{"id":25556,"date":"2026-08-27T19:00:00","date_gmt":"2026-08-27T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/adamski-killer\/"},"modified":"2026-10-16T11:22:55","modified_gmt":"2026-10-16T09:22:55","slug":"adamski-killer","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/adamski-killer\/","title":{"rendered":"Adamski – Killer"},"content":{"rendered":"

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Un instrumental de Camden devenu num\u00e9ro un<\/h3>\n

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En 1989, Adam Tinley, qui enregistre sous le nom d’Adamski, fabrique des instrumentaux dans un appartement de Camden, avec une bo\u00eete \u00e0 rythmes et des claviers install\u00e9s chez lui. Il a d\u00e9j\u00e0 un succ\u00e8s cette ann\u00e9e-l\u00e0 avec N-R-G<\/em>. L’une des nouvelles pi\u00e8ces, il l’appelle The Killer<\/em>, parce qu’elle lui semble faite pour une sc\u00e8ne de meurtre au cin\u00e9ma. Il la passe en instrumental dans ses sets de DJ, y compris, selon lui, \u00e0 la f\u00eate de cl\u00f4ture d’Amnesia \u00e0 Ibiza \u00e0 la fin de l’\u00e9t\u00e9 1989. Il ne pense pas que ce soit un single.<\/p>\n

Seal, alors Sealhenry Samuel, chantait dans des groupes de blues et revenait d’un an de voyages avec une cassette d\u00e9mo. Il rencontre Adamski le soir du Nouvel An 1989 dans un club londonien, Solaris. Adamski lui demande de choisir un instrumental et de chanter dessus. Seal prend The Killer<\/em>. Adamski a dit que la voix a \u00e9t\u00e9 enregistr\u00e9e le 27 janvier 1990, le jour o\u00f9 environ 10 000 personnes se rassemblent \u00e0 Trafalgar Square, non loin du studio, pour la manifestation Freedom to Party contre la r\u00e9pression des raves. Adamski y va lui-m\u00eame.<\/p>\n

Seal \u00e9crit les paroles avec lui. Le texte pousse contre ce qui retient quelqu’un, avec une ligne sur le racisme parmi les \u00ab future kids \u00bb. Le titre ne devient clair que lorsque Seal chante que la solitude est le tueur. Sur le disque, la voix se pose sur une ligne de clavier dure et r\u00e9p\u00e9t\u00e9e et sur un motif de bo\u00eete \u00e0 rythmes assez simple pour que le chant passe au travers. Adamski produit le morceau. Le single d’origine est cr\u00e9dit\u00e9 \u00e0 lui seul, m\u00eame si c’est Seal qui chante.<\/p>\n

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\n

Les paroles parlent de d\u00e9passer tout ce qui vous retient.<\/p>\n<\/blockquote>\n

(Seal, The Guardian, 2013)<\/em><\/p>\n

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MCA sort Killer<\/em> le 26 mars 1990, avec Bassline Changed My Life<\/em> sur l’autre face. Le titre entre dans le top 40 britannique \u00e0 la 39e place le 14 avril, atteint la premi\u00e8re le 12 mai et y reste quatre semaines, jusqu’\u00e0 ce que World in Motion<\/em> de New Order prenne la place. Il se vend \u00e0 plus de 400 000 exemplaires en Grande-Bretagne et est certifi\u00e9 or. Il est aussi num\u00e9ro un en Belgique et num\u00e9ro deux aux Pays-Bas et en Allemagne de l’Ouest. Le clip, r\u00e9alis\u00e9 par Don Searll, montre Seal qui chante pendant qu’Adamski est aux platines. La chanson ouvre Doctor Adamski’s Musical Pharmacy<\/em>, sorti le 1er octobre 1990, qui atteint la huiti\u00e8me place du classement albums au Royaume-Uni.<\/p>\n

En 1991, Seal r\u00e9enregistre la chanson pour son premier album, produit par Trevor Horn. Cette version atteint la huiti\u00e8me place en Grande-Bretagne. Le single de 1990 est celui qui les sort tous les deux du circuit rave : Adamski, des f\u00eates ill\u00e9gales \u00e0 un nom connu en une semaine, Seal vers Crazy<\/em> et une carri\u00e8re solo. L’enregistrement de l’appartement reste celui qui a le tranchant le plus net.<\/p>\n

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