{"id":25677,"date":"2012-12-19T11:00:00","date_gmt":"2012-12-19T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/inxs-suicide-blonde\/"},"modified":"2026-10-18T08:07:08","modified_gmt":"2026-10-18T06:07:08","slug":"inxs-suicide-blonde","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/inxs-suicide-blonde\/","title":{"rendered":"INXS – Suicide Blonde"},"content":{"rendered":"

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Une blague de perruque, puis le premier single de X<\/h3>\n

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INXS sort Suicide Blonde<\/em> le 22 ao\u00fbt 1990 aux \u00c9tats-Unis et le 3 septembre en Australie. Andrew Farriss et Michael Hutchence l’\u00e9crivent. Chris Thomas le produit, son troisi\u00e8me album d’INXS d’affil\u00e9e apr\u00e8s Listen Like Thieves<\/em> et Kick<\/em>. Le morceau ouvre X<\/em>, sorti le 25 septembre 1990 sur WEA en Australie, Mercury en Europe et Atlantic en Am\u00e9rique du Nord. Les s\u00e9ances courent en 1989 et 1990 \u00e0 Rhinoceros 2, \u00e0 Sydney et aux studios AIR, \u00e0 Londres, avec David Nicholas \u00e0 l’ing\u00e9nierie. Le titre de l’album est le chiffre romain 10 : dix ans depuis le premier disque de 1980.<\/p>\n

Le titre vient de Kylie Minogue, la compagne de Hutchence. Pour le film de 1989 The Delinquents<\/em>, elle porte une perruque blonde et son coiffeur appelle cette couleur suicide blonde, une vieille blague pour dire \u00ab d\u00e9color\u00e9e de sa propre main \u00bb. Elle a confirm\u00e9 plus tard que la phrase venait de cette conversation sur le personnage de Lola Lovell. Farriss ne s’inqui\u00e8te pas de Kylie. Il s’inqui\u00e8te du mot suicide dans un titre. Hutchence lui dit que ce n’est pas une chanson sur le suicide. Le groupe a pass\u00e9 1988 et une bonne partie de 1989 sur la route derri\u00e8re Kick<\/em> et Hutchence a fait un d\u00e9tour avec le projet Max Q. X<\/em> est le disque qui les ram\u00e8ne \u00e0 six : Hutchence, les trois fr\u00e8res Farriss, Garry Gary Beers et Kirk Pengilly.<\/p>\n

L’harmonica est celui de Charlie Musselwhite, un bluesman qui tournait en Australie. Sur ce morceau, le groupe ne l’enregistre pas en direct dans la pi\u00e8ce. Ils \u00e9chantillonnent son jeu et Andrew Farriss fait sortir ces bouts d’un clavier. Musselwhite joue un harmonica ordinaire sur deux autres chansons de X<\/em>, Who Pays the Price<\/em> et On My Way<\/em>. Richard Lowenstein r\u00e9alise le clip. Le single est celui qui ouvre la campagne, avant Disappear<\/em>, Bitter Tears<\/em> et By My Side<\/em>.<\/p>\n

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\n

Ce qui m’inqui\u00e9tait, ce n’\u00e9tait pas tant Kylie ou leur relation, c’\u00e9tait le mot \u00ab suicide \u00bb dans une chanson. Il a dit : \u00ab T’en fais pas, ce n’est pas \u00e0 propos du suicide. \u00bb<\/p>\n<\/blockquote>\n

(Andrew Farriss, \u00e0 propos de Michael Hutchence)<\/em><\/p>\n

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L’Australie m\u00e8ne le single \u00e0 la 2e place. La Nouvelle-Z\u00e9lande le met num\u00e9ro 1 pendant trois semaines et le classement RPM du Canada le met num\u00e9ro 1 pendant deux. Le pic britannique est 11. Aux \u00c9tats-Unis, il atteint la 9e place du Hot 100, qu’il tient deux semaines sur les classements du 27 octobre et du 3 novembre 1990 et la 1re des classements rock mainstream et alternatif. X<\/em> lui-m\u00eame va num\u00e9ro 1 en Australie et 5e du Billboard 200. Il ne rattrape pas Kick<\/em>. Le groupe joue quand m\u00eame Suicide Blonde<\/em> vers la fin du concert de Wembley en juillet 1991, film\u00e9 pour Live Baby Live<\/em>, devant environ 74 000 personnes. Le morceau \u00e0 \u00e9couter est le single de 1990, pas un remaster plus tard : une courte phrase d’harmonica blues, un rythme de rock rapide et un titre qui a commenc\u00e9 comme une blague de coiffeur.<\/p>\n

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