{"id":21767,"date":"2008-03-15T11:00:00","date_gmt":"2008-03-15T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/take-the-long-way-home-supertramp-harmonica-first-the-door-can-wait\/"},"modified":"2026-09-27T03:10:59","modified_gmt":"2026-09-27T01:10:59","slug":"take-the-long-way-home-supertramp-harmonica-first-the-door-can-wait","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/take-the-long-way-home-supertramp-harmonica-first-the-door-can-wait\/","title":{"rendered":"Take The Long Way Home – Supertramp : l’harmonica d’abord, la porte attendra"},"content":{"rendered":"

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Une chanson de derni\u00e8re minute, et l’harmonica a gagn\u00e9<\/h3>\n

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L’album est d\u00e9j\u00e0 en chantier quand celle-ci arrive. Peter Henderson a dit qu’au moment o\u00f9 les maquettes huit pistes de Burbank \u00e9taient finies, Take the Long Way Home<\/em> n’en faisait pas partie. Hodgson l’\u00e9crit \u00e0 Topanga, dans ce laps o\u00f9 une chanson \u00e0 lui arrive d’habitude par morceaux, sur deux ou trois semaines. Il l’a appel\u00e9e une surprise de derni\u00e8re minute. Le texte ressemble d’abord \u00e0 un homme qui retarde l’all\u00e9e du garage. So you think you’re a Romeo. \u00c0 la maison, il fait partie des meubles. Sur la route, il a encore quelques minutes seul avec la version de lui qui se sent une star.<\/p>\n

Hodgson a toujours tenu \u00e0 un second \u00e9tage sous cette blague. Ne pas vouloir rentrer, c’est la surface. Dessous, il demande o\u00f9 est vraiment la maison, la m\u00eame question que dans The Logical Song<\/em>, pos\u00e9e cette fois depuis le si\u00e8ge du conducteur. Le groupe grave le morceau au Village Recorder en 1978, Studio B, coproduit avec Peter Henderson, pour Breakfast in America<\/em>, sorti chez A&M en mars 1979. Hodgson chante. Il joue claviers et guitare. Thomson et Siebenberg emp\u00eachent le rythme de presser le d\u00e9lai.<\/p>\n

L’intro est la d\u00e9cision qu’on entend en premier. Hodgson se souvient d’avoir essay\u00e9 des instruments et refus\u00e9 le plus \u00e9vident. Le saxophone, pensait-il, aurait \u00e9t\u00e9 trop ordinaire, ce qui est une dr\u00f4le de phrase dans un groupe qui a John Helliwell. Ils donnent l’accroche \u00e0 l’harmonica de Rick Davies. Helliwell r\u00e9pond plus tard \u00e0 la clarinette. Cet \u00e9change, \u00e0 c\u00f4t\u00e9 d’une ligne de clavier qui rebondit, c’est ce pour quoi on conna\u00eet la chanson une fois que le texte a fait son travail. L’id\u00e9e, c’est de d\u00e9passer sa propre sortie. Le tempo permet de battre du pied en le faisant.<\/p>\n

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\n

Je parle de ne pas vouloir rentrer vers sa femme, de prendre le long chemin parce qu’elle vous traite comme un meuble, mais la chanson a aussi un \u00e9tage plus profond.<\/p>\n<\/blockquote>\n

(Roger Hodgson)<\/em><\/p>\n

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A&M la sort en single aux \u00c9tats-Unis en octobre 1979, avec Rudy<\/em> en face B. Le 9 d\u00e9cembre elle culmine \u00e0 la 10e place du Billboard Hot 100 et reste quinze semaines dans ce classement. Le Canada la monte \u00e0 la 4e. C’est le troisi\u00e8me tube am\u00e9ricain de Breakfast in America<\/em> cette ann\u00e9e-l\u00e0, apr\u00e8s The Logical Song<\/em> et Goodbye Stranger<\/em>, et elle n’a pas besoin que la Grande-Bretagne contresigne. Une version radio plus courte d\u00e9passe \u00e0 peine quatre minutes. La piste d’album dure 5:08, assez pour que l’harmonica revienne et pour que le long chemin se sente comme une distance, pas comme un slogan.<\/p>\n

Sur les concerts parisiens de 1979, sortis ensuite dans l’album live Paris<\/em>, la chanson s’ouvre de la m\u00eame fa\u00e7on : l’harmonica de Davies, puis le groupe. Cette intro \u00e9tait un essai, pas une note de concept. Si le sujet est le trajet du retour, le premier son ne doit pas \u00eatre un discours. Ce doit \u00eatre l’instrument qui fait prendre l’autre route. Supertramp a choisi l’harmonica. La porte pouvait attendre.<\/p>\n

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Roger Hodgson \u00e9crit Take the Long Way Home \u00e0 Topanga alors que Breakfast in America est d\u00e9j\u00e0 en cours, et Rick Davies r\u00e9pond \u00e0 l’intro \u00e0 l’harmonica plut\u00f4t qu’au saxophone.<\/p>\n","protected":false},"author":1,"featured_media":21760,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,287,293,278],"tags":[255,482,772,773],"class_list":["post-21767","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-chroniques","category-titres","category-tracks","tag-classic-rock","tag-classic-rock-fr","tag-supertramp","tag-supertramp-fr"],"yoast_head":"\nTake The Long Way Home - Supertramp : l'harmonica d'abord, la porte attendra - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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