{"id":21425,"date":"2008-12-18T19:00:00","date_gmt":"2008-12-18T18:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/pretty-vacant-sex-pistols-matlock-a-entendu-sos-rotten-a-tordu-la-derniere-syllabe\/"},"modified":"2026-09-27T01:16:14","modified_gmt":"2026-09-26T23:16:14","slug":"pretty-vacant-sex-pistols-matlock-a-entendu-sos-rotten-a-tordu-la-derniere-syllabe","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/pretty-vacant-sex-pistols-matlock-a-entendu-sos-rotten-a-tordu-la-derniere-syllabe\/","title":{"rendered":"Pretty Vacant – Sex Pistols : Matlock a entendu SOS, Rotten a tordu la derni\u00e8re syllabe"},"content":{"rendered":"

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Un riff venu de SOS, puis une sixi\u00e8me place qu’on les a laiss\u00e9s avoir<\/h3>\n

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Glen Matlock a \u00e9crit Pretty Vacant<\/em> avant d’\u00eatre pouss\u00e9 hors des Sex Pistols, et l’accroche est arriv\u00e9e dans un bar. Il fait remonter le riff descendant \u00e0 SOS<\/em> d’ABBA, entendu au jukebox de Moonies, Charing Cross Road, pendant qu’il d\u00e9pensait son allocation. Le texte part d’une affiche de Richard Hell que Malcolm McLaren a ramen\u00e9e de New York, celle qui annonce Blank Generation<\/em>. Matlock a lu l’humeur de travers, expr\u00e8s. Il voulait un sentiment vacant, blanc, qui avance quand m\u00eame.<\/p>\n

Il a \u00e9crit les paroles, puis Rotten a r\u00e9\u00e9crit deux lignes du second couplet. Le brouillon de Matlock haussait les \u00e9paules vers le pub. La ligne de Rotten, \u00ab Stop your cheap comments, we know we’re for real \u00bb, est celle qui est rest\u00e9e. Les accords du refrain, dit Matlock, viennent directement de Wham Bam, Thank You Ma’am<\/em> des Small Faces, le m\u00eame R&B londonien que les Pistols retournaient depuis 1975. Une d\u00e9mo de Denmark Street, juillet 1976, a ensuite fuit\u00e9 sur le bootleg Spunk<\/em> sous le titre Lots of Fun<\/em>.<\/p>\n

Quand Virgin sort le single, le 1er juillet 1977, Matlock est parti. Le master, coup\u00e9 \u00e0 Wessex en mars, encore avec Chris Thomas et Bill Price, a Rotten au chant, Paul Cook \u00e0 la batterie, et Steve Jones \u00e0 la guitare et \u00e0 la basse. Sid Vicious est le bassiste que le public voit. Ce n’est pas sa basse sur ce disque. La face B est une reprise brute de No Fun<\/em> des Stooges, tir\u00e9e des vieilles d\u00e9mos de Goodman.<\/p>\n

Le single entre dans le chart britannique \u00e0 la 45e place le 9 juillet et culmine \u00e0 la 6e le 30 juillet, r\u00e9f\u00e9rence VS 184. C’est le premier disque des Pistols que la radio accepte vraiment, surtout parce qu’il sonne moins comme une insulte directe que Anarchy in the UK<\/em> ou God Save the Queen<\/em>. Le tour de Rotten est dans la voyelle. Il appuie sur la derni\u00e8re syllabe de \u00ab vacant \u00bb jusqu’\u00e0 ce qu’elle devienne autre chose. Assez de programmateurs ne l’ont pas entendu.<\/p>\n

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\n

Pretty Vacant, c’est une sorte de cri primal : on ne sait pas ce qu’on va faire, mais on va le faire quand m\u00eame.<\/p>\n<\/blockquote>\n

(Glen Matlock, Uncut, juin 2022)<\/em><\/p>\n

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Le 11 juillet 1977, le groupe tourne un promo aux studios d’ITN, Wells Street, r\u00e9alis\u00e9 par Mike Mansfield. Ils lancent de la bi\u00e8re sur un cam\u00e9raman et se font mettre dehors. Ils reviennent le 12 et finissent. Le 14 juillet, Top of the Pops diffuse le clip, contre la volont\u00e9 du groupe et contre l’interdit que l’\u00e9mission s’\u00e9tait d\u00e9j\u00e0 impos\u00e9. C’est leur premi\u00e8re apparition dans le programme, et ils ne sont pas dans le b\u00e2timent.<\/p>\n

Le disque \u00e0 \u00e9couter, c’est celui-l\u00e0, pas la mention de catalogue d’un remaster de 2012. La basse de Jones suit la figure de guitare au lieu de se poser dessous, Cook garde la caisse claire s\u00e8che, et Rotten a l’air amus\u00e9 plut\u00f4t qu’h\u00e9ro\u00efque. Une 6e place, huit semaines au chart, et un riff emprunt\u00e9 \u00e0 ABBA dans un bar de Charing Cross : voil\u00e0 comment les Pistols ont eu un tube que la BBC a bien voulu montrer.<\/p>\n

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Glen Matlock a \u00e9crit Pretty Vacant avant d’\u00eatre pouss\u00e9 hors des Sex Pistols, et l’accroche est arriv\u00e9e dans un bar. Il fait remonter le riff descendant \u00e0 SOS d’ABBA, entendu au jukebox de Moonies, Charing Cross Road, pendant qu’il d\u00e9pensait son allocation. Le texte part d’une affiche de Richard Hell que Malcolm McLaren a ramen\u00e9e de New York, celle qui annonce Blank Generation. Matlock a lu l’humeur de travers, expr\u00e8s. Il voulait un sentiment vacant, blanc, qui avance quand m\u00eame.<\/p>\n","protected":false},"author":1,"featured_media":21418,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[268,327],"class_list":["post-21425","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-alternative-indie-punk","tag-sex-pistols"],"yoast_head":"\nPretty Vacant - Sex Pistols : Matlock a entendu SOS, Rotten a tordu la derni\u00e8re syllabe - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/pretty-vacant-sex-pistols-matlock-a-entendu-sos-rotten-a-tordu-la-derniere-syllabe\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pretty Vacant - Sex Pistols : Matlock a entendu SOS, Rotten a tordu la derni\u00e8re syllabe - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Glen Matlock a \u00e9crit Pretty Vacant avant d'\u00eatre pouss\u00e9 hors des Sex Pistols, et l'accroche est arriv\u00e9e dans un bar. 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