{"id":19663,"date":"2011-02-04T11:00:00","date_gmt":"2011-02-04T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/give-it-away-red-hot-chili-peppers-nina-hagens-jacket-became-the-chant\/"},"modified":"2026-09-26T22:57:29","modified_gmt":"2026-09-26T20:57:29","slug":"give-it-away-red-hot-chili-peppers-nina-hagens-jacket-became-the-chant","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/give-it-away-red-hot-chili-peppers-nina-hagens-jacket-became-the-chant\/","title":{"rendered":"Give It Away – Red Hot Chili Peppers: la veste de Nina Hagen est devenue le refrain"},"content":{"rendered":"

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La basse de Flea a parcouru tout le manche, puis les mots ont tenu<\/h3>\n

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Le riff existait avant l’album. Apr\u00e8s la tourn\u00e9e de Mother’s Milk<\/em>, John Frusciante et Flea passent du temps dans un groupe parall\u00e8le, H.A.T.E., avec des musiciens de Fishbone. Dans ces b\u0153ufs ils construisent la figure de guitare et la ligne de basse qui deviennent Give It Away<\/em>. Quand le projet s’arr\u00eate, ils ram\u00e8nent la partie aux Red Hot Chili Peppers. Anthony Kiedis entend Flea parcourir presque tout le manche de la basse et va au micro avec un carnet. Il avait d\u00e9j\u00e0 la phrase. Il la gardait.<\/p>\n

La phrase vient de Nina Hagen, des ann\u00e9es plus t\u00f4t, au d\u00e9but des ann\u00e9es 1980, quand Kiedis est jeune, \u00e0 l’h\u00e9ro\u00efne, et que Hagen est plus \u00e2g\u00e9e et peu port\u00e9e sur les sermons. Il fouille son placard, dit qu’une veste est belle, et elle lui dit de la prendre. Sa raison est pratique: un placard qu’on refuse de vider rend une vie plus petite. Donner l’objet, et la pi\u00e8ce s’agrandit. Kiedis raconte dans Scar Tissue<\/em> que l’id\u00e9e est rest\u00e9e, et qu’elle a rejoint plus tard quelque chose entendu en r\u00e9union: on garde sa propre sobri\u00e9t\u00e9 en la donnant \u00e0 quelqu’un d’autre. La basse est la premi\u00e8re musique capable de porter ce cours sans en faire un cours. Il scande \u00ab\u00a0give it away, give it away, give it away now\u00a0\u00bb et le morceau a un refrain.<\/p>\n

Rick Rubin enregistre la chanson entre avril et juin 1991 \u00e0 The Mansion, \u00e0 Los Angeles, la m\u00eame maison que le reste de Blood Sugar Sex Magik<\/em>. Il veut les guitares s\u00e8ches. Mother’s Milk<\/em> \u00e9tait empil\u00e9 et brillant. Ce disque est plus proche d’une session des ann\u00e9es 1960: ce qu’on entend est ce qui a \u00e9t\u00e9 jou\u00e9, des p\u00e9dales vintage s’il y en a, pas un mur de reverb. Le solo de Frusciante est pos\u00e9 \u00e0 l’envers sur la piste. Flea dit que John jouait un solo une fois, et si \u00e7a ratait, une seconde fois, compl\u00e8tement diff\u00e9rent, et c’\u00e9tait la prise. Pete Weiss ajoute une guimbarde. Brendan O’Brien joue de l’orgue Hammond B3. Le pont vient d’une m\u00e9thode que le groupe commence \u00e0 appeler face-off: Flea et Frusciante \u00e9crivent des parties s\u00e9par\u00e9ment, puis en choisissent une.<\/p>\n

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\n

Si tu as un placard plein de v\u00eatements et que tu essaies de tout garder, ta vie devient tr\u00e8s petite. Mais si tu as un placard plein et que quelqu’un voit quelque chose qui lui pla\u00eet, si tu le lui donnes, le monde est un endroit meilleur.<\/p>\n<\/blockquote>\n

(Nina Hagen, racont\u00e9e par Anthony Kiedis dans Scar Tissue)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb19659″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1700019659{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Warner Bros. veut qu’une radio rock du Texas cr\u00e9e le single. La station leur dit de revenir quand la chanson aura une m\u00e9lodie. KROQ, \u00e0 Los Angeles, la passe en lourde rotation \u00e0 la place, et Kiedis marquera plus tard cet instant comme celui o\u00f9 les morceaux entrent dans une pi\u00e8ce plus large. Le clip, r\u00e9alis\u00e9 par St\u00e9phane Sednaoui, est pr\u00eat pour le 4 septembre 1991: noir et blanc, un d\u00e9sert, les quatre peints en argent, Frusciante en pantalon de miroirs avec une Stratocaster argent\u00e9e, un plan invers\u00e9 o\u00f9 il agite un ruban d’aluminium. Le budget tourne autour de 140 000 dollars. Le label craint que ce soit trop bizarre. Le clip gagne Breakthrough Video et Best Art Direction aux MTV Awards de 1992. L’album sort le 24 septembre 1991.<\/p>\n

Au classement Modern Rock de Billboard, c’est le premier num\u00e9ro un du groupe. Le Hot 100 ne le m\u00e8ne qu’au num\u00e9ro 73, en 1992, apr\u00e8s que Under the Bridge<\/em> a ouvert la porte. La Grande-Bretagne en fait un top dix en f\u00e9vrier 1994, en r\u00e9\u00e9dition, avec presque deux ans et demi de retard. Aux Grammy de 1993, le morceau gagne Best Hard Rock Performance. En concert, il devient le morceau de fin. Le groupe l’a jou\u00e9 plus de mille fois, y compris \u00e0 Saturday Night Live en 2006 et \u00e0 la mi-temps du Super Bowl XLVIII en 2014. La veste a disparu. Le refrain est la partie qui est rest\u00e9e.<\/p>\n

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Au printemps 1991, \u00e0 The Mansion de Los Angeles, la ligne de basse de Flea donne \u00e0 Anthony Kiedis un endroit pour poser une phrase que Nina Hagen lui avait donn\u00e9e avec une veste.<\/p>\n","protected":false},"author":1,"featured_media":19656,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,287,293,278],"tags":[268,311,694,702],"class_list":["post-19663","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-chroniques","category-titres","category-tracks","tag-alternative-indie-punk","tag-alternative-indie-punk-fr","tag-red-hot-chili-peppers","tag-red-hot-chili-peppers-fr"],"yoast_head":"\nGive It Away - Red Hot Chili Peppers: la veste de Nina Hagen est devenue le refrain - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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