{"id":19224,"date":"2007-07-21T09:00:00","date_gmt":"2007-07-21T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/comfortably-numb-pink-floyd-orchestra-in-the-body-solo-left-alone\/"},"modified":"2026-09-26T23:58:27","modified_gmt":"2026-09-26T21:58:27","slug":"comfortably-numb-pink-floyd-orchestra-in-the-body-solo-left-alone","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/comfortably-numb-pink-floyd-orchestra-in-the-body-solo-left-alone\/","title":{"rendered":"Comfortably Numb – Pink Floyd : l’orchestre dans le morceau, le solo laiss\u00e9 seul"},"content":{"rendered":"

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Gilmour voulait trois instruments. Ezrin a apport\u00e9 une partition.<\/h3>\n

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En janvier 1979, Pink Floyd s’installe \u00e0 Super Bear, dans les collines au-dessus de Nice, et entame sept mois de travail sur The Wall<\/em>. David Gilmour a d\u00e9j\u00e0 un morceau de musique tir\u00e9 des s\u00e9ances de son premier album solo, enregistr\u00e9 dans le m\u00eame studio en 1978. Pas de texte. Quand Roger Waters pose des mots dessus, le titre de travail est The Doctor. La sc\u00e8ne du texte est une vraie nuit : le Spectrum de Philadelphie, le 29 juin 1977, pendant la tourn\u00e9e In the Flesh. Waters a des crampes d’estomac si fortes qu’il croit ne pas pouvoir jouer. Un m\u00e9decin lui fait une piq\u00fbre. Il assure le concert \u00e0 peine capable de lever le bras, et il dira plus tard que ce furent les deux heures les plus longues de sa vie. Les mains comme deux ballons, la piq\u00fbre qui doit le faire tenir jusqu’au bout du show : c’est le Spectrum, confi\u00e9 \u00e0 un chanteur de fiction nomm\u00e9 Pink.<\/p>\n

Gilmour entend un morceau nu : basse, batterie, guitare. Bob Ezrin, appel\u00e9 pour coproduire avec Waters et Gilmour, entend un orchestre, et Waters se range de son c\u00f4t\u00e9. Michael Kamen \u00e9crit la partition. En septembre 1979, des musiciens issus du New York Philharmonic et du New York Symphony l’enregistrent aux studios CBS de la 30th Street. Le groupe n’est pas dans la pi\u00e8ce. La dispute ne reste pas polie. Selon les r\u00e9cits qui ont tenu, elle se termine dans un restaurant de North Hollywood. Le compromis est ce qu’on entend : les cordes d’Ezrin portent le corps du morceau, et le dernier solo de guitare de Gilmour reste seul, sans orchestre dessous. Il le grave avec ses amplis Hiwatt et une cabine rotative Yamaha, plusieurs prises, puis garde les phrases qui tiennent.<\/p>\n

Waters chante les couplets, le m\u00e9decin \u00e0 la porte. Gilmour chante le refrain, l’homme qui est devenu insensible. Nick Mason est \u00e0 la batterie, Waters \u00e0 la basse, Richard Wright \u00e0 l’orgue Hammond et au piano \u00e9lectrique, Gilmour au Prophet-5 en plus des guitares. The Wall<\/em> sort chez Harvest en Grande-Bretagne le 30 novembre 1979 et atteint la 3e place. Columbia le publie aux \u00c9tats-Unis le 8 d\u00e9cembre et il passe n\u00b0 1. Comfortably Numb<\/em> n’est pas le single. C’est Another Brick in the Wall, Part 2<\/em>, sorti le 23 novembre avec One of My Turns<\/em> en face B. Ce morceau est simplement pos\u00e9 sur le double album, et c’est celui que le public r\u00e9clame quand m\u00eame.<\/p>\n

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\n

Comfortably Numb, que Dave voyait comme un morceau d\u00e9pouill\u00e9, avec seulement basse, batterie et guitare. Roger s’est rang\u00e9 de mon c\u00f4t\u00e9. Donc Comfortably Numb est une vraie collaboration : la musique de David, le texte de Roger, et ma partition d’orchestre.<\/p>\n<\/blockquote>\n

(Bob Ezrin, Guitar World)<\/em><\/p>\n

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Pendant la tourn\u00e9e The Wall, d’Earls Court en ao\u00fbt 1980 jusqu’\u00e0 Los Angeles, Dortmund et le retour \u00e0 Earls Court en 1981, Gilmour joue le solo du haut du mur en carton. Le morceau ferme les retrouvailles du Live 8 \u00e0 Hyde Park, le 2 juillet 2005, Waters et Gilmour de nouveau sur la m\u00eame sc\u00e8ne. En janvier 2004, Scissor Sisters sort une lecture disco en single. Elle atteint la 10e place des singles britanniques et la 1re du classement dance. Gilmour et Mason disent qu’ils aiment \u00e7a. La nomination aux Grammy pour le meilleur enregistrement dance perd face \u00e0 Toxic<\/em> de Britney Spears.<\/p>\n

La dispute est encore dans le mix. On entend le morceau \u00e0 trois que voulait Gilmour dans la fa\u00e7on dont le dernier solo est mis \u00e0 nu, et on entend la partition d’Ezrin dans tout ce qui pr\u00e9c\u00e8de. Waters a eu son m\u00e9decin. Gilmour a eu le dernier mot, et c’est une guitare.<\/p>\n

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En janvier 1979, \u00e0 Super Bear au-dessus de Nice, une d\u00e9mo solo de David Gilmour est devenue la dispute au c\u0153ur de Comfortably Numb.<\/p>\n","protected":false},"author":1,"featured_media":19217,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,287,293,278],"tags":[255,482,513,514],"class_list":["post-19224","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-chroniques","category-titres","category-tracks","tag-classic-rock","tag-classic-rock-fr","tag-pink-floyd","tag-pink-floyd-fr"],"yoast_head":"\nComfortably Numb - Pink Floyd : l'orchestre dans le morceau, le solo laiss\u00e9 seul - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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