{"id":25611,"date":"2008-04-04T16:00:00","date_gmt":"2008-04-04T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/gerry-rafferty-baker-street\/"},"modified":"2026-10-16T11:22:56","modified_gmt":"2026-10-16T09:22:56","slug":"gerry-rafferty-baker-street","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/gerry-rafferty-baker-street\/","title":{"rendered":"Gerry Rafferty – Baker Street"},"content":{"rendered":"

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Une ligne qu’il a chant\u00e9e, puis pass\u00e9e au saxophone<\/h3>\n

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Le 3 f\u00e9vrier 1978, United Artists sort Baker Street<\/em>, le single qui porte l’album City to City<\/em> de Gerry Rafferty. Il l’avait \u00e9crite pendant qu’il \u00e9tait bloqu\u00e9. Stealers Wheel, le groupe qu’il partageait avec Joe Egan, se s\u00e9pare en 1975 et des litiges de contrat emp\u00eachent Rafferty de sortir de la musique nouvelle pendant environ trois ans. Il fait la navette entre sa famille \u00e0 Paisley et ses avocats \u00e0 Londres et il dort souvent chez un ami, dans un petit appartement pr\u00e8s de Baker Street, \u00e0 Marylebone. Le titre de l’album nomme ce trajet. Le dernier couplet en sonne la fin : un matin nouveau et le chanteur qui rentre.<\/p>\n

Le morceau est enregistr\u00e9 en 1977 aux studios Chipping Norton, dans l’Oxfordshire. Rafferty et Hugh Murphy le produisent. Rafferty chante et joue la guitare rythmique. Gary Taylor tient la basse, Henry Spinetti la batterie, Tommy Eyre les claviers et Hugh Burns le solo de guitare, avec des cordes arrang\u00e9es par Graham Preskett. La version album dure 6 minutes et 6 secondes. L’\u00e9dition single dure 4 minutes et 10 secondes. La face B est Big Change in the Weather<\/em>.<\/p>\n

La coupure que tout le monde retient, ce sont huit mesures de saxophone alto, jou\u00e9es par Raphael Ravenscroft. Rafferty avait d’abord demand\u00e9 Pete Zorn. Zorn n’\u00e9tait pas libre. Ravenscroft vient pour jouer du soprano et propose plut\u00f4t l’alto qu’il a avec lui. On le paie environ 27 livres, le tarif d’une s\u00e9ance. Des ann\u00e9es plus tard, il dira que l’essentiel de ce qu’il a jou\u00e9 \u00e9tait une vieille phrase de blues et que Rafferty ne lui avait pas tendu une ligne \u00e9crite. Rafferty n’est pas d’accord. Il s’agace qu’on attribue la m\u00e9lodie au saxophoniste.<\/p>\n

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\n

C’\u00e9tait ma ligne. Je la lui ai chant\u00e9e.<\/p>\n<\/blockquote>\n

(Gerry Rafferty)<\/em><\/p>\n

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Le guitariste Hugh Burns confirme le r\u00e9cit de Rafferty. La phrase est d\u00e9j\u00e0 sur la d\u00e9mo de Rafferty, jou\u00e9e \u00e0 la guitare. Burns l’essaie et ils conviennent qu’un saxophone la portera mieux. Cette d\u00e9mo para\u00eet sur la r\u00e9\u00e9dition 2011 de City to City<\/em>. Dans les notes, le collaborateur de Rafferty, Rab Noakes, \u00e9crit qu’elle devrait clore le d\u00e9bat. En 2011, Ravenscroft dit aussi que la partie l’agace encore parce qu’elle sonne un peu trop bas.<\/p>\n

Le single atteint la 3e place au Royaume-Uni. Aux \u00c9tats-Unis, il reste six semaines \u00e0 la 2e place du Billboard Hot 100, bloqu\u00e9 par Shadow Dancing<\/em> d’Andy Gibb et il arrive bien \u00e0 la 1re place du classement Cash Box. Il est num\u00e9ro un au Canada et en Australie. City to City<\/em> passe num\u00e9ro un des albums aux \u00c9tats-Unis et en d\u00e9loge la bande originale de Saturday Night Fever<\/em>. En 1979, la chanson re\u00e7oit l’Ivor Novello de la meilleure chanson sur le plan musical et lyrique. Une blague \u00e9crite par Stuart Maconie dans le NME pr\u00e9tendait que l’animateur Bob Holness avait jou\u00e9 le saxo. Ce n’\u00e9tait pas lui. En 2010, la BMI comptait plus de cinq millions de diffusions du morceau.<\/p>\n

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