{"id":21443,"date":"2016-02-16T11:00:00","date_gmt":"2016-02-16T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/isnt-she-lovely-stevie-wonder-un-bain-sur-la-bande-et-pas-de-45-tours\/"},"modified":"2026-09-27T01:17:49","modified_gmt":"2026-09-26T23:17:49","slug":"isnt-she-lovely-stevie-wonder-un-bain-sur-la-bande-et-pas-de-45-tours","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/isnt-she-lovely-stevie-wonder-un-bain-sur-la-bande-et-pas-de-45-tours\/","title":{"rendered":"Isn’t She Lovely – Stevie Wonder : un bain sur la bande, et pas de 45 tours"},"content":{"rendered":"

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La face trois s’ouvre sur un cri qu’il n’a pas voulu couper<\/h3>\n

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Isn’t She Lovely<\/em> ouvre la troisi\u00e8me face de Songs in the Key of Life<\/em>, le double album que Tamla sort le 28 septembre 1976. Wonder l’\u00e9crit pour sa fille Aisha Morris, n\u00e9e en f\u00e9vrier 1975 de lui et de Yolanda Simmons. Le morceau ne commence pas par un couplet. Il commence par le cri d’un nouveau-n\u00e9. Ce cri n’est pas celui d’Aisha. Le bain, \u00e0 l’autre bout du morceau, si. On entend l’eau, une petite protestation, et Wonder qui la guide : allez, sors de l’autre c\u00f4t\u00e9.<\/p>\n

Il joue presque tout. Batterie, percussions, basse synth\u00e9, Fender Rhodes, RMI Electra Piano, harmonica chromatique, chant. Greg Phillinganes ajoute quelques parties de clavier. Le bassiste Nathan Watts pose une ligne guide pour que Wonder ait une carte, et Wonder la remplace par sa propre basse clavier. Le solo d’harmonica est improvis\u00e9 dans la pi\u00e8ce et laiss\u00e9 tel quel. Les ing\u00e9nieurs John Fischbach et Gary Olazabal sont les noms sur la feuille de s\u00e9ance des longues sessions de Key of Life<\/em> qui produisent ce titre. Le morceau fini dure 6 minutes 34, le bain et le solo se partageant le fondu.<\/p>\n

Motown veut un 45 tours. Wonder refuse de le raccourcir pour le format. Un edit promotionnel, un peu plus de trois minutes, part en radio fin 1976, le cri coup\u00e9 et la fin \u00e9court\u00e9e. Pas de single commercial aux \u00c9tats-Unis. La diffusion pousse quand m\u00eame le morceau \u00e0 la 23e place du chart adult contemporary de Billboard en janvier 1977. En Grande-Bretagne, il effleure le chart \u00e0 la seule force du passage antenne. L’album a d\u00e9j\u00e0 pass\u00e9 treize semaines \u00e0 la premi\u00e8re place. Il n’a pas besoin que ce morceau soit un single, et il traite \u00e7a comme une d\u00e9cision musicale, pas comme un coup.<\/p>\n

Yolanda est dans le texte, chant\u00e9e Londi, la personne que le dernier couplet remercie. Le pr\u00e9nom d’Aisha est glos\u00e9 dans la chanson m\u00eame : la vie. Le disque est un faire-part qui refuse d’en avoir l’air. Il est joyeux, et c’est aussi six minutes d’un homme qui joue un groupe, avec une vraie enfant audible \u00e0 la fin.<\/p>\n

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\n

Allez, Aisha. Sors de l’eau, b\u00e9b\u00e9.<\/p>\n<\/blockquote>\n

(Stevie Wonder, sur l’enregistrement, 1976)<\/em><\/p>\n

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La version \u00e0 entendre est la prise d’album. L’edit promo prouve le propos par ce qu’il retire : le cri, l’essentiel de l’harmonica, le bain. Sans eux, c’est une jolie suite d’accords. Avec eux, c’est un document. Les chanteurs de jazz ont pris les accords quand m\u00eame. C’est devenu un standard sans jamais avoir eu de vrai single, ce qui est une dr\u00f4le de fa\u00e7on d’\u00eatre un tube.<\/p>\n

En juin 2012, Wonder le chante au concert du jubil\u00e9 de diamant de la reine et infl\u00e9chit les mots vers Elizabeth. L’enregistrement de 1976 n’a pas besoin de cette occasion. Il a d\u00e9j\u00e0 l’enfant pour qui il a \u00e9t\u00e9 \u00e9crit, sur la bande, qui refuse de sortir du bain, pendant que l’harmonica continue. Voil\u00e0 le morceau. Les compilations qui le classent en suppl\u00e9ment deluxe ne font que du classement.<\/p>\n

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Isn’t She Lovely ouvre la troisi\u00e8me face de Songs in the Key of Life, le double album que Tamla sort le 28 septembre 1976. Wonder l’\u00e9crit pour sa fille Aisha Morris, n\u00e9e en f\u00e9vrier 1975 de lui et de Yolanda Simmons. Le morceau ne commence pas par un couplet. Il commence par le cri d’un nouveau-n\u00e9. Ce cri n’est pas celui d’Aisha. Le bain, \u00e0 l’autre bout du morceau, si. On entend l’eau, une petite protestation, et Wonder qui la guide : allez, sors de l’autre c\u00f4t\u00e9.<\/p>\n","protected":false},"author":1,"featured_media":21436,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[537,778],"class_list":["post-21443","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-soul-rb","tag-stevie-wonder"],"yoast_head":"\nIsn't She Lovely - Stevie Wonder : un bain sur la bande, et pas de 45 tours - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/isnt-she-lovely-stevie-wonder-un-bain-sur-la-bande-et-pas-de-45-tours\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Isn't She Lovely - Stevie Wonder : un bain sur la bande, et pas de 45 tours - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Isn't She Lovely ouvre la troisi\u00e8me face de Songs in the Key of Life, le double album que Tamla sort le 28 septembre 1976. 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