{"id":21613,"date":"2014-06-27T13:00:00","date_gmt":"2014-06-27T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/fields-of-gold-sting-barley-at-the-window-pipes-on-the-verse\/"},"modified":"2026-09-27T01:59:57","modified_gmt":"2026-09-26T23:59:57","slug":"fields-of-gold-sting-barley-at-the-window-pipes-on-the-verse","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/fields-of-gold-sting-barley-at-the-window-pipes-on-the-verse\/","title":{"rendered":"Fields Of Gold – Sting : l’orge \u00e0 la fen\u00eatre, les pipes au couplet"},"content":{"rendered":"

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L’orge autour de Lake House, les pipes en fin de couplet<\/h3>\n

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Le troisi\u00e8me single de Ten Summoner’s Tales<\/em> regarde par la m\u00eame fen\u00eatre que les s\u00e9ances. Lake House est entour\u00e9e de champs d’orge dans le Wiltshire, et Sting a rattach\u00e9 Fields of Gold<\/em> \u00e0 cette vue : une marche dans les pr\u00e9s, une chanson d’amour qui garde le paysage dans le texte, vent d’ouest, soleil jaloux, des enfants qui courent quand la lumi\u00e8re tombe. A&M la sort le 7 juin 1993. Elle atteint la 16e place au Royaume-Uni cet \u00e9t\u00e9-l\u00e0 et la 23e du Billboard Hot 100. Au Canada, elle monte \u00e0 la 2e.<\/p>\n

La prise, c’est encore le groupe de Lake House, co-produite avec Hugh Padgham, mix\u00e9e au Townhouse, masteris\u00e9e chez Masterdisk \u00e0 New York. La guitare de Dominic Miller porte l’harmonie. Brendan Power joue le solo d’harmonica. Kathryn Tickell, du Northumberland, joue les smallpipes northumbriennes \u00e0 la fin des couplets un et trois. Cette anche n’appartient pas \u00e0 une s\u00e9ance pop londonienne standard, et c’est pour \u00e7a que le morceau ne s’aplatit pas en ballade d\u00e9j\u00e0 entendue. Le tempo reste lent. Une batterie discr\u00e8te et un orgue se tiennent sous la voix. Rien dans l’arrangement ne crie.<\/p>\n

Kevin Godley r\u00e9alise le clip, tourn\u00e9 sur environ une semaine avec des cam\u00e9ras motion-control. Sting appara\u00eet en silhouette dor\u00e9e qui traverse un village britannique sombre : une cabine t\u00e9l\u00e9phonique rouge, une bo\u00eete aux lettres, la rue vide autour de lui pendant que le monde \u00e0 l’int\u00e9rieur de la silhouette est clair et plein de gens. C’est une image maligne. Ce n’est pas le disque. Le disque, ce sont les pipes, l’harmonica, et l’orge.<\/p>\n

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\n

On travaillait \u00e0 des heures tr\u00e8s sociables, on mangeait tr\u00e8s bien, le travail ne s’enlisait jamais, et j’esp\u00e8re que \u00e7a se refl\u00e8te dans la musique.<\/p>\n<\/blockquote>\n

(Hugh Padgham, Recording Musician, mai 1993)<\/em><\/p>\n

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D’autres versions arrivent plus tard. Eva Cassidy la chante en concert \u00e0 Blues Alley en 1996, et cette prise se retrouve ensuite sur Songbird<\/em> (1998). Sa version retrouve les classements des ann\u00e9es apr\u00e8s sa mort et est certifi\u00e9e or en Grande-Bretagne par la BPI en mai 2022. Michael Bolton et Zucchero, entre autres, reprennent aussi la m\u00e9lodie. La lecture de Cassidy est celle qui a renvoy\u00e9 un nouveau public vers la chanson. Elle est aussi plus lente et plus nue, ce qui rend l’original de Sting plus facile \u00e0 entendre comme un morceau de groupe, pas une voix seule debout dans un champ.<\/p>\n

Ecoutez la prise album de 1993. Attendez Tickell. Les pipes durent quelques secondes et elles changent la temp\u00e9rature du couplet. L’orge \u00e9tait dehors, derri\u00e8re la fen\u00eatre du studio. Le single sonne encore comme quelqu’un qui pouvait la voir pendant que la bande tournait. L’espoir de Padgham, que le calme de ces journ\u00e9es \u00e0 Lake House se retrouve dans la musique, se pose ici plus clairement que sur le single amiral.<\/p>\n

La partie de Dominic Miller est simple expr\u00e8s, des formes de trois notes plut\u00f4t qu’un solo, pour que les pipes de Tickell et l’harmonica de Power aient o\u00f9 se poser. C’est l’arrangement de 1993. Cassidy l’a encore d\u00e9pouill\u00e9. Les deux valent l’\u00e9coute. Un seul a \u00e9t\u00e9 fait dans la maison avec l’orge dehors.<\/p>\n

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