{"id":5933,"date":"2018-12-29T11:00:00","date_gmt":"2018-12-29T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/2023\/05\/02\/reptilia-the-strokes\/"},"modified":"2026-11-09T07:11:16","modified_gmt":"2026-11-09T06:11:16","slug":"reptilia-the-strokes","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/reptilia-the-strokes\/","title":{"rendered":"The Strokes &#8211; Reptilia"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Room on Fire, d\u00e9but 2004 : single du 2e album qui reste maigre<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Une figure de basse agit\u00e9e d\u00e9marre, puis les guitares se calent et le morceau avance d\u00e9j\u00e0. <em>Reptilia<\/em> sort au d\u00e9but de 2004 comme deuxi\u00e8me single du second album des Strokes, <em>Room on Fire<\/em> (RCA, octobre 2003). Julian Casablancas, Nick Valensi, Albert Hammond Jr., Nikolai Fraiture et Fabrizio Moretti l\u2019enregistrent avec le producteur Gordon Raphael, le m\u00eame qui a fa\u00e7onn\u00e9 <em>Is This It<\/em>. La question de la campagne \u00e9tait simple : le quintet new-yorkais pouvait-il frapper deux fois sans recopier le premier album ligne \u00e0 ligne ? Room on Fire, produit avec Gordon Raphael encore dans le cercle, sort en octobre 2003 chez Rough Trade \/ RCA ; Reptilia suit en single d\u00e9but 2004 apr\u00e8s 12:51.<\/p>\n<p style=\"text-align: justify;\">La r\u00e9ponse sur ce titre est un arrangement rock maigre et rapide, presque sans mesures en trop. Les guitares de Valensi et Hammond claquent et se croisent ; la basse de Fraiture ne s&rsquo;arr\u00eate pas ; la batterie de Moretti frappe dur et court. Casablancas chante \u00e0 travers la distorsion comme si le micro \u00e9tait un autre ampli, \u00e0 moiti\u00e9 d\u00e9tach\u00e9 et \u00e0 moiti\u00e9 urgent. Le refrain arrive net. Le texte sur une pi\u00e8ce en feu pendant que quelqu\u2019un arrange ses cheveux est devenu un raccourci pour la distance froide du groupe : L\u2019\u00e9motion est dite, pas suppli\u00e9e. La basse de Nikolai Fraiture lance la figure agit\u00e9e ; Albert Hammond Jr. et Nick Valensi calent des guitares s\u00e8ches ; la batterie de Fabrizio Moretti reste serr\u00e9e ; la voix de Julian Casablancas reste derri\u00e8re un filtre garage familier.<\/p>\n<p style=\"text-align: justify;\">La radio rock du d\u00e9but des ann\u00e9es 2000 se situait entre nu-metal restant et post-grunge beige. The Strokes proposaient des chansons courtes, des blousons de cuir et des parties de guitare qu\u2019on peut siffler. <em>Reptilia<\/em> entre dans les classements UK et alternative US sans r\u00e9\u00e9criture ballade. Le clip garde l\u2019anti-glamour : \u00e9crans partag\u00e9s, visages impassibles, pas d\u2019intrigue. Sur sc\u00e8ne le morceau reste un fixe de setlist parce qu\u2019il tient en club comme en festival. Les charts modern rock UK et US ont pris le single au s\u00e9rieux ; le groupe a refus\u00e9 de gonfler le son en vernis de second album m\u00eame avec de plus grandes salles qui attendaient. Le claquement nocturne du texte et la grille \u00e0 deux guitares sont devenus un mod\u00e8le pour d\u2019autres groupes new-yorkais.<\/p>\n<p style=\"text-align: justify;\">Room on Fire arrive sous pression apr\u00e8s qu&rsquo;Is This It a r\u00e9\u00e9crit les attentes autour des groupes \u00e0 guitares en 2001. Raphael garde les sessions disciplin\u00e9es ; le groupe r\u00e9siste \u00e0 la tentation de gonfler les arrangements avec des invit\u00e9s et de longs outros. Le parcours UK de Reptilia et l&rsquo;airplay alternative US confirment que le deuxi\u00e8me album peut voyager. Le carnet de textes de Casablancas \u00e0 l&rsquo;\u00e9poque privil\u00e9gie les images courtes plut\u00f4t que la confession. La ligne sur les cheveux qu&rsquo;on arrange en est la preuve : le d\u00e9sastre est rapport\u00e9 comme petit d\u00e9tail domestique, raison pour laquelle le refrain reste sec plut\u00f4t que th\u00e9\u00e2tral.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb5361&Prime; img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790424982{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Vingt ans plus tard, le titre se lit encore comme la preuve que le deuxi\u00e8me album tenait, pas comme un tour d&rsquo;honneur du premier. Il n\u2019a pas invent\u00e9 le retour guitare indie du d\u00e9but des ann\u00e9es 2000, mais il lui a donn\u00e9 une des formes radio les plus claires : serr\u00e9e, s\u00e8che, termin\u00e9e avant qu\u2019on la rembourre. Sur sc\u00e8ne, Reptilia tient encore en milieu de set quand le public veut l\u2019\u00e9nergie Is This It sans ouvreur purement nostalgique. La figure de basse, le calage des guitares et le single du d\u00e9but 2004 restent les parties les plus nettes de cette sortie du second album.<\/p>\n<p style=\"text-align: justify;\">L\u2019entr\u00e9e de basse ouvre le morceau. Une fois les guitares l\u00e0, l\u2019arrangement laisse peu de place vide.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Reptilia des Strokes, 2e single de Room on Fire (2003\/04), est un morceau rock maigre produit par Gordon Raphael qui prouve que le quintet new-yorkais peut frapper deux fois.<\/p>\n","protected":false},"author":1,"featured_media":5370,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[311,503],"class_list":["post-5933","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-alternative-indie-punk-fr","tag-the-strokes-fr","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Strokes - Reptilia - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Reptilia des Strokes, 2e single de Room on Fire (2003\/04), est un morceau rock maigre produit par Gordon Raphael qui prouve que le quintet new-yorkais peut frapper deux fois.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/reptilia-the-strokes\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Strokes - Reptilia - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Reptilia des Strokes, 2e single de Room on Fire (2003\/04), est un morceau rock maigre produit par Gordon Raphael qui prouve que le quintet new-yorkais peut frapper deux fois.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/reptilia-the-strokes\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2018-12-29T10:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-11-09T06:11:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/882633-the-strokes-se-sont-formes-a-new-york-en-1998.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/titres\\\/reptilia-the-strokes\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/titres\\\/reptilia-the-strokes\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"The Strokes &#8211; 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