{"id":21602,"date":"2015-01-23T09:00:00","date_gmt":"2015-01-23T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/if-i-ever-lose-my-faith-in-you-sting-five-passes-at-lake-house\/"},"modified":"2026-09-27T02:00:04","modified_gmt":"2026-09-27T00:00:04","slug":"if-i-ever-lose-my-faith-in-you-sting-five-passes-at-lake-house","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/if-i-ever-lose-my-faith-in-you-sting-five-passes-at-lake-house\/","title":{"rendered":"If I Ever Lose My Faith In You – Sting : cinq prises \u00e0 Lake House"},"content":{"rendered":"

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Le single amiral d’une maison du Wiltshire<\/h3>\n

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L’enregistrement de Ten Summoner’s Tales<\/em> se fait \u00e0 Lake House, la maison de Sting dans le Wiltshire, de juin \u00e0 d\u00e9cembre 1992, mix\u00e9 au Townhouse \u00e0 Londres et masteris\u00e9 chez Masterdisk \u00e0 New York. Hugh Padgham co-produit, comme sur The Soul Cages<\/em>. Il raconte \u00e0 Recording Musician en mai 1993 que les journ\u00e9es commencent tard, s’interrompent pour un vrai d\u00e9jeuner, et s’enlisent rarement, et qu’il esp\u00e8re qu’on l’entend dans la musique. If I Ever Lose My Faith in You<\/em> est la chanson qui leur dit que l’album a un centre.<\/p>\n

Le groupe est la petite formation de la tourn\u00e9e Soul Cages : Sting \u00e0 la basse et au chant, Dominic Miller \u00e0 la guitare, Vinnie Colaiuta \u00e0 la batterie, David Sancious aux claviers. Ils enregistrent dans la m\u00eame pi\u00e8ce. Les r\u00e9cits du premier jour disent que la piste d’accompagnement a \u00e9t\u00e9 finie en quelques passes, y compris des run-throughs, plut\u00f4t que construite par overdubs isol\u00e9s. On l’entend dans la fa\u00e7on dont la basse et la batterie se r\u00e9pondent. C’est un single pop qui sonne encore comme quatre personnes qui se regardent.<\/p>\n

Le texte est pr\u00e9cis sur ce qu’il a l\u00e2ch\u00e9 et vague sur ce qu’il a gard\u00e9. Science et progr\u00e8s, l’\u00e9glise, les gens \u00e0 la t\u00e9l\u00e9vision, des politiciens qui ressemblent \u00e0 des animateurs de jeux : ceux-l\u00e0 sont nomm\u00e9s. Le you du titre, non. A&M sort le single le 1er f\u00e9vrier 1993, avant l’album. Il atteint la 14e place au Royaume-Uni et la 17e du Billboard Hot 100. Au Canada, il passe n\u00b0 1 du classement RPM et y reste trois semaines, finissant l’ann\u00e9e parmi les plus gros singles du pays.<\/p>\n

Howard Greenhalgh r\u00e9alise le clip, tourn\u00e9 autour de Glastonbury Tor et de la c\u00f4te sud de l’Angleterre, Sting figur\u00e9 par moments comme un roi face \u00e0 la mer. Aux Grammy 1994, la chanson gagne le Best Male Pop Vocal Performance et est nomm\u00e9e pour Record of the Year et Song of the Year. Ten Summoner’s Tales<\/em> est lui-m\u00eame en lice pour l’Album of the Year. Il dira plus tard \u00e0 l’Independent qu’il a \u00e9t\u00e9 surpris d’en faire le disque le plus pass\u00e9 sur les radios am\u00e9ricaines en 1993. Il pensait que \u00e7a avait attrap\u00e9 une humeur : la foi partie des gouvernements et des \u00e9glises, l’espoir gard\u00e9 quand m\u00eame.<\/p>\n

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\n

J’ai simplement dit : si jamais je perds foi en toi, et ce toi peut \u00eatre mon producteur, la foi en Dieu, la foi en moi-m\u00eame, ou la foi en l’amour. Je crois qu’il est important de ne pas le d\u00e9finir, parce qu’une fois qu’on peut d\u00e9finir quelque chose, \u00e7a s’\u00e9vapore.<\/p>\n<\/blockquote>\n

(Sting, 1993)<\/em><\/p>\n

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Apr\u00e8s The Soul Cages<\/em>, \u00e9crit dans l’ombre de la mort de ses parents, cet album est plus clair sans pr\u00e9tendre que le doute a disparu. Le single en est la preuve : un refrain droit, un groupe enregistr\u00e9 en se regardant, un texte qui liste les institutions et ne nomme pas l’espoir. Sting a dit \u00e0 Rolling Stone en 1993 qu’il savait que \u00e7a avait un hook et qu’il y voyait un navire amiral. Sans \u00e7a, disait-il, il n’y avait pas grand sens \u00e0 sortir un disque.<\/p>\n

Elle est rest\u00e9e dans le set, passant au fil des ann\u00e9es de l’ouverture au rappel. La version \u00e0 entendre est la prise de Lake House sur Ten Summoner’s Tales<\/em>, pas un edit de compilation plus tardif. Une maison dans le Wiltshire, quatre musiciens, un refrain qui ne dit toujours pas qui est ce you.<\/p>\n

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En 1992, \u00e0 Lake House dans le Wiltshire, Sting et Hugh Padgham enregistrent If I Ever Lose My Faith in You avec le groupe de tourn\u00e9e dans la pi\u00e8ce.<\/p>\n","protected":false},"author":1,"featured_media":21595,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,287,293,278],"tags":[256,467,942,1027],"class_list":["post-21602","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-chroniques","category-titres","category-tracks","tag-pop","tag-pop-fr-2","tag-sting","tag-sting-fr"],"yoast_head":"\nIf I Ever Lose My Faith In You - Sting : cinq prises \u00e0 Lake House - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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