{"id":5924,"date":"2026-10-10T11:00:00","date_gmt":"2026-10-10T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/2023\/06\/03\/teenage-kicks-the-undertones\/"},"modified":"2026-11-09T07:15:07","modified_gmt":"2026-11-09T06:15:07","slug":"teenage-kicks-the-undertones","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/teenage-kicks-the-undertones\/","title":{"rendered":"The Undertones – Teenage Kicks"},"content":{"rendered":"

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Derry 1978 : Good Vibrations, Sire et le favori de John Peel<\/h3>\n

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Teenage Kicks<\/em> dure deux minutes vingt-huit et Sharkey entre encore vite, avant que le morceau ait le temps de se poser. The Undertones, Feargal Sharkey, John et Damian O\u2019Neill, Michael Bradley et Billy Doherty, viennent de Derry, en Irlande du Nord, hors des circuits de clubs de Londres et Manchester qui dessinaient la carte punk UK. Ils enregistrent le morceau pour le label local Good Vibrations en 1978 ; Sire le reprend bient\u00f4t pour une sortie plus large. Le riff clair de John O\u2019Neill m\u00e8ne. La voix haute et urgente de Sharkey dit le d\u00e9sir sans le d\u00e9guiser en politique. Le label Good Vibrations de Terri Hooley \u00e0 Belfast presse le premier single ; Sire le reprend pour une sortie plus large apr\u00e8s que John Peel l\u2019a pass\u00e9 sur BBC Radio 1 et l\u2019a assez aim\u00e9 pour le redemander.<\/p>\n

John Peel, sur BBC Radio 1, passe le single en boucle et en fait un de ses disques pr\u00e9f\u00e9r\u00e9s. Il demandera plus tard une ligne de Teenage Kicks<\/em> sur sa pierre tombale. Cet aval a plus fait pour leur profil UK que n\u2019importe quel portier londonien. La production reste proche et simple : pas de grand truc d\u2019arrangement, pas de d\u00e9tour progressif. Le refrain r\u00e9p\u00e8te le besoin sans empiler les m\u00e9taphores. Le morceau pose le refrain et s\u2019arr\u00eate avant de virer au rock adulte. La voix de Feargal Sharkey est urgente et claire ; l\u2019\u00e9criture de John O\u2019Neill garde les accords ouverts ; Damian O\u2019Neill, Michael Bradley et Billy Doherty calent un rythme rapide et net sans rictus punk gratuit.<\/p>\n

Le groupe n\u2019arrive pas avec le capital de sc\u00e8ne de la capitale. Il arrive avec un single bon march\u00e9 qui sonne local, impatient et sans g\u00eane \u00e0 vouloir une fille et une guitare forte en m\u00eame temps. Cette simplicit\u00e9 a aid\u00e9 le morceau \u00e0 voyager plus loin que bien des singles 1978 plus en col\u00e8re, devenus pi\u00e8ces d\u2019\u00e9poque. Reprises et placements \u00e0 l\u2019\u00e9cran ont suivi des d\u00e9cennies ; l\u2019\u00e9nergie originale Good Vibrations \/ Sire est encore celle qui accroche en premier. Le morceau atteint la 31e place des singles UK, modeste sur le papier, \u00e9norme dans la m\u00e9moire parce que le soutien de Peel a transform\u00e9 un groupe de Derry en jalon indie britannique. Reprises et tribunes de foot ont emprunt\u00e9 la pr\u00e9cipitation ; l\u2019original sonne comme le single de 1978.<\/p>\n

Good Vibrations \u00e9tait un indie bas\u00e9 \u00e0 Belfast dirig\u00e9 par Terri Hooley ; presser un groupe de Derry sur ce label traversait d\u00e9j\u00e0 une carte politique que la plupart des maisons londoniennes ignoraient. Seymour Stein, chez Sire, a entendu l’urgence et a agi vite. Sharkey a pris plus tard une voie solo, mais Teenage Kicks est rest\u00e9 la carte de visite des Undertones \u00e0 travers les tourn\u00e9es de reformation et les images documentaires de la d\u00e9votion de Peel. Deux minutes vingt-huit, c’est la dur\u00e9e choisie. Le dessin est simple : d\u00e9sir dit, riff r\u00e9p\u00e9t\u00e9, bande arr\u00eat\u00e9e avant que quelqu’un ne ponce les bords.<\/p>\n

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\n

\u00c7a ne va gu\u00e8re mieux que \u00e7a.<\/p>\n<\/blockquote>\n

(John Peel, BBC Radio 1, 1978)<\/em><\/p>\n

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L\u2019amour public de Peel a transform\u00e9 un d\u00e9but r\u00e9gional en rep\u00e8re national. Teenage Kicks<\/em> n\u2019a pas eu de r\u00e9\u00e9criture plus tardive pour le rendre plus s\u00e9rieux. Il garde le b\u00e9guin, le riff et l\u2019horloge sous trois minutes. Les remasters gardent la clart\u00e9 ; rien dans le mix ne demande la r\u00e9verb de stade dont le morceau n\u2019a jamais eu besoin. La premi\u00e8re ligne de Sharkey, les deux minutes vingt-huit et le verdict de Peel portent encore ce single de Derry de 1978.<\/p>\n

La phrase de Peel est encore cit\u00e9e quand le single repasse \u00e0 la radio.<\/p>\n

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Teenage Kicks des Undertones (Derry, 1978) : deux minutes vingt-huit de d\u00e9sir simple que John Peel a class\u00e9 parmi ses disques pr\u00e9f\u00e9r\u00e9s.<\/p>\n","protected":false},"author":1,"featured_media":5361,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[311,505],"class_list":["post-5924","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-alternative-indie-punk-fr","tag-the-undertones-fr","post_format-post-format-video"],"yoast_head":"\nThe Undertones - Teenage Kicks - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Teenage Kicks des Undertones (Derry, 1978) : deux minutes vingt-huit de d\u00e9sir simple que John Peel a class\u00e9 parmi ses disques pr\u00e9f\u00e9r\u00e9s.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/teenage-kicks-the-undertones\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Undertones - 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