{"id":19586,"date":"2008-12-02T16:00:00","date_gmt":"2008-12-02T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/a-kind-of-magic-queen-rogers-highlander-line-freddies-rewrite\/"},"modified":"2026-09-27T01:58:44","modified_gmt":"2026-09-26T23:58:44","slug":"a-kind-of-magic-queen-rogers-highlander-line-freddies-rewrite","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/a-kind-of-magic-queen-rogers-highlander-line-freddies-rewrite\/","title":{"rendered":"A Kind of Magic – Queen: La r\u00e9plique d’Highlander, la r\u00e9\u00e9criture de Freddie"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Une r\u00e9plique de film, puis une basse pendant que Taylor \u00e9tait \u00e0 Los Angeles<\/h3>\n

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Roger Taylor \u00e9crit A Kind of Magic<\/em> \u00e0 partir d’une r\u00e9plique d’Highlander<\/em>, et Freddie Mercury la reconstruit pendant que Taylor est \u00e0 Los Angeles. Dans le film, le Connor MacLeod de Christopher Lambert dit \u00ab It’s a kind of magic \u00bb. Taylor b\u00e2tit une chanson sur cette phrase. D’autres formules du film restent dans le texte : un seul prix, un seul but, et la r\u00e8gle qu’il ne peut en rester qu’un. La version qui passe sur le g\u00e9n\u00e9rique de fin est la sienne, plus sombre, plus proche du film. Le single n’est pas cette version.<\/p>\n

Mercury s’empare du morceau pendant la semaine o\u00f9 Taylor est absent. Il retourne l’arrangement et pose dessous une ligne de basse qui rebondit, pour que la chanson avance comme un disque de danse plut\u00f4t que comme un indicatif de film. Queen et David Richards produisent l’album au fil de s\u00e9ances de septembre 1985 \u00e0 avril 1986, \u00e0 Musicland \u00e0 Munich, \u00e0 Mountain \u00e0 Montreux et \u00e0 Townhouse \u00e0 Londres. La r\u00e9\u00e9criture appartient \u00e0 cette p\u00e9riode de travail. La pi\u00e8ce n’est pas le sujet. La semaine d’absence, si. Taylor revient, \u00e9coute, et dit qu’il aime \u00e7a.<\/p>\n

EMI sort le single en Grande-Bretagne le 17 mars 1986. Il culmine \u00e0 la 3e place. La face B britannique est A Dozen Red Roses for My Darling<\/em>. Capitol le sort aux \u00c9tats-Unis le 4 juin, et il atteint la 42e place du Billboard Hot 100. L’album A Kind of Magic<\/em> suit le 2 juin et entre directement num\u00e9ro 1 du classement britannique des albums. Russell Mulcahy, qui avait r\u00e9alis\u00e9 Highlander<\/em>, r\u00e9alise le clip. La tourn\u00e9e Magic de cet \u00e9t\u00e9-l\u00e0 est la derni\u00e8re avec eux quatre.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

\n

J’ai compris qu’il partait une semaine \u00e0 Los Angeles, alors je m’en suis empar\u00e9 et je l’ai compl\u00e8tement retourn\u00e9. Quand il est revenu, je lui ai demand\u00e9 : \u00ab Qu’est-ce que tu en penses ? \u00bb Il a r\u00e9pondu : \u00ab Oh, j’aime \u00e7a. \u00bb<\/p>\n<\/blockquote>\n

(Freddie Mercury, cit\u00e9 dans Classic Rock)<\/em><\/p>\n

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La coupure utile est entre les deux enregistrements qui partagent un titre. La version de Taylor pour le g\u00e9n\u00e9rique garde la temp\u00e9rature du film. Le single de Mercury est construit pour une salle qui veut bouger. John Deacon est le bassiste de l’album. La figure qui rebondit est l’ossature de la r\u00e9\u00e9criture. Le point de Mercury, dans ce qu’il a dit de cette semaine, c’\u00e9tait le changement lui-m\u00eame : il a pris une chanson qui partait avec son auteur et il a renvoy\u00e9 un autre disque.<\/p>\n

Quand la tourn\u00e9e Magic arrive \u00e0 Wembley en juillet 1986, le single est d\u00e9j\u00e0 un top 3 britannique depuis des mois. A Kind of Magic<\/em> est le cas rare o\u00f9 l’indicatif du film et le tube sont tous les deux vrais, et o\u00f9 le tube existe parce que l’un des auteurs \u00e9tait \u00e0 Los Angeles pendant sept jours. La version plus sombre est rest\u00e9e avec le film. Le single, c’est celui qui a la ligne de basse.<\/p>\n

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Roger Taylor \u00e9crit A Kind of Magic \u00e0 partir d’une r\u00e9plique d’Highlander, et Freddie Mercury la reconstruit pendant que Taylor est \u00e0 Los Angeles.<\/p>\n","protected":false},"author":1,"featured_media":19579,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,287,293,278],"tags":[482,255,354,474],"class_list":["post-19586","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-chroniques","category-titres","category-tracks","tag-classic-rock-fr","tag-classic-rock","tag-queen","tag-queen-fr"],"yoast_head":"\nA Kind of Magic - Queen: La r\u00e9plique d'Highlander, la r\u00e9\u00e9criture de Freddie - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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