{"id":19482,"date":"2008-05-09T09:00:00","date_gmt":"2008-05-09T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/the-beautiful-ones-prince-written-for-the-morris-scene-tracked-the-same-day\/"},"modified":"2026-09-27T01:16:06","modified_gmt":"2026-09-26T23:16:06","slug":"the-beautiful-ones-prince-written-for-the-morris-scene-tracked-the-same-day","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/the-beautiful-ones-prince-written-for-the-morris-scene-tracked-the-same-day\/","title":{"rendered":"The Beautiful Ones – Prince: \u00c9crit pour la sc\u00e8ne avec Morris, grav\u00e9 le jour m\u00eame"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Vanity avait quitt\u00e9 le film. La ballade au piano \u00e9tait pour Morris et Apollonia.<\/h3>\n

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Le 20 septembre 1983, \u00e0 Sunset Sound \u00e0 Hollywood, Prince enregistre The Beautiful Ones<\/em> seul. Les ing\u00e9nieurs Peggy McCreary et David Leonard tiennent la s\u00e9ance. C’est le dernier jour d’une longue s\u00e9rie dans cette pi\u00e8ce. Cinq jours plus t\u00f4t, il a enregistr\u00e9 Irresistible Bitch<\/em>. Les semaines d’avant, il finissait I Would Die 4 U<\/em>, Baby I’m a Star<\/em>, Purple Rain<\/em> et Darling Nikki<\/em>. The Beautiful Ones<\/em> remplace Electric Intercourse<\/em> sur l’album. Prince Vault le cr\u00e9dite de tout le chant et de tous les instruments. Avec When Doves Cry<\/em> et Darling Nikki<\/em>, c’est l’un des trois morceaux de Purple Rain<\/em> qu’il joue seul.<\/p>\n

Le texte est construit pour un plan qui n’existe pas encore. Dans le film, le Kid est sur la sc\u00e8ne de First Avenue. Apollonia est dans la salle, assise avec Morris Day. Le morceau commence au piano, calme, et finit avec Prince au sol. Apollonia part en larmes. Prince d\u00e9taille la s\u00e9paration dans un entretien \u00e0 Ebony en d\u00e9cembre 2015. La phrase sur le choix entre lui et l’autre homme est pour cette sc\u00e8ne. La phrase sur les beautiful ones qu’on finit toujours par perdre vise Vanity, Denise Matthews, qui avait \u00e9t\u00e9 choisie pour le premier r\u00f4le puis avait quitt\u00e9 le film. Apollonia Kotero a pris la place.<\/p>\n

Il avait dit le contraire \u00e0 des gens plus proches des s\u00e9ances. Susan Rogers et Susannah Melvoin y ont entendu une chanson personnelle. Dans le papier d’Ebony, il recule. Il dit qu’une ballade comme \u00e7a n’aurait pas march\u00e9 s’il avait regard\u00e9 une personne dans la pi\u00e8ce. Il fallait que ce soit le personnage. Le cri de la fin est quand m\u00eame sa voix, une prise de piano, de guitare et de cette mont\u00e9e, \u00e9dit\u00e9e plus tard dans le m\u00eame studio.<\/p>\n

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\n

Do you want him or do you want me, \u00e7a a \u00e9t\u00e9 \u00e9crit pour cette sc\u00e8ne de Purple Rain, pr\u00e9cis\u00e9ment, o\u00f9 Morris serait assis avec Apollonia et il y aurait ce va-et-vient. Et aussi, the beautiful ones you always seem to lose: Vanity venait de quitter le film.<\/p>\n<\/blockquote>\n

(Prince, Ebony, d\u00e9cembre 2015)<\/em><\/p>\n

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Sur les premiers ordres de lecture, le morceau est en deuxi\u00e8me position. C’est la piste deux des configurations du 7 novembre 1983 et du 23 mars 1984. Apr\u00e8s l’ajout de Take Me with U<\/em>, la s\u00e9quence du 14 avril 1984 le passe en piste trois, o\u00f9 il reste. Un passage d’edits le 22 mars 1984 \u00e0 Sunset Sound est l’autre s\u00e9ance not\u00e9e par Prince Vault. La version album dure 5:13. Ce n’est pas un single.<\/p>\n

Purple Rain<\/em> sort le 25 juin 1984. Rogers dira plus tard que Prince traitait The Beautiful Ones<\/em>, Purple Rain<\/em> et Computer Blue<\/em> comme le noyau du disque, les morceaux qu’il r\u00e9p\u00e9tait encore quand le reste aurait pu n’\u00eatre que du remplissage. La sc\u00e8ne du film est celle qu’on revoit: la cam\u00e9ra d’Albert Magnoli qui avance, Morris et Apollonia dans les si\u00e8ges, le Kid \u00e9puis\u00e9 sur le sol de la sc\u00e8ne. L’enregistrement en dessous est encore la bande de Sunset Sound du 20 septembre, le jour o\u00f9 la longue s\u00e9rie hollywoodienne s’est arr\u00eat\u00e9e.<\/p>\n

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Le 20 septembre 1983 \u00e0 Sunset Sound, Prince enregistre The Beautiful Ones seul, une ballade au piano \u00e9crite pour la sc\u00e8ne o\u00f9 Morris Day est assis avec Apollonia.<\/p>\n","protected":false},"author":1,"featured_media":19475,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,287,293,278],"tags":[255,482,374,469],"class_list":["post-19482","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-chroniques","category-titres","category-tracks","tag-classic-rock","tag-classic-rock-fr","tag-prince","tag-prince-fr"],"yoast_head":"\nThe Beautiful Ones - Prince: \u00c9crit pour la sc\u00e8ne avec Morris, grav\u00e9 le jour m\u00eame - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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