{"id":21690,"date":"2008-10-08T19:00:00","date_gmt":"2008-10-08T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/time-supergrass-rainy-living-room-then-the-slow-side-of-a-number-two\/"},"modified":"2026-09-27T03:11:05","modified_gmt":"2026-09-27T01:11:05","slug":"time-supergrass-rainy-living-room-then-the-slow-side-of-a-number-two","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/time-supergrass-rainy-living-room-then-the-slow-side-of-a-number-two\/","title":{"rendered":"Time – Supergrass : salon sous la pluie, puis la face lente d’un num\u00e9ro deux"},"content":{"rendered":"

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L’autre face A, avec un harmonica \u00e0 la place du sourire<\/h3>\n

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Mick Quinn se souvient d’un jour de pluie dans son salon. Gaz Coombes arrive avec une suite d’accords, ils la jouent d’une traite, et l’esquisse atterrit sur un quatre-pistes. C’est Time<\/em>, piste 11 d’I Should Coco<\/em>, et la seconde face A du single qui s’arr\u00eatera au num\u00e9ro deux. \u00c7a ne sprinte pas. Caught by the Fuzz<\/em> et Mansize Rooster<\/em> sont le set de pub \u00e0 fond. Time<\/em> s’assoit : un blues tra\u00een\u00e9, Gaz moins moqueur, et un solo d’harmonica que les cr\u00e9dits de session donnent \u00e0 Quinn.<\/p>\n

Les sessions de l’album se coupent en deux. La premi\u00e8re, pay\u00e9e avec les shifts au Harvester, c’est six morceaux en cinq jours \u00e0 Sawmills, en Cornouailles, le producteur Sam Williams d\u00e9j\u00e0 dans la pi\u00e8ce. Le budget Parlophone ach\u00e8te ensuite un s\u00e9jour plus long. MusicBrainz situe Time<\/em> entre f\u00e9vrier et ao\u00fbt 1994, John Cornfield \u00e0 l’ing\u00e9nierie, Williams aux claviers, Quinn \u00e0 la basse et \u00e0 l’harmonica, Danny Goffey \u00e0 la batterie, Gaz \u00e0 la guitare et au chant. Pour les 30 ans, Coombes dit \u00e0 The Independent que plus ils puisaient dans la r\u00e9serve d’herbe du studio, plus le disque devenait psych\u00e9d\u00e9lique. Time<\/em> et les six minutes de Sofa (Of My Lethargy)<\/em> sont l’endroit o\u00f9 on l’entend. Danny a dit que les huit ou neuf premiers morceaux tournent \u00e0 environ 150 miles \u00e0 l’heure. Ces deux-l\u00e0 sont l\u00e0 o\u00f9 le tempo tombe, et o\u00f9 l’\u00e9coute des Beatles et des Kinks a le droit de se voir.<\/p>\n

En single, Time<\/em> n’a pas eu les v\u00e9los. Alright<\/em> les a eus. Dom and Nic tournent quand m\u00eame un clip, post\u00e9 plus tard par le groupe en HD, mais l’histoire du classement est la double face A. Sorti le 3 juillet 1995 chez Parlophone, Alright\/Time<\/em> entre dans le Official Singles Chart au num\u00e9ro deux le 15 juillet et y reste dix semaines. Le disque porte aussi Condition<\/em>, leur reprise de Just Dropped In (To See What Condition My Condition Was In)<\/em> de Mickey Newbury, un tube de Kenny Rogers, et Je suis votre papa sucre<\/em>, un court instrumental. I Should Coco<\/em> lui-m\u00eame est arriv\u00e9 le 15 mai 1995 et a atteint le num\u00e9ro un. Time<\/em> y \u00e9tait d\u00e9j\u00e0, en attente, pendant qu’Alright<\/em> devenait la chanson que les inconnus reconnaissaient dans la rue.<\/p>\n

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\n

Je me souviens d’avoir \u00e9crit cette chanson dans mon salon un jour de pluie, et Gaz est arriv\u00e9 avec cette suite d’accords, on l’a jou\u00e9e d’une traite et on l’a pos\u00e9e sur un 4 pistes.<\/p>\n<\/blockquote>\n

(Mick Quinn, BBC Radio London, 2005)<\/em><\/p>\n

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La logique de la face B compte. Parlophone aurait pu enterrer Time<\/em>. Au lieu de \u00e7a, elle est \u00e0 \u00e9galit\u00e9 avec le tube, et c’est pour \u00e7a que le num\u00e9ro de catalogue dont on se souvient est la double t\u00eate. Ceux qui ne connaissaient que le clip de Portmeirion ont eu une seconde chanson qui ne sourit pas sur commande. L’harmonica est le signe. Quinn sort du r\u00f4le de bassiste pour quelques mesures, le clavier de Williams tient un lit plus sombre, et la batterie de Goffey arr\u00eate de vouloir distancer le chant. C’est encore Supergrass, encore \u00e9conome, mais c’est la premi\u00e8re fois que le premier album admet que la journ\u00e9e peut \u00eatre lente.<\/p>\n

Sur les tourn\u00e9es anniversaire, les morceaux rapides ouvrent encore la nuit. Time<\/em> est la preuve que le second passage \u00e0 Sawmills n’\u00e9tait pas un accident. La phrase sur l’herbe est dr\u00f4le parce que la bande est d’accord : apr\u00e8s le sprint, un blues, puis Sofa<\/em>. Si Alright<\/em> a fig\u00e9 le groupe en adolescents \u00e0 v\u00e9lo, Time<\/em> est le salon d’Oxford o\u00f9 les accords sont arriv\u00e9s sous la pluie, avant que quiconque ait un num\u00e9ro deux dont se plaindre.<\/p>\n

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