{"id":25589,"date":"2026-02-07T19:00:00","date_gmt":"2026-02-07T18:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/earth-wind-fire-boogie-wonderland-with-the-emotions\/"},"modified":"2026-10-14T08:15:13","modified_gmt":"2026-10-14T06:15:13","slug":"earth-wind-fire-boogie-wonderland-with-the-emotions","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/earth-wind-fire-boogie-wonderland-with-the-emotions\/","title":{"rendered":"Earth, Wind & Fire – Boogie Wonderland (with The Emotions)"},"content":{"rendered":"

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\u00c9crit en deux jours, chant\u00e9 avec les Emotions<\/h3>\n

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Les 27 et 28 mars 1978, Allee Willis et Jon Lind \u00e9crivent Boogie Wonderland<\/em> chez Willis, \u00e0 Los Angeles, sur la guitare acoustique de Lind. Ils cherchent un nom de club dans l’annuaire. Le premier refrain qui leur pla\u00eet est \u00ab Johnny’s Casino Lounge \u00bb. Le titre qui le remplace arrive dans la pi\u00e8ce et reste. Willis dira plus tard que, dans leur t\u00eate, ce n’\u00e9tait pas vraiment un club. C’\u00e9tait un \u00e9tat d’esprit.<\/p>\n

Le texte suit quelqu’un qui sort danser pour traverser la journ\u00e9e : minuit, une course apr\u00e8s une sensation, une romance qui appara\u00eet quand la danse commence. C’est gai en surface, plus fatigu\u00e9 en dessous. Un autre groupe avait d\u00e9j\u00e0 enregistr\u00e9 une version. Willis et Lind n’en \u00e9taient pas contents. Le disque qui est rest\u00e9 est celui du groupe de Maurice White.<\/p>\n

Earth, Wind & Fire l’enregistre avec les Emotions pendant les s\u00e9ances d’I Am<\/em>, \u00e0 Los Angeles entre septembre 1978 et mars 1979, \u00e0 Hollywood Sound, Sunset Sound et Davlen. Maurice White produit, avec le guitariste Al McKay comme coproducteur sur ce titre. Ben Wright arrange les cordes et les cuivres. La voix haute de Philip Bailey et les r\u00e9ponses des Emotions se renvoient les phrases sur un rythme de danse r\u00e9gulier, la basse de Verdine White, et une figure de cuivres qui revient. Le 45 tours dure un peu moins de cinq minutes ; le maxi d\u00e9passe les huit, avec un instrumental en face B. Les Emotions, le groupe vocal de Chicago dont White avait produit Best of My Love<\/em> en 1977, sont cr\u00e9dit\u00e9es avec le groupe, pas comme un ch\u0153ur sans nom. Le label ARC de Columbia sort le single en avril 1979, avant l’album.<\/p>\n

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\n

Dans nos t\u00eates, ce n’\u00e9tait pas vraiment un club, mais un \u00e9tat d’esprit.<\/p>\n<\/blockquote>\n

(Allee Willis, Songwriting Magazine)<\/em><\/p>\n

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I Am<\/em> sort en juin 1979 et atteint la troisi\u00e8me place du Billboard 200 et la premi\u00e8re du classement des albums soul. Boogie Wonderland<\/em> culmine \u00e0 la sixi\u00e8me place du Hot 100, \u00e0 la deuxi\u00e8me du classement soul, et \u00e0 la 14e du classement dance. En Grande-Bretagne, il atteint la quatri\u00e8me place et sera certifi\u00e9 platine ; aux \u00c9tats-Unis, le single est disque d’or. Le Grammy du meilleur instrumental R&B revient \u00e0 la face B instrumentale, la m\u00eame prise sans les voix. Le disque est aussi nomm\u00e9 pour le meilleur enregistrement disco. Le m\u00eame album contient aussi After the Love Has Gone<\/em>.<\/p>\n

La chanson se place entre le single de 1978, September<\/em>, et les ballades d’I Am<\/em>. C’est le morceau o\u00f9 la section de cuivres, Bailey et les Emotions sont tous au premier plan en m\u00eame temps. La piste de danse du titre est celle que Willis et Lind ont invent\u00e9e dans un salon, puis confi\u00e9e \u00e0 un groupe qui savait d\u00e9j\u00e0 faire bouger une salle.<\/p>\n

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