{"id":19186,"date":"2007-08-01T11:00:00","date_gmt":"2007-08-01T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/interstellar-overdrive-pink-floyd-jenner-hummed-love-barrett-played-something-else\/"},"modified":"2026-09-27T00:42:48","modified_gmt":"2026-09-26T22:42:48","slug":"interstellar-overdrive-pink-floyd-jenner-hummed-love-barrett-played-something-else","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/interstellar-overdrive-pink-floyd-jenner-hummed-love-barrett-played-something-else\/","title":{"rendered":"Interstellar Overdrive – Pink Floyd : Jenner fredonne Love, Barrett joue autre chose"},"content":{"rendered":"

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Jenner a fredonn\u00e9 Love, faux<\/h3>\n

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Interstellar Overdrive<\/em>, le long instrumental de The Piper at the Gates of Dawn<\/em>, est n\u00e9 quand Peter Jenner a fredonn\u00e9 My Little Red Book<\/em> de Love \u00e0 Syd Barrett, compl\u00e8tement faux. Le disque de Love \u00e9tait une reprise de la chanson de Burt Bacharach et Hal David. Jenner, co-manager du groupe, a essay\u00e9 de montrer le riff \u00e0 Barrett en le chantant. Il n’arrivait ni au tempo ni \u00e0 la note. Barrett a rejou\u00e9 ce qu’il avait entendu. C’\u00e9tait une autre figure, descendante et s\u00e8che. Cette figure est le morceau. Il n’y a pas de paroles.<\/p>\n

La version de l’album a \u00e9t\u00e9 enregistr\u00e9e \u00e0 Abbey Road en mars et avril 1967. Norman Smith l’a produite. EMI Columbia a sorti The Piper at the Gates of Dawn<\/em> en Grande-Bretagne le 5 ao\u00fbt 1967. Barrett joue le riff \u00e0 la guitare. Roger Waters, Rick Wright et Nick Mason jouent avec lui. La forme est simple. Le riff ouvre, le groupe le quitte pour un milieu libre, et le riff revient pour fermer. Smith leur a fait jouer le morceau deux fois et a superpos\u00e9 les deux prises : la version du disque est un doublage de toute la performance, pas un seul passage.<\/p>\n

Une version plus ancienne, plus longue, avait d\u00e9j\u00e0 \u00e9t\u00e9 enregistr\u00e9e en janvier 1967 \u00e0 Sound Techniques, pour le film de Peter Whitehead, Tonite Let’s All Make Love in London<\/em>. Cet enregistrement est celui de la bande originale. Le disque dont il s’agit ici est celui d’Abbey Road, environ neuf minutes et demie, sur Piper. Le milieu libre est la partie qui correspond aux concerts de 1966 et 1967, quand le riff n’\u00e9tait que la porte d’entr\u00e9e et la porte de sortie. Smith, producteur salari\u00e9 d’EMI, a gard\u00e9 ce passage sur l’album au lieu de r\u00e9duire le morceau au riff.<\/p>\n

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\n

J’ai fredonn\u00e9 \u00e0 Syd la version de Love de My Little Red Book. J’\u00e9tais tellement faux qu’il a rejou\u00e9 une autre chanson.<\/p>\n<\/blockquote>\n

(Peter Jenner, sur le riff d’Interstellar Overdrive)<\/em><\/p>\n

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Barrett est le guitariste de cette prise. Le riff est sa r\u00e9ponse \u00e0 un fredonnement rat\u00e9, pas une partition qu’on lui a tendue. L’orgue de Wright et la basse de Waters bougent avec le milieu libre, puis se recollent \u00e0 la figure. La batterie de Mason est doubl\u00e9e avec le reste du groupe, parce que Smith a empil\u00e9 toute la performance. On entend les deux passages pos\u00e9s l’un sur l’autre, surtout quand le jeu libre ne tombe pas exactement au m\u00eame endroit.<\/p>\n

Les versions live plus tardives, avec David Gilmour, \u00e9tirent le milieu beaucoup plus loin. Ce n’est pas cet enregistrement. Le morceau de Piper est la prise d’Abbey Road du printemps 1967 : le riff de Love entendu de travers, jou\u00e9 deux fois, et laiss\u00e9 dans toute sa longueur. Le titre a l’air d’une chanson d’espace. La musique est une figure de guitare et un jam au milieu. Sur la pochette, l’instrumental est cr\u00e9dit\u00e9 \u00e0 Barrett, Waters, Wright et Mason, un cr\u00e9dit collectif pour une pi\u00e8ce que personne n’a \u00e9crite. Le single de Love que Jenner avait en t\u00eate \u00e9tait une reprise de 1966, environ deux minutes et demie de pop. Ce que Barrett a jou\u00e9 dure presque quatre fois plus.<\/p>\n

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Interstellar Overdrive, le long instrumental de The Piper at the Gates of Dawn, est n\u00e9 quand Peter Jenner a fredonn\u00e9 My Little Red Book de Love \u00e0 Syd Barrett, compl\u00e8tement faux.<\/p>\n","protected":false},"author":1,"featured_media":19179,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[287,293],"tags":[482,514],"class_list":["post-19186","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-classic-rock-fr","tag-pink-floyd-fr"],"yoast_head":"\nInterstellar Overdrive - Pink Floyd : Jenner fredonne Love, Barrett joue autre chose - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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