{"id":25545,"date":"2016-08-12T09:00:00","date_gmt":"2016-08-12T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/10cc-im-not-in-love\/"},"modified":"2026-10-18T08:09:37","modified_gmt":"2026-10-18T06:09:37","slug":"10cc-im-not-in-love","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/10cc-im-not-in-love\/","title":{"rendered":"10cc – I’m Not In Love"},"content":{"rendered":"

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Trois semaines de boucles de bande \u00e0 Stockport<\/h3>\n

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Au printemps 1975, 10cc est \u00e0 Strawberry Studios, \u00e0 Stockport, dans la pi\u00e8ce qui leur appartient, pour sauver une chanson que trois d’entre eux avaient d\u00e9j\u00e0 \u00e9cart\u00e9e.<\/p>\n

Eric Stewart et Graham Gouldman \u00e9crivent I’m Not in Love<\/em> apr\u00e8s que la femme de Stewart lui a dit qu’il ne lui r\u00e9p\u00e9tait pas assez souvent qu’il l’aimait. Sa premi\u00e8re version est une pi\u00e8ce l\u00e9g\u00e8re \u00e0 la guitare, sur un rythme de bossa nova. Kevin Godley et Lol Creme l’entendent et n’en veulent pas sur l’album. La bande reste sur l’\u00e9tag\u00e8re. Les gens du studio continuent de fredonner la m\u00e9lodie dans le couloir et Stewart redemande une chance. Godley dit oui, \u00e0 une condition : le groupe chantera l’accompagnement, au lieu de le jouer comme un arrangement ordinaire.<\/p>\n

Tous les quatre passent environ trois semaines sur ces voix. Ils chantent chaque degr\u00e9 de la gamme, en tenant la note le temps d’une respiration et ils recommencent seize fois. Les prises sont mix\u00e9es puis coup\u00e9es en boucles de bande, une boucle par note : treize boucles, chacune d’environ trois m\u00e8tres soixante. Au mixage, ils montent les notes dont ils ont besoin et le \u00ab ah \u00bb se place derri\u00e8re la voix principale de Stewart, comme un ch\u0153ur. On entend aussi un piano \u00e9lectrique Fender Rhodes, une guitare rythmique simple, un peu de piano, et, seulement dans la partie centrale, un court passage de basse. Une bo\u00eete \u00e0 musique jouet est enregistr\u00e9e deux fois et laiss\u00e9e dans le morceau. Il n’y a pas de basse sous le reste du titre. Vient ensuite le chuchotement. Godley essaie la phrase \u00ab Be quiet, big boys don’t cry \u00bb quand Kathy Redfern, la secr\u00e9taire du studio, arrive \u00e0 la porte avec un message t\u00e9l\u00e9phonique et parle bas pour ne pas couper la prise. Le groupe veut cette voix sur le disque.<\/p>\n

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Tu n’as qu’\u00e0 chuchoter. Chuchote, c’est tout, ne t’inqui\u00e8te pas. Tu ne chantes pas, tu parles. Prends ta plus belle voix de t\u00e9l\u00e9phone.<\/p>\n<\/blockquote>\n

(Eric Stewart, Sound on Sound)<\/em><\/p>\n

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Elle ne veut pas entrer dans le studio. Lol Creme la ram\u00e8ne dans ses bras. Elle pose la phrase en quelques prises. I’m Not in Love<\/em> figure sur The Original Soundtrack<\/em>, troisi\u00e8me album du groupe, sorti en mars 1975 chez Mercury. Le single suit en mai. Il est num\u00e9ro un en Grande-Bretagne pendant deux semaines, num\u00e9ro un au Canada et en Irlande et il atteint la deuxi\u00e8me place du Billboard Hot 100 aux \u00c9tats-Unis. C’est le premier gros succ\u00e8s de 10cc hors du Royaume-Uni. Le groupe offrira plus tard un disque d’argent \u00e0 Redfern.<\/p>\n

Le texte insiste : les coups de fil et la photo sur le mur ne veulent pas dire grand-chose. Les boucles et le chuchotement font le travail inverse. Godley et Creme quittent le groupe l’ann\u00e9e suivante. C’est ce disque qui emm\u00e8ne la formation \u00e0 quatre vers des auditeurs qui n’avaient pas suivi les singles pr\u00e9c\u00e9dents.<\/p>\n

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