{"id":26227,"date":"2011-03-13T11:00:00","date_gmt":"2011-03-13T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/ryuichi-sakamoto-merry-christmas-mr-lawrence\/"},"modified":"2026-10-16T09:44:49","modified_gmt":"2026-10-16T07:44:49","slug":"ryuichi-sakamoto-merry-christmas-mr-lawrence","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/ryuichi-sakamoto-merry-christmas-mr-lawrence\/","title":{"rendered":"Ryuichi Sakamoto &#8211; Merry Christmas, Mr. Lawrence"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Oshima\u2019s 1983 film: Sakamoto at the keys, a theme that outlived the credits<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">In 1983, Japanese composer Ryuichi Sakamoto scored Nagisa Oshima\u2019s war film <em>Merry Christmas, Mr. Lawrence<\/em> (known in France as <em>Furyo<\/em>). Sakamoto also acted in the film opposite David Bowie. The main instrumental theme that carries his name on soundtrack albums is a keyboard piece: clear melody, stacked electronic and acoustic tones, and a slow, even pulse that never rushes toward a big drum fill.<\/p>\n<p style=\"text-align: justify;\">The soundtrack album appeared the same year on labels including Virgin and MCA. Beside the instrumental, Sakamoto produced a vocal version titled <em>Forbidden Colours<\/em> with David Sylvian (ex-Japan). Sylvian wrote lyrics and sang a counter-melody rather than tracing Sakamoto\u2019s theme note for note. That single, released 24 June 1983 on Virgin, reached the UK Top 20. Recording and mixing credits on period releases name Sakamoto with Seigen Ono and Shinichi Tanaka among the engineers.<\/p>\n<p style=\"text-align: justify;\">What you hear on the instrumental is less \u201cfilm orchestra bombast\u201d than careful sound design: samples and keyboard layers that leave space around the melody. Sakamoto\u2019s YMO background shows in the electronic detail; the film context keeps the tempo restrained. Later solo-piano and orchestral revisits (including work around <em>Cinemage<\/em>) kept the theme in his live book. In 1999 a Watergate remix titled <em>Heart of Asia<\/em> took the motif into European dance charts; in 2024 Kraftwerk covered the piece after Sakamoto\u2019s death.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Sonically it was incredible. I loved all the samples that he was using\u2026 Sound design was a big part of it for us, and what Ryuichi as producer did was extraordinary with that particular piece of music.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(David Sylvian on Forbidden Colours \/ Sakamoto\u2019s theme)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb26223&Prime; img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790620001{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">The track to start with is the 1983 soundtrack instrumental, not a later lounge compilation edit. From there, <em>Forbidden Colours<\/em> shows how Sylvian answered the same harmony with a separate vocal line. Together they mark Sakamoto\u2019s move from Yellow Magic Orchestra into film scoring that radio and cinema both kept.<\/p>\n<p style=\"text-align: justify;\">A POW-camp film, a keyboard theme, and a UK chart vocal sister. That is the brief of <em>Merry Christmas, Mr. Lawrence<\/em>.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>In 1983 Ryuichi Sakamoto wrote the main theme for Nagisa Oshima\u2019s film Merry Christmas, Mr. Lawrence: an instrumental built on sampled and acoustic keyboard colours, later paired with David Sylvian\u2019s vocal rewrite Forbidden Colours.<\/p>\n","protected":false},"author":1,"featured_media":26220,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[457,1304],"class_list":["post-26227","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-newwave-electro-triphop-fr","tag-ryuichi-sakamoto-fr","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ryuichi Sakamoto - Merry Christmas, Mr. Lawrence - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"In 1983 Ryuichi Sakamoto wrote the main theme for Nagisa Oshima\u2019s film Merry Christmas, Mr. Lawrence: an instrumental built on sampled and acoustic keyboard colours, later paired with David Sylvian\u2019s vocal rewrite Forbidden Colours.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/ryuichi-sakamoto-merry-christmas-mr-lawrence\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ryuichi Sakamoto - Merry Christmas, Mr. Lawrence - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"In 1983 Ryuichi Sakamoto wrote the main theme for Nagisa Oshima\u2019s film Merry Christmas, Mr. Lawrence: an instrumental built on sampled and acoustic keyboard colours, later paired with David Sylvian\u2019s vocal rewrite Forbidden Colours.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/ryuichi-sakamoto-merry-christmas-mr-lawrence\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2011-03-13T10:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-16T07:44:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/RyuichiSakamoto-MerryChristmas.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/titres\\\/ryuichi-sakamoto-merry-christmas-mr-lawrence\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/titres\\\/ryuichi-sakamoto-merry-christmas-mr-lawrence\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"Ryuichi Sakamoto &#8211; 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