{"id":19735,"date":"2016-07-15T19:00:00","date_gmt":"2016-07-15T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/the-sweetest-taboo-sade-bouteilles-verres-et-pluie\/"},"modified":"2026-09-27T00:00:25","modified_gmt":"2026-09-26T22:00:25","slug":"the-sweetest-taboo-sade-bouteilles-verres-et-pluie","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/the-sweetest-taboo-sade-bouteilles-verres-et-pluie\/","title":{"rendered":"The Sweetest Taboo – Sade: des bouteilles, des verres et de la pluie au Power Plant"},"content":{"rendered":"

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La boucle de Martin Ditcham, puis des verres \u00e0 vin sur la prise vocale<\/h3>\n

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The Sweetest Taboo<\/em> est le premier single de Promise<\/em>, sorti le 4 octobre 1985, un mois avant l’album. Sade Adu a \u00e9crit les paroles. Martin Ditcham, le percussionniste, a \u00e9crit la musique avec elle. Robin Millar l’a produit au Power Plant, dans le nord-ouest de Londres, avec Mike Pela \u00e0 l’ing\u00e9nierie. La version album dure 4:37. Le 45 tours britannique est un peu plus court, avec You’re Not the Man<\/em> en face B.<\/p>\n

Promise<\/em> a \u00e9t\u00e9 enregistr\u00e9 de f\u00e9vrier \u00e0 ao\u00fbt 1985, surtout au Power Plant, avec un passage au Studio Miraval en Provence. Ditcham a commenc\u00e9 Taboo<\/em> comme un pattern de batterie sur une Yamaha RX11 et une suite d’accords. Dave Early, le batteur, ne voulait pas laisser une machine dans la piste, alors il a jou\u00e9 la partie en live. Le kit est all\u00e9g\u00e9 : pas de charleston, toms retir\u00e9s. Paul Denman a jou\u00e9 la basse en DI dans la r\u00e9gie, une ligne courte qui ne se prom\u00e8ne pas. La guitare acoustique de Stuart Matthewman est pass\u00e9e dans un sampleur AMS, d\u00e9clench\u00e9e par la batterie, puis d\u00e9cal\u00e9e pour que la boucle tombe sur la mesure. La voix principale d’Adu, un Neumann U87 dans la r\u00e9gie, est pass\u00e9e en prises compl\u00e8tes. Pela a dit qu’elle \u00e9tait souffl\u00e9e, et qu’ils ne l’ont pas d\u00e9coup\u00e9e jusqu’\u00e0 l’user.<\/p>\n

Les \u00e0-c\u00f4t\u00e9s expliquent pourquoi le disque ne sonne pas comme une simple ballade quiet storm. Ditcham et Early \u00e9taient assis \u00e0 des tables de caf\u00e9. Early soufflait dans une bouteille. La feuille de pistes appelait ces bouteilles des porky pipes. Ditcham tapait des verres avec une fourchette. Ils riaient si fort que Pela a d\u00fb gater la prise. La pluie de l’intro et de la fin vient d’un disque d’effets. Le tonnerre, c’est un ampli Roland, reverb \u00e0 fond, l\u00e2ch\u00e9 de quelques centim\u00e8tres pour faire sonner les ressorts. Sur le refrain, des lignes \u00e0 moiti\u00e9 parl\u00e9es passent dans un vocoder. Les cuivres du pont : Matthewman au t\u00e9nor, Terry Bailey \u00e0 la trompette, Pete Beachill au trombone. Le clip de Brian Ward place le groupe dans un loft de New York et coupe vers des sc\u00e8nes de d\u00e9sert tourn\u00e9es en Andalousie. L’histoire continue dans le clip d’Is It a Crime?<\/em>.<\/p>\n

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Puis \u00e0 la fin, pendant qu’on r\u00e9p\u00e9tait et que Sade chantait dans le studio, Dave et Martin tapaient sur des verres \u00e0 vin et des cendriers. \u00c7a a \u00e9t\u00e9 pris par le micro de Sade et on a fini par garder cette prise.<\/p>\n<\/blockquote>\n

(Stuart Matthewman, International Musician, d\u00e9cembre 1985)<\/em><\/p>\n

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La Grande-Bretagne culmine \u00e0 31. Les \u00c9tats-Unis font l’inverse. Le Hot 100 atteint la 5e place en mars 1986, avec 13 semaines dans le top 40 et 22 semaines au total dans le classement. C’est le num\u00e9ro 1 du Adult Contemporary de Billboard, le deuxi\u00e8me d’affil\u00e9e pour le groupe apr\u00e8s Smooth Operator<\/em>, et le num\u00e9ro 3 du classement R&B. La liste black contemporary de Cash Box monte aussi au num\u00e9ro 1. Le Adult Contemporary canadien atteint 1. L’Irlande arrive \u00e0 11. Le classement single n\u00e9erlandais arrive \u00e0 12. Au bilan 1986 du Hot 100, le titre est 55e.<\/p>\n

La phrase sur le quiet storm nomme le format radio am\u00e9ricain de fin de soir\u00e9e qui passait ce genre de disque. Le groupe ne s’est pas arr\u00eat\u00e9 \u00e0 un slogan pour ce format. Ils ont empil\u00e9 des percussions, sampl\u00e9 une guitare, et gard\u00e9 une voix qui ne pousse pas. Promise<\/em> sort le 4 novembre 1985. The Sweetest Taboo<\/em> \u00e9tait d\u00e9j\u00e0 le single qui disait \u00e0 l’Am\u00e9rique que le deuxi\u00e8me album ne serait pas une copie de Diamond Life<\/em>.<\/p>\n

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The Sweetest Taboo, premier single de Promise, a \u00e9t\u00e9 enregistr\u00e9 au Power Plant en 1985 \u00e0 partir d’une id\u00e9e de bo\u00eete \u00e0 rythmes que le groupe a ensuite jou\u00e9e en live, verres compris.<\/p>\n","protected":false},"author":1,"featured_media":19728,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[615,537],"class_list":["post-19735","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-sade","tag-soul-rb"],"yoast_head":"\nThe Sweetest Taboo - Sade: des bouteilles, des verres et de la pluie au Power Plant - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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