{"id":19175,"date":"2007-08-26T16:00:00","date_gmt":"2007-08-26T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/brain-damage-pink-floyd-keep-off-the-grass-at-kings-college\/"},"modified":"2026-09-26T23:58:28","modified_gmt":"2026-09-26T21:58:28","slug":"brain-damage-pink-floyd-keep-off-the-grass-at-kings-college","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/brain-damage-pink-floyd-keep-off-the-grass-at-kings-college\/","title":{"rendered":"Brain Damage – Pink Floyd : d\u00e9fense de marcher sur l’herbe, \u00e0 King’s College"},"content":{"rendered":"

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Le lunatique, pour Syd, sur l’herbe du coll\u00e8ge<\/h3>\n

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Roger Waters a \u00e9crit et chant\u00e9 Brain Damage<\/em>, et la phrase sur le c\u00f4t\u00e9 obscur de la lune est devenue le titre de l’album de 1973. David Gilmour chante l’harmonie, pas le lead. Pendant que le groupe travaillait encore \u00e0 Meddle<\/em>, Waters a apport\u00e9 le morceau sous le titre The Dark Side of the Moon<\/em>. La suite jou\u00e9e en concert qui en est sortie a \u00e9t\u00e9 annonc\u00e9e, d\u00e9but 1972, comme A Piece for Assorted Lunatics<\/em>, avant que l’album ne prenne le nom court. L’enregistrement vient des s\u00e9ances d’Abbey Road, de juin 1972 \u00e0 janvier 1973. Pink Floyd l’a produit. Alan Parsons l’a enregistr\u00e9.<\/p>\n

La premi\u00e8re ligne parle d’une vraie pelouse. Derri\u00e8re King’s College, \u00e0 Cambridge, un panneau disait de ne pas marcher sur l’herbe. Waters a dit que le lunatique est celui qui pose le pied dessus, et que la vraie folie, c’\u00e9tait le panneau. Il a nomm\u00e9 cet endroit dans le film de 2003, Classic Albums: The Making of The Dark Side of the Moon<\/em>. Le couplet n’est pas un code pour la drogue. C’est l’herbe du coll\u00e8ge, et le chemin sur lequel on devait rester.<\/p>\n

Le refrain parle de Syd Barrett. Waters a reli\u00e9 \u00ab I’ll see you on the dark side of the moon \u00bb \u00e0 l’id\u00e9e qu’il \u00e9tait proche de Barrett, pas seulement en train d’\u00e9crire sur lui de l’ext\u00e9rieur. La ligne sur le groupe qui se met \u00e0 jouer d’autres airs, c’est Barrett sur sc\u00e8ne vers la fin de son passage dans le groupe, en train de jouer un morceau que les autres ne jouaient pas. Sur le disque, le titre suit Any Colour You Like<\/em> et encha\u00eene directement sur Eclipse<\/em>. Waters chante les couplets. Gilmour r\u00e9pond en harmonie. Harvest a sorti l’album aux \u00c9tats-Unis le 1er mars 1973 et en Grande-Bretagne le 16 mars.<\/p>\n

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\n

J’ai toujours pens\u00e9 que la folie, c’\u00e9tait qu’on n’avait pas le droit de marcher sur l’herbe.<\/p>\n<\/blockquote>\n

(Roger Waters, Classic Albums, 2003)<\/em><\/p>\n

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Ce n’\u00e9tait pas un single en 1973. Un single num\u00e9rique sorti le 19 janvier 2023 a r\u00e9utilis\u00e9 le m\u00eame enregistrement de 1973, en promotion. Ce n’est pas une nouvelle prise, et ce n’est pas le sujet. L’\u0153uvre, c’est le morceau de l’album : la voix de Waters, l’harmonie de Gilmour, la pelouse derri\u00e8re le coll\u00e8ge, et l’encha\u00eenement vers Eclipse<\/em>, o\u00f9 la liste de tout ce qui est sous le soleil part sur le m\u00eame accord. La suite a \u00e9t\u00e9 jou\u00e9e en entier pour la premi\u00e8re fois le 20 janvier 1972 au Brighton Dome, avec ce morceau qui portait d\u00e9j\u00e0 le texte sur Barrett et la pelouse. Gilmour voulait que Waters chante le lead lui-m\u00eame, et c’est cette voix qui est rest\u00e9e.<\/p>\n

Apr\u00e8s le d\u00e9part de Waters, Gilmour a chant\u00e9 Brain Damage<\/em> dans les concerts de Pink Floyd. Waters l’a chant\u00e9 dans les siens. Sur le disque, le lead est Waters, celui qui a \u00e9crit la ligne sur l’herbe interdite et la ligne sur Barrett. Le remaster 2011 ne change pas la voix. Le morceau qu’on entend est la prise d’Abbey Road, de l’hiver 1972-73.<\/p>\n

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