{"id":25655,"date":"2015-03-14T16:00:00","date_gmt":"2015-03-14T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/icona-pop-i-love-it\/"},"modified":"2026-10-18T08:08:24","modified_gmt":"2026-10-18T06:08:24","slug":"icona-pop-i-love-it","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/icona-pop-i-love-it\/","title":{"rendered":"Icona Pop – I Love It"},"content":{"rendered":"

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Charli l’\u00e9crit en une demi-heure. Stockholm le fait crier.<\/h3>\n

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Le 9 mai 2012, le duo stockholmien Icona Pop sort I Love It<\/em> en single num\u00e9rique sur TEN. Caroline Hjelt et Aino Jawo le chantent avec Charli XCX, dont la voix reste sur le disque fini. Le morceau dure 2 minutes et 37 secondes. Charlotte Aitchison, Patrik Berger et Linus Ekl\u00f6w l’ont \u00e9crit. Ekl\u00f6w travaille sous le nom Style of Eye. Berger et Style of Eye le produisent. Une fiche de session place l’enregistrement chez Berger, \u00e0 Stockholm, \u00e0 partir d’un travail de 2011. Le single passe en premier. Il est ajout\u00e9 ensuite \u00e0 l’album su\u00e9dois Icona Pop<\/em>, puis en 2013 \u00e0 l’album international This Is… Icona Pop<\/em>.<\/p>\n

Berger avait envoy\u00e9 deux instrumentaux \u00e0 Charli pendant un s\u00e9jour en Su\u00e8de. Elle en tire I Love It<\/em> et You’re the One<\/em> en environ une heure et elle a dit que les mots et la m\u00e9lodie de celui-ci avaient pris une trentaine de minutes. Elle aime la chanson et d\u00e9cide quand m\u00eame qu’elle ne va pas sur le disque qu’elle pr\u00e9pare. Pendant que Berger est en studio avec Icona Pop sur Good for You<\/em>, il leur fait \u00e9couter la d\u00e9mo. Jawo y reconna\u00eet sa propre histoire, y compris la phrase sur un homme des ann\u00e9es 1970 et une femme des ann\u00e9es 1990. Hjelt trouve cette d\u00e9mo mignonne et insolente. Le duo confie le morceau \u00e0 Style of Eye et demande quelque chose de plus rude : le c\u00f4t\u00e9 \u00ab on s’en fiche \u00bb. Sur le refrain, les trois voix crient ensemble \u00ab I don’t care, I love it \u00bb.<\/p>\n

Fredrik Etoall r\u00e9alise le clip et le tourne en une journ\u00e9e \u00e0 Paris, avec des amis du groupe. Hjelt et Jawo jouent un concert, puis une f\u00eate. Charli n’appara\u00eet pas. Aux \u00c9tats-Unis, le morceau sert de g\u00e9n\u00e9rique \u00e0 Snooki & JWoww<\/em> \u00e0 partir de juin 2012. Un \u00e9pisode de Girls<\/em> en janvier 2013 relance les t\u00e9l\u00e9chargements et dix jours plus tard le titre entre dans le Billboard Hot 100. Il monte jusqu’\u00e0 la 7e place et \u00e0 la 1re du classement dance de Billboard. La Su\u00e8de l’avait d\u00e9j\u00e0 men\u00e9 \u00e0 la 2e.<\/p>\n

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Je ne r\u00e9fl\u00e9chis pas quand j’\u00e9cris des chansons. Je d\u00e9teste les chansons qu’on fabrique. Celles sur lesquelles je travaille le plus longtemps sont toujours les pires. Celle-l\u00e0 est sortie toute seule. Je ne crois m\u00eame pas avoir compris de quoi elle parlait avant d’entendre Icona Pop la chanter.<\/p>\n<\/blockquote>\n

(Charli XCX, Under the Radar, 2013)<\/em><\/p>\n

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Dans la semaine du 6 juillet 2013, plus d’un an apr\u00e8s la sortie su\u00e9doise, I Love It<\/em> entre num\u00e9ro 1 des singles britanniques, devant Blurred Lines<\/em> de Robin Thicke. Hjelt et Jawo le chantent avec Charli pour la premi\u00e8re fois en avril, en coulisses \u00e0 South by Southwest. La RIAA certifie ensuite le single cinq fois platine aux \u00c9tats-Unis. Pitchfork l’avait d\u00e9j\u00e0 signal\u00e9 Best New Music en 2012 et Pitchfork comme Rolling Stone le placent dans leurs listes de fin d’ann\u00e9e. Le disque \u00e0 \u00e9couter est le single de mai 2012 : court, rapide, trois voix sur une seule phrase et une d\u00e9mo que Charli avait d\u00e9j\u00e0 choisi de ne pas garder.<\/p>\n

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