{"id":25688,"date":"2012-09-10T11:00:00","date_gmt":"2012-09-10T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/joe-jackson-steppin-out\/"},"modified":"2026-10-17T08:07:07","modified_gmt":"2026-10-17T06:07:07","slug":"joe-jackson-steppin-out","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/joe-jackson-steppin-out\/","title":{"rendered":"Joe Jackson – Steppin’ Out"},"content":{"rendered":"

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Une nuit \u00e0 SoHo, piano et bo\u00eete \u00e0 rythme<\/h3>\n

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Joe Jackson sort Steppin’ Out<\/em> aux \u00c9tats-Unis en ao\u00fbt 1982 et au Royaume-Uni le 22 octobre. Il l’\u00e9crit. Il le produit avec David Kershenbaum. Il est enregistr\u00e9 en janvier 1982 au Blue Rock Studio, \u00e0 SoHo, New York, pendant les s\u00e9ances de Night and Day<\/em>, l’album qu’A&M publie le 25 juin 1982. La version album dure 4 minutes et 23 secondes. L’\u00e9dition single dure 3 minutes et 43. En Grande-Bretagne, la face B du 45 tours est Another World<\/em>. En Am\u00e9rique, c’est Chinatown<\/em>. Night and Day<\/em> est coup\u00e9 en une face nuit et une face jour. Steppin’ Out<\/em> ferme la face nuit. Il n’y a pas de guitare sur l’album.<\/p>\n

Jackson joue le chant, le piano, l’orgue Hammond, le Minimoog, le vibraphone et la bo\u00eete \u00e0 rythme, une Korg KR-55 de 1979. Le batteur de s\u00e9ance Larry Tolfree ajoute une caisse claire et des cymbales r\u00e9elles. Lors d’une tourn\u00e9e en 2019, Jackson a dit que c’\u00e9tait tout le groupe sur ce morceau et il emportait encore cette bo\u00eete \u00e0 rythme pour le jouer. Les mots sont une sortie en ville : des lumi\u00e8res derri\u00e8re une vitre embu\u00e9e, on laisse la t\u00e9l\u00e9vision et la radio, un taxi jaune. Le titre de l’album renvoie \u00e0 la chanson de Cole Porter du m\u00eame nom. Le dessin de la pochette est de Philip Burke. La photo de studio \u00e0 l’int\u00e9rieur de la pochette est de George DuBose. Night and Day<\/em> atteint la 3e place au Royaume-Uni et la 4e du Billboard 200, le seul album studio de Jackson \u00e0 entrer dans le top 5 des deux pays.<\/p>\n

Le single devient son plus gros succ\u00e8s am\u00e9ricain. Il reste 6e du Hot 100 pendant quatre semaines \u00e0 partir du 11 d\u00e9cembre 1982, monte \u00e0 la 4e place du classement adult contemporary et \u00e0 la 7e du rock album. Cash Box le place 5e. Le pic britannique est aussi 6, une place derri\u00e8re It’s Different for Girls<\/em>, son plus gros single anglais. Le Canada le met 5e, l’Irlande 5e. Aux Grammy 1983, il est nomm\u00e9 pour le disque de l’ann\u00e9e et pour la meilleure prestation vocale pop masculine. Rosanna<\/em> de Toto et Truly<\/em> de Lionel Richie remportent ces prix.<\/p>\n

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\n

Le rock ‘n’ roll est en train de devenir un grand cirque et les clips et MTV en font largement partie.<\/p>\n<\/blockquote>\n

(Joe Jackson, Time Out)<\/em><\/p>\n

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Steve Barron r\u00e9alise le clip en une nuit au St. Regis Hotel, \u00e0 New York, pendant l’\u00e9t\u00e9 1982, avec le mix court du single. Une femme de chambre imagine une sortie. Jackson a dit \u00e0 Time Out qu’il n’avait pas voulu faire ce clip. La chanson n’en avait pas besoin. Ce qui la porte, c’est la phrase de piano, la bo\u00eete \u00e0 rythme sous une vraie caisse claire et une nuit new-yorkaise \u00e9crite \u00e0 SoHo en janvier. Des listes plus tardives l’ont gard\u00e9e : Pitchfork la place parmi les meilleures chansons des ann\u00e9es 1980 et Rolling Stone dans une liste des meilleures chansons de 1982. La version \u00e0 \u00e9couter est celle de Night and Day<\/em>, pas une compilation plus tardive des ann\u00e9es 1980.<\/p>\n

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