{"id":21657,"date":"2010-10-10T11:00:00","date_gmt":"2010-10-10T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/butterfly-supergrass-five-minutes-at-the-end-instruments-held-back\/"},"modified":"2026-09-27T01:59:06","modified_gmt":"2026-09-26T23:59:06","slug":"butterfly-supergrass-five-minutes-at-the-end-instruments-held-back","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/butterfly-supergrass-five-minutes-at-the-end-instruments-held-back\/","title":{"rendered":"Butterfly – Supergrass : cinq minutes \u00e0 la fin, les instruments retenus"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

\u00c9crit \u00e0 Oxford, puis laiss\u00e9 d\u00e9pouill\u00e9 au Hansa<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

Butterfly<\/em> est le dernier morceau de Diamond Hoo Ha<\/em>, cinq minutes et dix secondes, \u00e9crit par Gaz Coombes, Danny Goffey, Mick Quinn et Rob Coombes. Ce n’\u00e9tait pas un single. Les singles \u00e9taient Diamond Hoo Ha Man<\/em>, Bad Blood<\/em>, qui a atteint la 73e place britannique, et Rebel in You<\/em>. L’album sort sur Parlophone au Royaume-Uni le 24 mars 2008, et sur Astralwerks aux \u00c9tats-Unis. Nick Launay produit et mixe. Ian Davenport est l’ing\u00e9nieur. Sam Williams, qui avait produit les premiers enregistrements du groupe \u00e0 Sawmills, ajoute des arrangements. On entend un groupe qui sait empiler les instruments, et qui choisit de ne pas le faire.<\/p>\n

Les sessions courent de janvier \u00e0 novembre 2007 au Hansa Tonstudio \u00e0 Berlin, avec un travail suppl\u00e9mentaire \u00e0 Los Angeles. Danny Goffey a d\u00e9crit la pi\u00e8ce du Hansa comme \u00e0 peine chang\u00e9e depuis les ann\u00e9es 1970 : les meubles pas nettoy\u00e9s, la console peu fiable, la premi\u00e8re piste d’accompagnement prenant trois ou quatre jours. Les chansons, elles, avaient \u00e9t\u00e9 \u00e9crites plus t\u00f4t, \u00e0 Oxford. Un auditeur peut entendre un phras\u00e9 des ann\u00e9es 1970 dans la voix et penser \u00e0 Bowie, qui avait travaill\u00e9 dans le m\u00eame b\u00e2timent. Gaz a dit au Nottingham Post en avril 2008 qu’ils ne plantent pas ces r\u00e9f\u00e9rences expr\u00e8s. Ils tombent sur un bord Stones, ou un feeling Bowie, ou quelque chose qui lui rappelle Talking Heads, et ils le laissent. Butterfly<\/em>, disait-il, tenait \u00e0 une puissance \u00e9motionnelle avec les overdubs tenus \u00e0 distance.<\/p>\n

Cette sobri\u00e9t\u00e9 est \u00e0 l’int\u00e9rieur d’un disque plus fort. Apr\u00e8s Road to Rouen<\/em> en 2005, Diamond Hoo Ha<\/em> est l’album o\u00f9 ils repoussent l’\u00e9nergie. Launay leur avait dit qu’il savait d\u00e9j\u00e0 ce qu’ils pouvaient faire sur sc\u00e8ne et qu’il voulait un disque o\u00f9 ils y allaient tous. Une grande partie de l’album le fait : des riffs, de la vitesse, les morceaux courts au d\u00e9but. Pendant le travail, Mick Quinn s’est bris\u00e9 le dos en France \u00e0 l’\u00e9t\u00e9 2007. Gaz et Danny sont sortis comme les Diamond Hoo Ha Men, un duo guitare et batterie, pour que les nouvelles chansons puissent se jouer sans reconstruire le groupe autour d’un bassiste rempla\u00e7ant. Quand l’album est fini, Mick est de retour. Butterfly<\/em> est quand m\u00eame l’endroit o\u00f9 le volume baisse. Le texte tourne autour d’ailes de papillon et de petites d\u00e9cisions, l’id\u00e9e qu’on ne vous doit presque rien et qu’un choix minuscule peut quand m\u00eame vous envoyer quelque part.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Pour moi, Butterfly a une sorte de qualit\u00e9 \u00e9pique, mais d’une fa\u00e7on assez brute. Il n’y a pas trop d’instruments plaqu\u00e9s partout, juste une sorte de puissance \u00e9motionnelle.<\/p>\n<\/blockquote>\n

(Gaz Coombes, Nottingham Post, 2008)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb21653″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1700021653{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

\u00c9coutez-le apr\u00e8s Outside<\/em>, le morceau d’avant. L’album a \u00e9t\u00e9 fort pendant une demi-heure. Celui-ci ouvre la fen\u00eatre. Les claviers de Rob restent en retrait. Danny ne sprinte pas. Gaz chante comme si la chanson avait le droit d’\u00eatre plus longue que le single rock que le groupe utilisait depuis Caught by the Fuzz<\/em>. C’est la cl\u00f4ture de ce qui s’est av\u00e9r\u00e9 leur dernier album studio avant l’annonce de la s\u00e9paration en 2010. Les costumes des Diamond Hoo Ha Men, les costumes blancs et les petites salles, appartiennent \u00e0 la campagne. Butterfly<\/em> appartient aux cinq derni\u00e8res minutes du disque, l\u00e0 o\u00f9 la campagne arr\u00eate de sourire.<\/p>\n

On n’a pas besoin des singles pour entendre ce que l’album accepte de laisser de c\u00f4t\u00e9. Cinq minutes, pas beaucoup d’overdubs, un refrain qui ne court pas apr\u00e8s le sourire d’Alright<\/em>. Apr\u00e8s une d\u00e9cennie \u00e0 \u00eatre le groupe joyeux d’Oxford, c’est le morceau qui termine l’album tardif le plus fort en baissant le son. Mettez Diamond Hoo Ha<\/em> et restez jusqu’\u00e0 la fin. La pi\u00e8ce du Hansa est dans la batterie. L’\u00e9criture d’Oxford est dans la voix. La retenue est le sujet.<\/p>\n

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\u00ab Butterfly \u00bb ferme Diamond Hoo Ha, l’album de Supergrass sorti le 24 mars 2008, et Gaz Coombes l’a dit \u00e9pique d’une fa\u00e7on brute.<\/p>\n","protected":false},"author":1,"featured_media":21650,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,287,293,278],"tags":[268,311,342,488],"class_list":["post-21657","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-chroniques","category-titres","category-tracks","tag-alternative-indie-punk","tag-alternative-indie-punk-fr","tag-supergrass","tag-supergrass-fr"],"yoast_head":"\nButterfly - Supergrass : cinq minutes \u00e0 la fin, les instruments retenus - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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