{"id":21668,"date":"2010-04-30T13:00:00","date_gmt":"2010-04-30T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/caught-by-the-fuzz-supergrass-fifteen-a-tin-of-hash-then-two-minutes\/"},"modified":"2026-09-27T01:59:01","modified_gmt":"2026-09-26T23:59:01","slug":"caught-by-the-fuzz-supergrass-fifteen-a-tin-of-hash-then-two-minutes","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/caught-by-the-fuzz-supergrass-fifteen-a-tin-of-hash-then-two-minutes\/","title":{"rendered":"Caught By The Fuzz – Supergrass : quinze ans, une bo\u00eete de hash, puis deux minutes"},"content":{"rendered":"

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Une arrestation \u00e0 Oxford, puis un single de Sawmills que John Peel a gard\u00e9<\/h3>\n

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L’histoire n’est pas une pose. Gaz Coombes avait 15 ans \u00e0 Oxford, pris avec du hash, et la chanson d\u00e9roule la panique : la police, le poste, sa m\u00e8re qui entre. Sur le disque \u00e7a dure 2 minutes et 17 secondes, assez vite pour que la peur et la blague tiennent dans les m\u00eames mesures. Gaz, Danny Goffey et Mick Quinn l’ont \u00e9crite. Ils sortaient de The Jennifers, encore un trio, avec la voix de Gaz haut perch\u00e9e et les guitares distordues plut\u00f4t que nettoy\u00e9es pour la radio. \u00ab Fuzz \u00bb, c’est l’argot ancien pour la police. Le titre est l’intrigue.<\/p>\n

Le premier pressage est un 45 tours Backbeat en ao\u00fbt 1994, Caught by the Fuzz<\/em> d’un c\u00f4t\u00e9 et Strange Ones<\/em> de l’autre, un petit tirage qui s’\u00e9coule. Parlophone le r\u00e9\u00e9dite le 17 octobre 1994. Il atteint la 43e place britannique \u00e0 la fin du mois et reste deux semaines au classement. John Peel le place cinqui\u00e8me de son Festive 50 de 1994. L’enregistrement est fait au Sawmills Studio \u00e0 Golant, en Cornouailles, produit par Sam Williams et John Cornfield. Williams avait propos\u00e9 du temps de d\u00e9mo apr\u00e8s avoir entendu les premiers singles. Ces bandes de Sawmills sont ce qui a fait venir les labels, avant un concert A&R au Jericho Tavern d’Oxford qui scelle le contrat Parlophone. Le single qui entre au classement est d\u00e9j\u00e0 la version qui sera sur l’album, pas une esquisse qu’ils remplacent ensuite.<\/p>\n

Le clip ne rejoue pas l’arrestation. Dom Hawley et Nic Goffey, sous le nom Dom and Nic, filment le groupe en Super 8, sur sc\u00e8ne et entre les sc\u00e8nes. C’est leur premier clip. Une version am\u00e9ricaine utilise des images tourn\u00e9es aux \u00c9tats-Unis, et cette version appara\u00eet plus tard dans l’\u00e9pisode \u00ab Sprout \u00bb de Beavis and Butt-Head, en 1996. La chanson attend 2007 pour une autre vie publique, sur la bande originale de Hot Fuzz<\/em>. Rien de tout cela n’est dans l’enregistrement de 1994. Ce qui s’y trouve, c’est la vitesse : les lignes de basse de Mick, une caisse claire qui ne se recule pas, Gaz qui crie l’histoire comme s’il \u00e9tait encore en retard pour la conversation avec sa m\u00e8re. La pochette am\u00e9ricaine a failli utiliser une photo d’identit\u00e9 de Hugh Grant. Ses avocats ont protest\u00e9, et l’id\u00e9e est tomb\u00e9e. La pochette britannique est rest\u00e9e un dessin en noir et blanc d’un policier qui pointe du doigt.<\/p>\n

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\n

C’est enti\u00e8rement vrai, donc c’\u00e9tait facile \u00e0 \u00e9crire. Ce n’\u00e9tait pas dr\u00f4le sur le moment. Je n’avais que 15 ans et je me chiais dessus. La chanson a cette \u00e9nergie d\u00e9rangeante. C’est comparable \u00e0 ton c\u0153ur qui s’emballe.<\/p>\n<\/blockquote>\n

(Gaz Coombes, cit\u00e9 dans un portrait de 2015)<\/em><\/p>\n

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I Should Coco<\/em> suit le 15 mai 1995 et atteint la premi\u00e8re place au Royaume-Uni. C’est devenu le premier album le plus vendu chez Parlophone depuis les Beatles. Mansize Rooster<\/em> puis Alright<\/em> sont les singles suivants, et Alright<\/em> est celui que la d\u00e9cennie a gard\u00e9, avec les v\u00e9los Chopper et le sourire. Caught by the Fuzz<\/em> est celui qui leur a ouvert la porte, et il est plus dur. L’adr\u00e9naline que Gaz comparait \u00e0 un c\u0153ur qui s’emballe, c’est l’arrangement : presque pas d’intro, un refrain qui est \u00e0 peu pr\u00e8s le titre cri\u00e9, et un groupe qui a l’air de pouvoir tomber et qui ne tombe pas. Peel a entendu \u00e7a avant que l’album existe.<\/p>\n

\u00c9coutez la version Parlophone d’I Should Coco<\/em>, pas une campagne d’anniversaire plus tardive. Deux minutes, la Cornouailles, trois adolescents qui s’\u00e9taient d\u00e9j\u00e0 fait pincer pour une petite chose et qui l’avaient \u00e9crite avant qu’on leur demande de sonner comme la Britpop. Le single s’est arr\u00eat\u00e9 \u00e0 43. L’album suivant, non. Si vous voulez le Supergrass que les gens veulent dire quand ils prononcent le nom, commencez ici, puis laissez Alright<\/em> arriver comme seconde pens\u00e9e, pas comme la premi\u00e8re.<\/p>\n

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En 1994, Supergrass sort \u00ab Caught by the Fuzz \u00bb, un single de deux minutes sur l’arrestation de Gaz Coombes pour cannabis \u00e0 15 ans.<\/p>\n","protected":false},"author":1,"featured_media":21661,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,287,293,278],"tags":[268,311,342,488],"class_list":["post-21668","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-chroniques","category-titres","category-tracks","tag-alternative-indie-punk","tag-alternative-indie-punk-fr","tag-supergrass","tag-supergrass-fr"],"yoast_head":"\nCaught By The Fuzz - Supergrass : quinze ans, une bo\u00eete de hash, puis deux minutes - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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