{"id":21701,"date":"2008-09-15T13:00:00","date_gmt":"2008-09-15T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/richard-iii-supergrass-a-semitone-down-sent-out-against-advice\/"},"modified":"2026-09-27T03:11:04","modified_gmt":"2026-09-27T01:11:04","slug":"richard-iii-supergrass-a-semitone-down-sent-out-against-advice","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/richard-iii-supergrass-a-semitone-down-sent-out-against-advice\/","title":{"rendered":"Richard III – Supergrass : un demi-ton plus bas, sorti contre l’avis du label"},"content":{"rendered":"

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Retour \u00e0 Sawmills, cette fois sans producteur ext\u00e9rieur<\/h3>\n

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Le titre est un nom de travail qui est rest\u00e9. Supergrass donnait des petits noms aux morceaux inachev\u00e9s, George ou Miriam ou Richard, et celui-ci \u00e9tait le troisi\u00e8me Richard. \u00c7a sonnait aussi comme le roi de la pi\u00e8ce de Shakespeare, ce qui collait au morceau. Les paroles ne mentionnent ni le roi ni la pi\u00e8ce. Gaz Coombes l’a commenc\u00e9e en quatre-pistes dans sa chambre : une ligne de basse contre un beat qu’il disait fa\u00e7on Stooges, deux accords, puis l’un d’eux glisse d’un demi-ton, la majeur vers mi b\u00e9mol. Cet intervalle est le triton. Mick Quinn l’a appel\u00e9 l’accord du diable. C’est pour \u00e7a que le couplet a l’air de vous peser dessus.<\/p>\n

Apr\u00e8s I Should Coco<\/em>, ils retournent \u00e0 Sawmills, sur la Fowey, et produisent le deuxi\u00e8me album eux-m\u00eames avec John Cornfield, l’ing\u00e9nieur du premier disque. Pas de producteur ext\u00e9rieur cette fois. Ils ont 18 ou 19 ans. Rob Coombes, le fr\u00e8re de Gaz, \u00e9crit avec eux et joue des claviers, pas encore membre affich\u00e9 \u00e0 part enti\u00e8re. Sam Williams joue bien du th\u00e9r\u00e9mine, la ligne fine au fond du mix. Le morceau dure 3:13. Parlophone le sort le 31 mars 1997, catalogue CDR 6461. Coombes dira plus tard qu’ils l’ont sorti un peu contre l’avis de la maison de disques. Il suit Going Out<\/em>, et il doit montrer qu’Alright<\/em> n’\u00e9tait pas tout le groupe.<\/p>\n

Le classement officiel dat\u00e9 du 12 avril 1997 le place num\u00e9ro deux. Il n’atteint pas le un : I Believe I Can Fly<\/em> de R. Kelly est devant. L’Irlande culmine \u00e0 30, l’Islande \u00e0 21, l’Australie \u00e0 75. Les faces B sont leur journal de studio. Sometimes I Make You Sad<\/em> n’a presque pas de batterie, juste une cymbale et une boucle de grognements du groupe. Le solo de guitare a \u00e9t\u00e9 enregistr\u00e9 \u00e0 demi-vitesse puis acc\u00e9l\u00e9r\u00e9 jusqu’\u00e0 sonner comme une mandoline. Sometimes We’re Very Sad<\/em> est la prise o\u00f9 ils essaient de grogner sans rire, avec Gaz \u00e0 la fin qui se plaint qu’ils ont assassin\u00e9 la chanson de Mickey. Dom and Nic tournent le clip dans un sous-sol poudr\u00e9 de terre de Fuller, dont ils admettront plus tard qu’elle \u00e9tait nocive. Mick essaie de partir et se fait ramener. Son nez saigne. Rob joue du th\u00e9r\u00e9mine devant une t\u00e9l\u00e9. Une goutte d’eau touche un c\u00e2ble et le solo de guitare d\u00e9marre. Gaz est sur une Gibson SG rouge. Sur le DVD Supergrass Is 10<\/em>, les r\u00e9alisateurs disent que c’est une des fois o\u00f9 ils ont failli tuer le groupe.<\/p>\n

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\n

La premi\u00e8re semaine, on est entr\u00e9s et on a jou\u00e9 Richard III, et on s’est dit : putain, c’est g\u00e9nial. \u00c0 chaque album, on s’est sentis plus ma\u00eetres.<\/p>\n<\/blockquote>\n

(Gaz Coombes, entretien avec Robert Collins, 2004)<\/em><\/p>\n

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In It for the Money<\/em> suit le 21 avril 1997, trois semaines apr\u00e8s le single, et atteint la deuxi\u00e8me place des albums. Le NME donne 8\/10 \u00e0 l’album. Richard III<\/em> est la piste deux, apr\u00e8s la chanson-titre, et elle annonce le changement de temp\u00e9rature : satur\u00e9e, presque glam dans l’attaque, rien \u00e0 voir avec le piano d\u00e9saccord\u00e9 de 1995. L’id\u00e9e de s\u00e9rie pour Spielberg, n\u00e9e du clip d’Alright<\/em>, est d\u00e9j\u00e0 morte. Coombes le dit clairement au Guardian des ann\u00e9es plus tard : Spielberg voulait une s\u00e9rie, et eux voulaient y arriver par la musique, pas par les rouflaquettes.<\/p>\n

Le num\u00e9ro deux du single rime joliment avec Alright<\/em>, et le groupe l’a remarqu\u00e9. M\u00eame pic, humeur oppos\u00e9e. Ils ont dit l’avoir sorti contre l’avis du label justement parce que les deux chansons \u00e9taient si diff\u00e9rentes, et que les deux se sont arr\u00eat\u00e9es \u00e0 une place du sommet. Encha\u00eenez-les et le demi-ton est tout l’argument. L’une demande si vous vous sentez alright. Celle-ci dit que s’\u00e9chapper est la chose la plus dure que vous conna\u00eetrez, puis la guitare continue quand m\u00eame.<\/p>\n

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Sorti le 31 mars 1997, Richard III atteint la deuxi\u00e8me place en Grande-Bretagne et ouvre la porte d’In It for the Money trois semaines plus tard.<\/p>\n","protected":false},"author":1,"featured_media":21694,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,287,293,278],"tags":[268,311,342,488],"class_list":["post-21701","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-chroniques","category-titres","category-tracks","tag-alternative-indie-punk","tag-alternative-indie-punk-fr","tag-supergrass","tag-supergrass-fr"],"yoast_head":"\nRichard III - Supergrass : un demi-ton plus bas, sorti contre l'avis du label - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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