{"id":19197,"date":"2007-08-02T11:00:00","date_gmt":"2007-08-02T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/astronomy-domine-pink-floyd-jenners-megaphone-barretts-esquire\/"},"modified":"2026-09-26T23:58:27","modified_gmt":"2026-09-26T21:58:27","slug":"astronomy-domine-pink-floyd-jenners-megaphone-barretts-esquire","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/astronomy-domine-pink-floyd-jenners-megaphone-barretts-esquire\/","title":{"rendered":"Astronomy Domine – Pink Floyd : le m\u00e9gaphone de Jenner, l’Esquire de Barrett"},"content":{"rendered":"

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Un m\u00e9gaphone, puis l’Esquire de Barrett<\/h3>\n

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Astronomy Domine<\/em> ouvre The Piper at the Gates of Dawn<\/em>, enregistr\u00e9 \u00e0 Abbey Road le 11 avril 1967, Syd Barrett \u00e0 la voix grave et Rick Wright \u00e0 la voix aigu\u00eb. Norman Smith a produit la s\u00e9ance en quatre pistes. Barrett joue aussi de la slide sur une Fender Esquire. Wright joue d’un orgue Farfisa. Roger Waters joue de la basse. Nick Mason joue de la batterie. EMI Columbia a sorti l’album en Grande-Bretagne le 5 ao\u00fbt 1967. Le morceau est la premi\u00e8re chose sur le disque.<\/p>\n

Peter Jenner, co-manager du groupe, dit l’introduction dans un m\u00e9gaphone. Il lit une liste : Jupiter, Saturne, Neptune, Ob\u00e9ron, Miranda, Titania, Titan. Sous l’orgue, \u00e0 peine dans le mix, il ajoute que Pluton n’a \u00e9t\u00e9 d\u00e9couverte qu’en 1930. Barrett a \u00e9crit la chanson. Les deux voix restent loin l’une de l’autre. Wright tient la ligne aigu\u00eb. Barrett chante en dessous, et l’Esquire r\u00e9pond dans les trous. C’est une chanson pop courte, avec une liste de plan\u00e8tes parl\u00e9e coll\u00e9e devant, pas un long jam.<\/p>\n

On a dit plus tard que l’album lan\u00e7ait le space-rock. Waters a rejet\u00e9 \u00e7a. Il a dit que Barrett n’avait qu’une chanson qui avait un rapport avec l’espace, et que c’est celle-ci. Interstellar Overdrive<\/em>, sur le m\u00eame album, n’\u00e9tait qu’un titre. L’enregistrement \u00e0 garder en t\u00eate est la prise du 11 avril : m\u00e9gaphone, Farfisa, Esquire, quatre pistes, Smith en r\u00e9gie. Le texte nomme des lunes et des plan\u00e8tes. L’arrangement, c’est deux voix et une guitare slide.<\/p>\n

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Toute cette histoire comme quoi Syd aurait lanc\u00e9 le space-rock, c’est que des putains de conneries. Syd n’avait qu’une chanson qui touchait \u00e0 l’espace, Astronomy Domine, c’est tout. Interstellar Overdrive, c’est juste le titre.<\/p>\n<\/blockquote>\n

(Roger Waters)<\/em><\/p>\n

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Le 14 mai 1967, le groupe a jou\u00e9 le morceau \u00e0 la t\u00e9l\u00e9vision de la BBC, dans The Look of the Week<\/em>, en paire avec Pow R. Toc H.<\/em> L’animateur, Hans Keller, leur a demand\u00e9 pourquoi il fallait que ce soit si fort. L’enregistrement studio \u00e9tait d\u00e9j\u00e0 fini. La prestation t\u00e9l\u00e9 est encore le groupe de Barrett, un mois avant la sortie de l’album. Le Farfisa de Wright et l’Esquire de Barrett sont les deux sons qu’on entend en premier, sous la liste de Jenner.<\/p>\n

Le morceau est rest\u00e9 au r\u00e9pertoire live apr\u00e8s le d\u00e9part de Barrett. Un enregistrement live de l’\u00e9poque Ummagumma<\/em>, chant\u00e9 par David Gilmour, a plus tard remplac\u00e9 la version studio sur certains pressages de la compilation A Nice Pair<\/em>. C’est une autre prestation. Le morceau de Piper est la prise d’avril 1967 : quatre pistes, m\u00e9gaphone, guitare slide, et les deux voix s\u00e9par\u00e9es, aigu\u00eb et grave. Les plan\u00e8tes sont dans le texte. Le disque est une chanson pop qui se trouve ouvrir l’album. La prise studio dure un peu plus de quatre minutes. Le m\u00e9gaphone de Jenner est sa seule partie sur l’album. Barrett chante les couplets grave, presque parl\u00e9, et l’harmonie aigu\u00eb de Wright porte la ligne du titre. La slide de Barrett sur l’Esquire r\u00e9pond au Farfisa au lieu de doubler la voix. Smith l’a enregistr\u00e9e le 11 avril et le groupe l’a laiss\u00e9e en ouverture.<\/p>\n

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Astronomy Domine ouvre The Piper at the Gates of Dawn, enregistr\u00e9 \u00e0 Abbey Road le 11 avril 1967, Syd Barrett \u00e0 la voix grave et Rick Wright \u00e0 la voix aigu\u00eb.<\/p>\n","protected":false},"author":1,"featured_media":19190,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[287,293],"tags":[482,514],"class_list":["post-19197","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-classic-rock-fr","tag-pink-floyd-fr"],"yoast_head":"\nAstronomy Domine - Pink Floyd : le m\u00e9gaphone de Jenner, l'Esquire de Barrett - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/astronomy-domine-pink-floyd-jenners-megaphone-barretts-esquire\/\" 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