{"id":19279,"date":"2022-03-02T16:00:00","date_gmt":"2022-03-02T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/summer-is-almost-over-polo-pan-campfire-guitar-then-the-desert\/"},"modified":"2026-09-26T22:59:51","modified_gmt":"2026-09-26T20:59:51","slug":"summer-is-almost-over-polo-pan-campfire-guitar-then-the-desert","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/summer-is-almost-over-polo-pan-campfire-guitar-then-the-desert\/","title":{"rendered":"Summer Is Almost Over – Polo & Pan: Guitare de feu de camp, puis le d\u00e9sert"},"content":{"rendered":"

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Une guitare classique au feu de camp, puis les machines prennent la suite<\/h3>\n

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Le 28 mars 2025, Virgin Records France sort 22:22<\/em>, troisi\u00e8me album de Polo & Pan. Le neuvi\u00e8me titre, Summer Is Almost Over<\/em>, dure cinq minutes et trois secondes, et c’est le morceau du disque sans chanteur invit\u00e9. Paul Armand-Delille et Alexandre Grynszpan ont pass\u00e9 le reste de l’album \u00e0 ouvrir la porte : Joseph Mount de Metronomy sur Disco Nap<\/em>, Beth Ditto sur Petite Etoile<\/em>, le collectif I.M. YONI sur Nenuphar<\/em>, Kids Return sur Bluetopia<\/em>. Celui-l\u00e0, ils le gardent. Il s’ouvre sur une guitare classique, proche et s\u00e8che, et ne laisse passer la batterie qu’ensuite.<\/p>\n

Le disque a \u00e9t\u00e9 fait comme une cour de r\u00e9cr\u00e9ation de studio, pas comme un storyboard. Grynszpan, qui enregistre sous le nom de Pan, dit \u00e0 Charts in France le 29 mars 2025 que 22:22<\/em> est l’album le moins programm\u00e9 qu’ils aient fait. Caravelle<\/em> \u00e9tait une machine \u00e0 voyager dans l’espace. Cyclorama<\/em> \u00e9tait un voyage dans le temps. Pour celui-ci, ils ont connect\u00e9 les synth\u00e9tiseurs pour les jouer avec les mains, pas avec la souris. Sur les sessions, ils ont utilis\u00e9 une LinnDrum, des basses Moog et un Jupiter. Une assistante \u00e9tait dans la pi\u00e8ce et lan\u00e7ait la bande d\u00e8s que l’un des deux disait qu’ils tenaient quelque chose.<\/p>\n

Grynszpan d\u00e9signe Summer Is Almost Over<\/em> comme le morceau qui r\u00e9sume le projet. La premi\u00e8re moiti\u00e9 reste sur cette guitare \u00e0 cordes nylon. La seconde acc\u00e9l\u00e8re. AllMusic, dans sa critique de l’album, entend une brise West Coast et \u00e9crit que le titre gagne \u00e0 n’avoir qu’une seule ligne chant\u00e9e. Aucune voix invit\u00e9e ne cache la soudure. La guitare pose la saison, puis les machines changent le tempo.<\/p>\n

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Tu commences effectivement avec une guitare classique, elle est l\u00e0 devant toi, comme si tu \u00e9tais devant un feu de camp. Et apr\u00e8s d’un coup, tu nages dans un d\u00e9sert. On a utilis\u00e9 beaucoup de proc\u00e9d\u00e9s diff\u00e9rents au sein d’un m\u00eame morceau : des toms, des choses tr\u00e8s analogiques, d’autres tr\u00e8s num\u00e9riques. Il symbolise vachement le projet, c’est ce qu’on appelle le space jungle.<\/p>\n<\/blockquote>\n

(Alexandre Grynszpan, Charts in France, 29 mars 2025)<\/em><\/p>\n

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Les dates autour de la sortie \u00e9taient d\u00e9j\u00e0 prises. Dans la m\u00eame interview \u00e0 Charts in France, Grynszpan dit que le concert \u00e0 l’Olympia tombe deux jours apr\u00e8s l’album, et que Coachella les programme les 13 et 20 avril 2025, \u00e0 l’Outdoor Theatre, \u00e0 20 heures, l’heure o\u00f9 Justice avait jou\u00e9 l’ann\u00e9e d’avant. En 2019 ils \u00e9taient sur la plus petite sc\u00e8ne. Cette fois, le journaliste lui parle d’\u00eatre le seul groupe fran\u00e7ais de l’affiche, et il r\u00e9pond sur la pression, pas sur l’affiche. Le 9 janvier 2026, Virgin sort un remix de Yuksek de Summer Is Almost Over<\/em>. La chanson du feu de camp a d\u00e9sormais une version club.<\/p>\n

La soudure est l’id\u00e9e. Une guitare \u00e0 cordes nylon dit que la saison se termine, puis les machines ne commentent pas la phrase. Elles changent la vitesse. Polo & Pan avait construit deux albums sur des concepts de voyage. Sur Summer Is Almost Over<\/em>, le concept, c’est le mat\u00e9riel laiss\u00e9 branch\u00e9, et un morceau qui montre les deux moiti\u00e9s sans chanteur invit\u00e9 pour cacher la jointure. Sur un disque plein de collaborateurs, Grynszpan traite celui-ci comme le r\u00e9sum\u00e9.<\/p>\n

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