{"id":21745,"date":"2010-02-05T11:00:00","date_gmt":"2010-02-05T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/the-logical-song-supertramp-one-dictionary-then-who-i-am\/"},"modified":"2026-09-27T03:11:21","modified_gmt":"2026-09-27T01:11:21","slug":"the-logical-song-supertramp-one-dictionary-then-who-i-am","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/the-logical-song-supertramp-one-dictionary-then-who-i-am\/","title":{"rendered":"The Logical Song – Supertramp : un dictionnaire, puis qui je suis"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Il a ouvert un dictionnaire une fois, pour les mots en -al<\/h3>\n

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Roger Hodgson a 29 ans, et il ouvre un dictionnaire. Il a dit que c’\u00e9tait la seule fois. The Logical Song<\/em> avait besoin d’une suite de mots qui finissent pareil : sensible, logical, responsible, practical, puis clinical, intellectual, cynical, puis radical, liberal, fanatical, criminal. La liste est l’accroche. Dessous, un piano \u00e9lectrique Wurlitzer pose un rythme avant que le groupe explique quoi que ce soit. Quand il \u00e9tait jeune, la vie semblait merveilleuse, un miracle, belle, magique. Puis on l’a envoy\u00e9 ailleurs pour qu’il apprenne \u00e0 \u00eatre ces adjectifs.<\/p>\n

Le texte sort de l’internat. Ses parents divorcent quand il a 12 ans. Il emporte la guitare de son p\u00e8re et en joue parce qu’il est seul. Des ann\u00e9es plus tard, la question n’a pas r\u00e9tr\u00e9ci. L’\u00e9cole, dit-il, apprend \u00e0 fonctionner au-dehors et passe \u00e0 c\u00f4t\u00e9 de qui l’on est dedans. Il travaille la chanson aux balances, et le texte comme l’arrangement sont pr\u00eats des mois avant les maquettes de Breakfast in America<\/em>. Fin avril et d\u00e9but mai 1978, le groupe pose neuf morceaux neufs sur huit pistes \u00e0 Southcombe, la salle de r\u00e9p\u00e9tition dans les bureaux de leur management \u00e0 Burbank. The Logical Song<\/em> en fait partie. Take the Long Way Home<\/em> n’est pas encore \u00e9crite.<\/p>\n

Le disque se fait au Studio B du Village Recorder, \u00e0 l’ouest de Los Angeles, une salle dans un ancien temple ma\u00e7onnique, console Harrison, deux Ampex 24 pistes. Peter Henderson coproduit avec le groupe et ing\u00e9nieur. Le premier jour, il arrive avec deux yeux au beurre noir apr\u00e8s un accident sur la route de Topanga. Pour ce morceau, le Wurlitzer d’Hodgson est dans le cabine batterie, la batterie de Bob Siebenberg et la basse de Dougie Thomson dans la salle, et le saxophone de John Helliwell dans les toilettes, la seule petite pi\u00e8ce qui reste. Henderson dit que le solo de sax est rest\u00e9 de cette prise live, comme la voix de la derni\u00e8re section. Une partie de Clavinet de Rick Davies a \u00e9t\u00e9 mix\u00e9e dehors. Helliwell fournit aussi le soupir du d\u00e9but et un sifflet vers la fin. Entre les prises, Davies joue \u00e0 un football \u00e9lectronique Mattel. Le bip du but est dans la coda, juste apr\u00e8s qu’Hodgson chante \u00ab\u00a0digital\u00a0\u00bb.<\/p>\n

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\n

J’avais 29 ans quand j’ai \u00e9crit The Logical Song. Je cherchais des r\u00e9ponses. La question br\u00fblante de cette chanson, c’\u00e9tait : s’il te pla\u00eet, dis-moi qui je suis.<\/p>\n<\/blockquote>\n

(Roger Hodgson, Classic Rock, f\u00e9vrier 2016)<\/em><\/p>\n

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Hodgson ne signe pas le mix tant que ce n’est pas juste. Il a dit que \u00e7a avait pris environ deux semaines. A&M sort le single en mars 1979, devant un album qui restera six semaines num\u00e9ro 1 aux \u00c9tats-Unis. En Grande-Bretagne, The Logical Song<\/em> entre au classement le 31 mars et culmine \u00e0 la 7e place le 28 avril. Aux \u00c9tats-Unis, elle atteint la 6e du Billboard Hot 100. Au Canada, elle passe deux semaines num\u00e9ro 1 et finit chanson de l’ann\u00e9e. En 1980, les Ivor Novello la nomment meilleure chanson sur le plan musical et lyrique. Le cr\u00e9dit, comme sur chaque morceau Supertramp de l’\u00e9poque, porte Rick Davies et Roger Hodgson, m\u00eame si c’est Hodgson qui l’a \u00e9crite. C’\u00e9tait le contrat d’\u00e9dition. \u00c7a n’emp\u00eache pas la chanson d’\u00eatre la sienne.<\/p>\n

La reprise de Scooter remet le refrain dans des top 10 europ\u00e9ens en 2001, ce qui dit une chose simple : la question voyage sans le Wurlitzer. Le disque qu’il faut, c’est encore celui de 1979. Le sax d’Helliwell est dans la pi\u00e8ce, pas coll\u00e9 apr\u00e8s. Les adjectifs sont dr\u00f4les parce qu’ils sont exacts. Et la derni\u00e8re note aigu\u00eb, Hodgson en rit encore, est sacr\u00e9ment haute. Il a \u00e9crit une plainte d’\u00e9cole devenue le plus grand single de Supertramp. Le dictionnaire n’\u00e9tait l\u00e0 que pour les rimes. La question \u00e9tait d\u00e9j\u00e0 la sienne.<\/p>\n

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En 1978, Roger Hodgson ach\u00e8ve The Logical Song en Californie, puis Supertramp l’enregistre au Village Recorder : un Wurlitzer, un saxophone dans les toilettes, et deux semaines de mix.<\/p>\n","protected":false},"author":1,"featured_media":21738,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,287,293,278],"tags":[255,482,772,773],"class_list":["post-21745","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-chroniques","category-titres","category-tracks","tag-classic-rock","tag-classic-rock-fr","tag-supertramp","tag-supertramp-fr"],"yoast_head":"\nThe Logical Song - Supertramp : un dictionnaire, puis qui je suis - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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