{"id":25842,"date":"2026-10-05T08:00:00","date_gmt":"2026-10-05T06:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/madness-embarrassment\/"},"modified":"2026-10-05T08:10:57","modified_gmt":"2026-10-05T06:10:57","slug":"madness-embarrassment","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/tracks\/madness-embarrassment\/","title":{"rendered":"Madness – Embarrassment"},"content":{"rendered":"

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Absolutely, Stiff, novembre 1980 : la lettre familiale de Lee Thompson<\/h3>\n

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Le 14 novembre 1980, Madness sort Embarrassment<\/em> chez Stiff Records (BUY 102). La face B est Crying Shame<\/em>. Le morceau figure sur leur deuxi\u00e8me album Absolutely<\/em>. Clive Langer et Alan Winstanley le produisent. Mike Barson compose la musique ; le saxophoniste Lee Thompson \u00e9crit le texte. Le single reste douze semaines au classement britannique, culmine \u00e0 la 4e place en d\u00e9cembre et est certifi\u00e9 disque d’or. Il atteint aussi la 4e place en Irlande et la 2e du Dutch Top 40.<\/p>\n

Cuivres et piano frappent fort d\u00e8s l’ouverture, puis le rythme ska se pose sous la voix de Suggs. L’histoire est nette : une adolescente re\u00e7oit une lettre qui lui interdit la porte de famille. Oncles, tantes, p\u00e8re et m\u00e8re la rejettent parce qu’elle est enceinte d’un homme noir. Thompson l’\u00e9crit apr\u00e8s le rejet subi par sa s\u0153ur Tracy. Madness remplit d\u00e9j\u00e0 les pistes de danse en Nutty Boys ; ici le rebond porte un verdict familial froid plut\u00f4t qu’un sketch comique.<\/p>\n

Le clip est tourn\u00e9 \u00e0 l’Embassy Club de Londres les 7 et 8 novembre 1980. Suggs est assis dans un bar sombre pendant que le groupe joue des cuivres autour de lui. Langer et Winstanley remixent le single par rapport \u00e0 la version album en gardant la m\u00eame dur\u00e9e, environ trois minutes dix. En concert, le groupe joue le titre depuis avril 1980, des mois avant le 45 tours. Absolutely<\/em> contient aussi Baggy Trousers<\/em>, le tube comique de l’ann\u00e9e ; Embarrassment<\/em> prouve que la m\u00eame formation peut placer un top 5 avec une intrigue familiale sombre. Stiff presse BUY 102 alors que Madness devient habitu\u00e9 de Top of the Pops ; le clip de l’Embassy Club garde les visages familiers pendant que le texte refuse le tour de chant fantaisie.<\/p>\n

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Comment montrer ta figure quand tu es une honte pour le genre humain ?<\/p>\n<\/blockquote>\n

(Paroles de Lee Thompson, Embarrassment, 1980)<\/em><\/p>\n

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Vingt-cinq ans plus tard, le BBC Magazine revient sur le titre et sur la vie de Tracy : les mentalit\u00e9s ont boug\u00e9, et l’histoire priv\u00e9e derri\u00e8re le tube ne colle plus \u00e0 la honte d\u00e9crite. \u00c0 l’\u00e9poque, Madness devait aussi g\u00e9rer une frange skinhead violente qu’ils ne voulaient pas, malgr\u00e9 une position clairement antiraciste. Embarrassment<\/em> rendait cette position audible sans discours sur la pochette. Thompson parlera plus tard ouvertement de l’histoire de Tracy ; le titre reste l’une des prises de position antiracistes les plus nettes dans une vague ska britannique que certains ont lue trop vite comme dessin anim\u00e9.<\/p>\n

\u00c9coutez le single Stiff de 1980 ou la prise Absolutely<\/em>. Laissez de c\u00f4t\u00e9 le marketing remaster. Les cuivres, la m\u00e9lodie de Barson et la lettre de Thompson \u00e0 sa propre famille sont l’\u0153uvre d’origine qui a atteint la 4e place en ayant l’air, pour une oreille radio distraite, d’un nouveau rebond Madness.<\/p>\n

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