{"id":6233,"date":"2026-06-12T19:00:00","date_gmt":"2026-06-12T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/smalltown-boy-bronski-beat\/"},"modified":"2026-11-09T07:15:02","modified_gmt":"2026-11-09T06:15:02","slug":"smalltown-boy-bronski-beat","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/smalltown-boy-bronski-beat\/","title":{"rendered":"Bronski Beat – Smalltown Boy"},"content":{"rendered":"

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London Records, mai 1984 : partir de chez soi en radio de jour<\/h3>\n

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Le 25 mai 1984, London Records publie Smalltown Boy<\/em>, premier single de Bronski Beat. Jimmy Somerville, Steve Bronski et Larry Steinbachek l\u2019\u00e9crivent alors qu\u2019ils vivent \u00e0 Brixton, trio ouvertement gay \u00e0 une \u00e9poque o\u00f9 cela reste risqu\u00e9 sur la radio britannique de jour. Mike Thorne produit, apr\u00e8s des travaux qui incluent Tainted Love<\/em> de Soft Cell. L\u2019enregistrement a lieu au Garden \u00e0 Londres (studio de John Foxx), le mix \u00e0 Maison Rouge. Harvey Goldberg mixe ; Pete Griffiths est \u00e0 la prise. En octobre, le morceau ouvre l\u2019album The Age of Consent<\/em>. Les cr\u00e9dits d\u2019\u00e9criture sont partag\u00e9s entre Somerville, Bronski et Steinbachek. La version single UK dure environ quatre minutes ; la version album d\u00e9passe les cinq.<\/p>\n

Une figure de synth\u00e9 nette lance le titre, puis la voix haute de Somerville porte l\u2019histoire. Batterie programm\u00e9e, couleurs Yamaha DX7 et Memorymoog, s\u00e9quenceur Roland : le tempo reste dancefloor pendant que le texte reste pr\u00e9cis. Un jeune homme chass\u00e9 d\u2019une petite ville par le rejet familial et la violence de rue, bagages pr\u00eats pour une ville qui pourrait l\u2019accueillir. Des congas de John Folarin entrent dans l\u2019arrangement sans en faire un jam. Le clip, r\u00e9alis\u00e9 par Bernard Rose, suit le m\u00eame arc : agression, rejet parental, train du d\u00e9part. Aucun pronom cod\u00e9 ne masque le sujet. Le soutien de Radio 1 et un passage \u00e0 Top of the Pops<\/em> aident le single \u00e0 monter, apr\u00e8s l\u2019interdiction de Relax<\/em> de Frankie Goes To Hollywood qui avait d\u00e9j\u00e0 montr\u00e9 la tension autour de la pop queer en journ\u00e9e.<\/p>\n

Les classements confirment la port\u00e9e radio. Le single atteint la 3e place au Royaume-Uni en juin 1984, la 1re aux Pays-Bas et en Belgique, la 1re du classement Dance Club am\u00e9ricain et la 48e du Billboard Hot 100. Des tops 10 suivent en Europe, en Australie et au Canada. Sur la pochette de l\u2019album, le groupe liste les \u00e2ges de consentement pour les rapports homosexuels et h\u00e9t\u00e9rosexuels par pays : un tableau politique discret. Le num\u00e9ro du London Gay Switchboard s\u2019inscrit aussi dans le cadrage militant de la sortie. Les faces B de l\u2019\u00e9poque incluent Memories<\/em> et, sur le 12 pouces, Infatuation<\/em>.<\/p>\n

Comme premier single, Smalltown Boy<\/em> fixe la silhouette publique de Bronski Beat : pulse synth-pop, voix de Somerville au premier plan, r\u00e9cit queer de d\u00e9part de chez soi que la radio de jour a r\u00e9ellement diffus\u00e9. Remixes dance et playlists Pride ont ensuite gard\u00e9 le mix London Records en circulation. L\u2019original sonne toujours comme un reportage sur un tempo de club. La tristesse est pos\u00e9e sur un rythme. On dansait dessus avant d\u2019avoir lu tout le texte.<\/p>\n

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\n

Nous avons list\u00e9 \u00e0 l\u2019int\u00e9rieur de la pochette les \u00e2ges pour les rapports homosexuels et h\u00e9t\u00e9rosexuels dans tous les pays du monde et quand on voyait \u00e7a \u00e9crit noir sur blanc, la discrimination \u00e9tait stup\u00e9fiante.<\/p>\n<\/blockquote>\n

(Jimmy Somerville, The Guardian, 1984)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb17551″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790421376{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Ce qui se montre encore est simple : un hit du milieu des ann\u00e9es 80 qui a mis ce r\u00e9cit en radio de jour et sur les dancefloors et un mod\u00e8le que d\u2019autres citent encore quand la pop choisit de parler clair plut\u00f4t qu\u2019en code. La voix de Somerville arrive en premier. Une fois la batterie lanc\u00e9e, le texte se cache peu.<\/p>\n

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Smalltown Boy de Bronski Beat (London, mai 1984) a mis une histoire de d\u00e9part de chez soi ouvertement gay en radio de jour sur le pulse synth-pop de Mike Thorne.<\/p>\n","protected":false},"author":1,"featured_media":6223,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[535,457,467],"class_list":["post-6233","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-bronski-beat-fr","tag-newwave-electro-triphop-fr","tag-pop-fr-2","post_format-post-format-video"],"yoast_head":"\nBronski Beat - Smalltown Boy - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Smalltown Boy de Bronski Beat (London, mai 1984) a mis une histoire de d\u00e9part de chez soi ouvertement gay en radio de jour sur le pulse synth-pop de Mike Thorne.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/smalltown-boy-bronski-beat\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bronski Beat - 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