{"id":25985,"date":"2008-12-18T19:00:00","date_gmt":"2008-12-18T18:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/nada-surf-popular\/"},"modified":"2026-10-16T11:23:01","modified_gmt":"2026-10-16T09:23:01","slug":"nada-surf-popular","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/nada-surf-popular\/","title":{"rendered":"Nada Surf – Popular"},"content":{"rendered":"

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Electric Lady, fin 1995 : conseils parles, grosses guitares d’Ocasek<\/h3>\n

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Nada Surf sort Popular<\/em> en mai 1996 comme premier single de leur album d\u00e9but High\/Low<\/em> (Elektra, juin 1996). Matthew Caws (guitare, chant), Daniel Lorca (basse) et Ira Elliot (batterie) enregistrent l’album \u00e0 Electric Lady Studios, Greenwich Village, en environ trois semaines avant No\u00ebl 1995, avec Ric Ocasek \u00e0 la production et Bruce Calder \u00e0 la prise de son. Caws avait tendu une cassette demo a Ocasek devant le Knitting Factory ; le leader des Cars a rappel\u00e9 et propos\u00e9 de produire.<\/p>\n

Chaque couplet livre des conseils adolescents sarcastiques en parl\u00e9, tir\u00e9s du livre de Gloria Winters Penny’s Guide to Teen-Age Charm and Popularity<\/em> (Winters est cr\u00e9dit\u00e9e a l’ecriture). Sur sc\u00e8ne, des amis lisaient le livre dans les trous de couplet ; en studio, le mixeur Bryce Goggin met la voix de Caws devant apr\u00e8s un court \u00e9change avec Catherine Talese. Les refrains frappent avec des guitares \u00e9lectriques \u00e9paisses qu’Ocasek empile, puis s’ouvrent sur une fin plus bruitiste. Le groupe connaissait d\u00e9j\u00e0 les morceaux d’une premi\u00e8re formation demo ; Ocasek pr\u00e9f\u00e9rait les premi\u00e8res prises et les horaires de jour. High\/Low<\/em> porte aussi Treehouse en single suivant ; Popular reste le titre qui definit le debut pour les t\u00e9l\u00e9spectateurs MTV.<\/p>\n

Elektra avance la date radio alternative a mai 1996 devant l’int\u00e9r\u00eat. Popular<\/em> atteint la 11e place du classement Alternative Billboard et la 51e de l’Airplay ; les r\u00e8gles US tiennent un titre album-only hors du Hot 100. Le clip film\u00e9 \u00e0 Bayonne High School met cliques et pom-pom girls sur MTV. Apr\u00e8s le pic d’attention, Elektra l\u00e2che le groupe ; les albums suivants reconstruisent une longue carriere. Ici, on reste sur les sessions Electric Lady 1995 et le single de High\/Low<\/em>. La campagne Elektra traite les couplets parl\u00e9s comme un crochet de nouveaut\u00e9, mais le groupe garde le morceau comme un refrain de guitares fort sur sc\u00e8ne.<\/p>\n

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\n

Je n’avais jamais entendu quelque chose sonner aussi large.<\/p>\n<\/blockquote>\n

(Matthew Caws sur Ric Ocasek \u00e0 Electric Lady, essai NPR, 2019)<\/em><\/p>\n

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Ocasek tient les visiteurs du label hors des sessions et cherche des doubles de guitare precis pour que les refrains tombent fort. George Marino masterise le disque. Pour ceux qui ne connaissent que le gag parle, le poids des guitares et la batterie d’Elliot expliquent pourquoi la radio alternative l’a chass\u00e9 en 1996.<\/p>\n

\u00c9coutez la version album High\/Low<\/em> de 1996. C’est l’\u0153uvre d’origine : Ocasek, Electric Lady et un manuel d’adolescence transform\u00e9 en refrain.<\/p>\n

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