{"id":19246,"date":"2007-06-27T16:00:00","date_gmt":"2007-06-27T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/young-lust-pink-floyd-a-collect-call-the-operator-believed\/"},"modified":"2026-09-26T23:58:27","modified_gmt":"2026-09-26T21:58:27","slug":"young-lust-pink-floyd-a-collect-call-the-operator-believed","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/young-lust-pink-floyd-a-collect-call-the-operator-believed\/","title":{"rendered":"Young Lust – Pink Floyd : un appel en PCV que l’op\u00e9ratrice a cru vrai"},"content":{"rendered":"

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Producer’s Workshop. Mrs Floyd ne prend pas l’appel.<\/h3>\n

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Les quarante derni\u00e8res secondes de Young Lust<\/em> ne sont pas un sketch \u00e9crit dans une cabine. \u00c0 l’automne 1979, au Producers Workshop de Los Angeles, l’ing\u00e9nieur James Guthrie place un t\u00e9l\u00e9phone dans un coin insonoris\u00e9 et enregistre un poste sur bande quart de pouce. Il a d\u00e9j\u00e0 appel\u00e9 son voisin \u00e0 Londres, Chris Fitzmorris, qui a les cl\u00e9s de son appartement. La consigne est simple : d\u00e9crocher, dire all\u00f4, laisser l’op\u00e9ratrice parler, raccrocher. Autant de fois que l’appel arrive. Les premi\u00e8res op\u00e9ratrices sont trop s\u00e8ches. La troisi\u00e8me reste sur le disque.<\/p>\n

On ne lui dit pas qu’elle est enregistr\u00e9e. Guthrie demande un appel en PCV pour Mrs Floyd, de la part de Mr Floyd. Fitzmorris r\u00e9pond, puis raccroche, encore et encore, jusqu’\u00e0 ce que l’op\u00e9ratrice s’inqui\u00e8te qu’un homme soit dans la maison et que l’\u00e9pouse ne prenne pas l’appel. Ensuite Guthrie retire sa propre voix de la bande et laisse celle de l’op\u00e9ratrice, et Fitzmorris qui dit all\u00f4. Les bips sous le dialogue sont la signalisation transatlantique ordinaire de 1979. Sur l’album, c’est ainsi que Pink, en tourn\u00e9e, apprend que quelqu’un d’autre est \u00e0 la maison.<\/p>\n

Le morceau qui pr\u00e9c\u00e8de cet appel est une blague hard rock jou\u00e9e s\u00e9rieusement. Waters et Gilmour l’ont \u00e9crit. Gilmour le chante. Le riff est du cock-rock de stade, le texte un circuit de groupies : un nouveau venu, une femme sale, une ville du d\u00e9sert. Il se place sur The Wall<\/em> apr\u00e8s Empty Spaces<\/em> et percute One of My Turns<\/em>, la chambre d’h\u00f4tel apr\u00e8s le raccroch\u00e9. Harvest sort l’album en Grande-Bretagne le 30 novembre 1979. Columbia suit le 8 d\u00e9cembre. La version album dure 3:25. Un single italien utilise un montage plus long, environ 3:56. La Grande-Bretagne n’a pas Young Lust<\/em> en face A. Le single, sorti le 23 novembre, est Another Brick in the Wall, Part 2<\/em>, avec One of My Turns<\/em> au dos.<\/p>\n

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Je lui ai dit que je voulais passer un appel en PCV \u00e0 Mrs Floyd. \u00ab Qui appelle ? \u00bb a-t-elle demand\u00e9. \u00ab Mr Floyd \u00bb, ai-je r\u00e9pondu. Le timing de Chris \u00e9tait formidable : encore et encore, il raccrochait juste au bon moment, et elle s’est vraiment inqui\u00e9t\u00e9e. \u00ab Il est cens\u00e9 y avoir quelqu’un d’autre que votre femme ? \u00bb … Sans le savoir, elle aidait \u00e0 raconter l’histoire.<\/p>\n<\/blockquote>\n

(James Guthrie, sur l’appel de Young Lust, 1979)<\/em><\/p>\n

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Sur la tourn\u00e9e The Wall en 1980 et 1981, le morceau est le costume de rock star : le groupe de substitution devant, le vrai groupe derri\u00e8re les briques, une chanson sur l’envie d’une femme sale qui finit par un homme qui raccroche. Le riff est la blague. L’op\u00e9ratrice, non. Elle croyait passer un appel pour quelqu’un dont la femme n’acceptait pas les frais, et elle a continu\u00e9 d’essayer.<\/p>\n

Guthrie a dit plus tard qu’il se demandait parfois si elle s’\u00e9tait jamais entendue sur le disque. L’album ne la nomme pas. Il n’en a pas besoin. Young Lust<\/em>, ce sont trois minutes de d\u00e9sir bon march\u00e9, puis une vraie femme avec un casque, en 1979, qui fait son travail, et qui raconte l’histoire par accident. La blague ne marche que parce que la tourn\u00e9e de 1977 avait d\u00e9j\u00e0 fait du circuit des groupies un travail, et Waters en avait fini de faire semblant d’aimer \u00e7a.<\/p>\n

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\u00c0 Los Angeles en 1979, l’ing\u00e9nieur James Guthrie demande \u00e0 une vraie op\u00e9ratrice un appel en PCV de Mr Floyd pour Mrs Floyd, sans lui dire qu’elle est enregistr\u00e9e.<\/p>\n","protected":false},"author":1,"featured_media":19239,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,287,293,278],"tags":[255,482,513,514],"class_list":["post-19246","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-chroniques","category-titres","category-tracks","tag-classic-rock","tag-classic-rock-fr","tag-pink-floyd","tag-pink-floyd-fr"],"yoast_head":"\nYoung Lust - Pink Floyd : un appel en PCV que l'op\u00e9ratrice a cru vrai - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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