{"id":21635,"date":"2013-10-13T09:00:00","date_gmt":"2013-10-13T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/alors-on-danse-stromae-the-bills-come-first-then-the-kick\/"},"modified":"2026-09-27T01:59:46","modified_gmt":"2026-09-26T23:59:46","slug":"alors-on-danse-stromae-the-bills-come-first-then-the-kick","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/alors-on-danse-stromae-the-bills-come-first-then-the-kick\/","title":{"rendered":"Alors on danse – Stromae : les factures d’abord, puis la grosse caisse"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Un disque de danse bruxellois qui \u00e9num\u00e8re les probl\u00e8mes avant le refrain<\/h3>\n

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Paul Van Haver a 24 ans et travaille sous le nom de Stromae, maestro \u00e0 l’envers. Le single sort en Belgique le 26 septembre 2009, \u00e9crit par lui et produit avec Dimitri Borrey. La grosse caisse est r\u00e9guli\u00e8re, la ligne de synth\u00e9 \u00e9troite et mineure, la voix proche de la parole. Les couplets sont une cha\u00eene, pas une sc\u00e8ne : \u00e9tudes, travail, argent, cr\u00e9dit, dette, l’huissier ; puis l’amour, les enfants, le divorce ; puis la crise et la famine. Le refrain ne r\u00e8gle aucune ligne de cette liste. Il dit : alors on danse. L’\u00e9dition radio dure environ trois minutes et demie. C’est le disque, pas un remix de club plus tardif.<\/p>\n

Il a d\u00e9crit l’id\u00e9e sans l’habiller. Le clip, r\u00e9alis\u00e9 par Stromae et J\u00e9r\u00f4me Guiot, joue la m\u00eame boucle en images. Un homme finit sa journ\u00e9e de bureau, se fait refouler \u00e0 la porte de la maison o\u00f9 vit son enfant, perd son manteau dans la rue, chante sur une petite sc\u00e8ne de bar, et on le ram\u00e8ne au bureau. Il n’y a pas de seconde fin. Cheese<\/em>, le premier album, suit le 14 juin 2010 sur son label Mosaert, via Vertigo et Universal Music France. Alors on danse<\/em> est le morceau autour duquel l’album est construit. Les autres singles, Te Quiero<\/em> et House’llelujah<\/em>, viennent apr\u00e8s.<\/p>\n

Le beat avait \u00e9t\u00e9 fait comme il travaillait d\u00e9j\u00e0 : des nuits \u00e0 Bruxelles, des samples, un ordinateur, puis un vrai passage de production avec Borrey. Avant le tube, il encha\u00eenait les services, y compris au Quick en ville, et mettait le reste dans des morceaux. La chanson ne sonne pas comme le journal de ce boulot. Elle sonne comme sa logique. On sort pour oublier la liste, et la liste est encore l\u00e0 quand la grosse caisse s’arr\u00eate. En f\u00e9vrier 2010, le single quitte la Belgique. Il atteint la premi\u00e8re place en France, en Belgique, en Allemagne et sur une longue s\u00e9rie de classements europ\u00e9ens, et il est num\u00e9ro un du European Hot 100.<\/p>\n

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\n

J’ai d\u00e9cid\u00e9 de raconter une histoire sur la raison pour laquelle on danse. Parce que j’\u00e9tais dans les clubs et j’aime les clubs, mais il y a tant de m\u00e9lancolie l\u00e0-dedans.<\/p>\n<\/blockquote>\n

(Stromae, NPR, 2014)<\/em><\/p>\n

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En ao\u00fbt 2010, Kanye West et Gilbere Forte posent un rap sur le m\u00eame beat. Stromae n’avait pas besoin de l’invit\u00e9 pour \u00eatre entendu. L’original \u00e9tait d\u00e9j\u00e0 num\u00e9ro un en Europe, fait par quelqu’un qui assemblait des morceaux la nuit plut\u00f4t que d’attendre un budget de studio. La production reste mince expr\u00e8s. Pas de changement de tonalit\u00e9, pas de solo de guitare. Borrey et Stromae gardent le bas rond et la ligne aigu\u00eb insistante, pour que le refrain sonne comme une d\u00e9cision. On peut danser sur une liste de dettes. C’est l’arrangement.<\/p>\n

Mettez l’enregistrement de 2009, celui qui ouvre Cheese<\/em>, pas une \u00e9dition de compilation. On a le bureau, le bar, et la grosse caisse qui ne pr\u00e9tend pas que le matin sera plus doux. La chanson a fait d’un producteur bruxellois une affaire de classements sur le continent, et elle l’a fait en refusant de sonner comme une bonne nouvelle. La m\u00e9lancolie qu’il entendait dans les clubs est encore dans la voix, pos\u00e9e juste sur un beat fait pour une piste.<\/p>\n

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Le 26 septembre 2009, Paul Van Haver sort \u00ab Alors on danse \u00bb en Belgique, un morceau \u00e0 quatre temps sur le fait de sortir parce que la semaine ne se r\u00e9parera pas toute seule.<\/p>\n","protected":false},"author":1,"featured_media":21628,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,287,293,278],"tags":[272,457,1029,907],"class_list":["post-21635","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-chroniques","category-titres","category-tracks","tag-newwave-electro-triphop","tag-newwave-electro-triphop-fr","tag-stromae-fr","tag-stromae"],"yoast_head":"\nAlors on danse - Stromae : les factures d'abord, puis la grosse caisse - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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