>\n

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Breathe est la premi\u00e8re chanson de The Dark Side of the Moon<\/em>, m\u00eame si Speak to Me<\/em>, le collage au battement de c\u0153ur, est la premi\u00e8re plage. Sur le 33 tours de 1973, elles sont s\u00e9par\u00e9es. Un accord de piano \u00e0 l’envers tient la jointure, ce qui explique que les CD plus tardifs les collent souvent ensemble. Pink Floyd joue d\u00e9j\u00e0 le morceau sur sc\u00e8ne. La suite, alors appel\u00e9e Eclipse, est cr\u00e9\u00e9e au Brighton Dome le 20 janvier 1972, des mois avant la fin des s\u00e9ances de l’album.<\/p>\n

L’album est enregistr\u00e9 \u00e0 Abbey Road pendant 1972 et jusqu’en janvier 1973. Alan Parsons est l’ing\u00e9nieur. Le groupe produit. Chris Thomas arrive pour aider au mix final quand les quatre n’arrivent pas \u00e0 se mettre d’accord. Harvest sort le disque aux \u00c9tats-Unis le 1er mars 1973 et en Grande-Bretagne le 16 mars. Gilmour et Wright \u00e9crivent la musique de Breathe<\/em>. Waters \u00e9crit le texte. Gilmour chante la voix principale.<\/p>\n

Le tempo reste bas. Gilmour joue de la guitare \u00e9lectrique \u00e0 travers une Uni-Vibe, et du pedal steel avec une p\u00e9dale de volume, plusieurs passes de steel. Wright joue de l’orgue Hammond et d’un Fender Rhodes. La basse de Waters bouge plus que la voix. Mason tient le temps sans le pousser. Il n’y a pas de gros refrain. Le texte est une courte liste d’instructions, qui commence par la ligne sur le fait de respirer l’air et de ne pas avoir peur de s’en faire.<\/p>\n

La cr\u00e9ation \u00e0 Brighton est rude. Les bandes d’effets leur posent probl\u00e8me ce soir-l\u00e0, et la suite qu’ils appellent Eclipse n’est pas encore le disque. Ils continuent \u00e0 jouer les chansons pendant la premi\u00e8re moiti\u00e9 de 1972, puis ils entrent \u00e0 Abbey Road pour les enregistrer. Breathe<\/em> est d\u00e9j\u00e0 dans ce set. Quand Parsons lance la bande, Gilmour conna\u00eet la partie de steel. L’Uni-Vibe sur la guitare rythmique est une pulsation lente, pas une rotation rapide. Le Rhodes de Wright bouche les trous que la voix laisse ouverts. L’autre id\u00e9e du texte, le lapin \u00e0 qui on dit de courir, est le m\u00eame avertissement que Time<\/em> dira plus fort quelques minutes plus loin sur la face. Ici, c’est encore dit doucement, sur le steel.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Des lignes comme \u00ab\u00a0Breathe in the air, don’t be afraid to care\u00a0\u00bb sont faciles \u00e0 attaquer comme des niaiseries d’adolescent, la t\u00eate dans les nuages, mais \u00e0 un autre niveau c’est une exhortation tr\u00e8s simple : \u00eatre ici, maintenant, et vivre. On a tous besoin d’aide pour \u00e7a. Moi aussi, encore.<\/p>\n<\/blockquote>\n

(Roger Waters, USA Today, 1999)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb19127″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1700019127{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Une courte reprise de la m\u00eame chanson se pose \u00e0 la fin de Time<\/em>, sans le steel, et avec un orgue Farfisa et un Wurlitzer l\u00e0 o\u00f9 \u00e9taient le Hammond et le Rhodes. Puis la face continue vers The Great Gig in the Sky<\/em>. Breathe<\/em> lui-m\u00eame dure moins de trois minutes. C’est la minute calme avant On the Run<\/em>.<\/p>\n

The Dark Side of the Moon<\/em> atteint le num\u00e9ro 1 du chart albums aux \u00c9tats-Unis et le num\u00e9ro 2 en Grande-Bretagne. Breathe<\/em> n’est pas le single. C’est la premi\u00e8re voix humaine du disque, un pedal steel sur un battement de c\u0153ur. Waters a plus tard trait\u00e9 ce premier couplet de simpliste, et il l’a gard\u00e9. Les bandes d’Abbey Road de 1972 et 1973 sont le disque. Un remaster plus tardif ne change pas qui a jou\u00e9 le steel.<\/p>\n

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Breathe ouvre The Dark Side of the Moon apr\u00e8s Speak to Me, avec David Gilmour au pedal steel, lors des s\u00e9ances d’Abbey Road commenc\u00e9es en juin 1972.<\/p>\n","protected":false},"author":1,"featured_media":19124,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[287,293],"tags":[482,514],"class_list":["post-19131","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-classic-rock-fr","tag-pink-floyd-fr"],"yoast_head":"\nBreathe (In The Air) - Pink Floyd : pedal steel apr\u00e8s le battement - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/breathe-in-the-air-pink-floyd-pedal-steel-after-the-heartbeat\/\" \/>\n<meta property=\"og:locale\" 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