{"id":25622,"date":"2009-05-26T09:00:00","date_gmt":"2009-05-26T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/green-day-american-idiot\/"},"modified":"2026-10-16T11:22:56","modified_gmt":"2026-10-16T09:22:56","slug":"green-day-american-idiot","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/green-day-american-idiot\/","title":{"rendered":"Green Day – American Idiot"},"content":{"rendered":"

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Le single qui ouvre le disque recommenc\u00e9<\/h3>\n

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Green Day sort American Idiot<\/em> en single le 6 ao\u00fbt 2004, chez Reprise. L’album du m\u00eame nom suit le 21 septembre. La chanson dure 2 minutes et 54 secondes. Billie Joe Armstrong \u00e9crit les paroles. La musique est cr\u00e9dit\u00e9e au groupe. Rob Cavallo et Green Day produisent. La prise de base est enregistr\u00e9e en mars 2004, vers la fin de s\u00e9ances qui courent depuis l’automne 2003 au Studio 880 d’Oakland et \u00e0 Ocean Way, \u00e0 Hollywood. Chris Lord-Alge mixe. Ted Jensen masterise. Mike Dirnt joue la basse et les ch\u0153urs. Tr\u00e9 Cool joue la batterie. La face B du single europ\u00e9en est Too Much Too Soon<\/em>.<\/p>\n

Le disque existe parce qu’un autre a disparu. Les bandes d’un album que le groupe appelait Cigarettes and Valentines<\/em> sont vol\u00e9es au studio. Cavallo, qui les produit depuis Dookie<\/em>, leur demande si ce disque perdu \u00e9tait vraiment le meilleur qu’ils pouvaient faire. Armstrong dira plus tard qu’ils ne pouvaient pas le regarder et l’appeler la meilleure chose qu’ils aient jamais faite, alors ils recommencent. Au Studio 880, ils \u00e9crivent le jour et parlent disques le soir. Ils installent m\u00eame une petite radio pirate dans la pi\u00e8ce. Cavallo les pousse vers un album qui raconte une histoire. American Idiot<\/em>, la chanson, en est la porte.<\/p>\n

Armstrong rattache le texte aux cha\u00eenes d’info pendant la guerre en Irak : des reporters avec les troupes, des images de combats coup\u00e9es avec des publicit\u00e9s. Il dit aussi avoir \u00e9crit la chanson apr\u00e8s avoir entendu, \u00e0 la radio de la voiture, une fanfaronnade de rock sudiste, exactement la pose \u00e0 laquelle il voulait r\u00e9pondre. Dirnt d\u00e9crit le morceau comme un appel \u00e0 se tenir \u00e0 part, pas seulement un doigt point\u00e9. Le refrain, ce sont quatre accords francs, jou\u00e9s vite. Armstrong utilise une Les Paul Junior de 1956. Il a failli sauter le solo de guitare, qu’il trouvait un peu ridicule, puis il en pose un, sur une Les Paul r\u00e9\u00e9dition, parce qu’il voulait que l’album donne la sensation d’avoir 15 ans et de jouer devant un miroir.<\/p>\n

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Ils avaient tous ces journalistes \u00e0 la Geraldo dans les chars avec les soldats, qui commentaient coup par coup.<\/p>\n<\/blockquote>\n

(Billie Joe Armstrong)<\/em><\/p>\n

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Le clip, r\u00e9alis\u00e9 par Samuel Bayer, place les trois dans un entrep\u00f4t devant un drapeau am\u00e9ricain vert \u00e0 48 \u00e9toiles. Les bandes fondent et un liquide vert atteint le groupe depuis les amplis. Dans les classements, le single atteint la 61e place du Billboard Hot 100, la premi\u00e8re entr\u00e9e de Green Day dans cette liste et la 1re place du classement Alternative. Il monte \u00e0 la 3e place au Royaume-Uni et \u00e0 la 1re au Canada. Les ventes en t\u00e9l\u00e9chargement n’entraient pas encore dans le Hot 100, ce qui a gard\u00e9 le pic am\u00e9ricain plus bas que la diffusion radio. La chanson est nomm\u00e9e \u00e0 quatre Grammy en 2005, dont l’enregistrement de l’ann\u00e9e et le groupe la joue \u00e0 la c\u00e9r\u00e9monie. L’album derri\u00e8re le single est celui dont on parle quand on parle de la seconde vie de Green Day.<\/p>\n

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