{"id":25710,"date":"2014-09-16T09:00:00","date_gmt":"2014-09-16T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/justin-bieber-peaches\/"},"modified":"2026-10-18T08:08:02","modified_gmt":"2026-10-18T06:08:02","slug":"justin-bieber-peaches","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/justin-bieber-peaches\/","title":{"rendered":"Justin Bieber – Peaches"},"content":{"rendered":"

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Un extrait au piano sur Instagram, puis deux appels<\/h3>\n

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Le 19 mars 2021, Justin Bieber sort Peaches<\/em>, avec Daniel Caesar et Giveon, chez Def Jam. Le m\u00eame jour il sort Justice<\/em>, son sixi\u00e8me album studio. Le morceau dure 3 minutes et 18 secondes. C’est le titre 12. Bieber, Caesar (cr\u00e9dit\u00e9 Ashton Simmonds) et Giveon Evans l’\u00e9crivent avec Bernard Harvey, dit Harv, Luis Martinez Jr., dit Shndo, Andrew Watt, Louis Bell, Matthew Sean Leon, Felisha King-Harvey, Aaron Simmonds et Keavan Yazdani. Harv et Shndo le produisent. Harv joue de la basse, de la guitare, des claviers et du piano. Watt et Josh Gudwin s’occupent des voix. Gudwin mixe le disque. Colin Leonard le masterise.<\/p>\n

Le point de d\u00e9part est un extrait Instagram. Bieber se filme au piano et le poste. Harv, son directeur musical depuis 2010, voit la vid\u00e9o. Shndo r\u00e9cup\u00e8re le son et les deux producteurs montent un accompagnement le jour m\u00eame. Bieber r\u00e9enregistre le refrain, \u00e9crit un couplet et renvoie le fichier. Quelques heures plus tard, il dit \u00e0 Harv que Giveon prend le second couplet. Giveon est d\u00e9j\u00e0 en studio et \u00e9crit sa partie en environ deux heures. Pendant deux ou trois semaines, le morceau n’est que Bieber et Giveon. Bieber demande ensuite Daniel Caesar, qui est \u00e0 Majorque. Caesar envoie un couplet. Harv place ce couplet en second, entre le refrain et les lignes de Giveon.<\/p>\n

On entend d’abord le piano, puis une basse douce, puis trois voix qui ne chantent pas en m\u00eame temps. Bieber porte le refrain. Caesar et Giveon prennent chacun un couplet, plus bas et plus lent. Le rythme reste calme. Les voix sont proches, avec peu d’\u00e9cho. C’est plus pr\u00e8s des singles R&B que sortaient Caesar et Giveon que des anciens tubes dance de Bieber, comme Sorry<\/em> et What Do You Mean?<\/em>.<\/p>\n

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Deux heures plus tard, il m’a appel\u00e9 en FaceTime. Justin a dit : \u00ab Je crois qu’on tient quelque chose. \u00bb Il a dit : \u00ab J’ai Giveon sur le featuring. \u00bb Environ un mois apr\u00e8s, il a rappel\u00e9 : \u00ab H\u00e9, on met Daniel Caesar dessus. \u00bb<\/p>\n<\/blockquote>\n

(Bernard \u00ab Harv \u00bb Harvey, Vulture, mars 2021)<\/em><\/p>\n

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Le clip sort avec l’album. Les trois chanteurs apparaissent ensemble, en v\u00eatements clairs, dans un d\u00e9cor pastel. Un remix ajoute plus tard Ludacris, Usher et Snoop Dogg. Un second remix, fait au Nigeria, ajoute Alpha P, Omah Lay et Masterkraft.<\/p>\n

Dans le Billboard Hot 100 dat\u00e9 du 3 avril 2021, Peaches<\/em> entre directement \u00e0 la premi\u00e8re place. C’est le septi\u00e8me num\u00e9ro 1 de Bieber et le premier de Caesar et de Giveon. Sur la semaine close le 25 mars, le titre fait 30,6 millions d’\u00e9coutes aux \u00c9tats-Unis et vend 16 000 t\u00e9l\u00e9chargements. Justice<\/em> entre num\u00e9ro 1 du Billboard 200 la m\u00eame semaine. Bieber est le premier homme solo \u00e0 d\u00e9buter num\u00e9ro 1 des deux classements en m\u00eame temps. La chanson ouvre aussi \u00e0 la premi\u00e8re place du classement Hot R&B Songs de Billboard. En 2021, elle gagne le prix Best Pop aux MTV Video Music Awards. Aux Grammy 2022, elle est nomm\u00e9e pour l’enregistrement de l’ann\u00e9e, la chanson de l’ann\u00e9e, la meilleure prestation R&B et le meilleur clip. La version \u00e0 \u00e9couter est celle de Justice<\/em>, du 19 mars 2021, avant les remixes.<\/p>\n

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